{"id":18112,"date":"2019-12-11T16:41:27","date_gmt":"2019-12-11T16:41:27","guid":{"rendered":"https:\/\/www.orlan.eu\/18112-2\/"},"modified":"2026-09-09T15:10:55","modified_gmt":"2026-09-09T15:10:55","slug":"18112-2","status":"publish","type":"page","link":"https:\/\/www.orlan.eu\/en\/","title":{"rendered":""},"content":{"rendered":"

Venice Biennale 2026, <\/span><\/strong>European Cultural Center, <\/span><\/strong>Palazzo Mora,
<\/span><\/strong>Personal Structures, <\/i><\/span><\/strong>We Are Inconsolable<\/i> <\/span><\/strong><\/h2>\n

May 9 through November 22, 2026
Curator: Francesca Carol Rolla
Director of the European Cultural Center: Sara Danieli
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ORLAN is inconsolable in the face of the proliferation of wars, the rise of extreme ideologies\u2014far-right movements, new forms of totalitarianism, masculinism, sexism, racism, homophobia\u2026\u2014and the strong resurgence of religious dogmas. The logic of domination is intensifying: the law of the strongest prevails, dictated by power, violence, and money. <\/span><\/h4>\n

ORLAN believes that artists have a responsibility\u2014that they must react and take a stand: Here, she shouts, screams, and cries\u2014in active and political anger. This rage becomes artistic material, a driving force for creation, and a gesture of resistance. <\/span><\/h4>\n

ORLAN creates manifesto self-portraits by blending traditional techniques with new technologies, including generative artificial intelligence. Her interventions in painting are sometimes visible, highly visible, barely visible, invisible, or simply implied. By scrutinizing the technique, the viewer is confronted with the conflicts that exist within both the works and the world. The spectator is no longer merely an \u201ceye\u201d; they move beyond passivity in the face of contemporary belligerence and recognize the urgency of both individual and collective responsibility. <\/span><\/h4>\n


The Centre Pompidou\u2014
National Museum of Modern Art\u2014announces the seven works from its collection that have changed the world <\/span><\/span><\/strong><\/h2>\n

Marcel Duchamp<\/strong>, \u201cFountain\u201d; Kasimir Malevich<\/strong>, \u201cBlack Square on a White Background\u201d; Yves Klein<\/strong>, \u201cAnt 82, Anthropometry of the Blue Period\u201d; Niki de Saint Phalle<\/strong>, \u201cTir\u201d; Piero Manzoni<\/strong>, \u201cMerda d\u2019artista\u201d; Valie Export<\/strong>, \u201cAktionshose: Genitalpanik,\u201d ORLAN<\/strong>, \u201cThe Artist\u2019s Kiss.\u201d <\/span><\/h4>\n

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ORLAN: Artistic Intelligences<\/em>,
Muffathalle, Munich, Germany, 2026 <\/strong><\/span><\/h2>\n

Curated by Dr. Jens Hauser, featuring the artist\u2019s \u201cSlow\u201d<\/em> concert-performance with Les T\u00e9tines Noires during the exhibition\u2019s opening reception<\/span><\/h4>\n

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ORLAN: Artistic Intelligences<\/em>, 2026<\/strong><\/span><\/h2>\n

Published by Muffathalle Munich<\/span>
On the occasion of the solo exhibition \u201cORLAN: Artistic Intelligences<\/em>,\u201d
, curated by Dr. Jens Hauser, Muffathalle, Munich<\/span><\/h4>\n

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ORLAN Combines Geometric Problems with AI & IAA,<\/em> 2025<\/strong><\/span><\/h2>\n\r\n

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ORLAN Toute(s), Ceysson <\/em>& B\u00e9n\u00e9ti\u00e8re, <\/em>Retrospective, Saint-\u00c9tienne, 2025 <\/strong><\/span><\/h2>\r\n

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ORLAN: HYBRIDS A.RTISTIC I.NTELLIGENCE<\/em>, POHANG MUSEUM OF STEEL ART, SOUTHKOREA<\/b>, 2025<\/strong><\/span><\/h2>\r\n

\"2f981566-d9ab-4d98-9bdd-9263f8d0e26c\"<\/a><\/p>\r\n

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ORLAN’S PARTICIPATION IN THE AI SUMMIT<\/em>, ” ” TH\u00c9\u00c2TRE DE L’OD\u00c9ON, Paris, 2025<\/strong><\/span><\/h2>\r\n

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Watch the video: ORLAN’s presentation at the AI summit\u2014Th\u00e9\u00e2tre de l’Od\u00e9on, February 11, 2025<\/a> <\/span><\/h4>\r\n

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I GIVE YOU PERMISSION TO BE ME, I GIVE MYSELF PERMISSION TO BE YOU,<\/em> , LA MAISON FRAN\u00c7AISE, NYU, NEW YORK, USA, 2024
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ORLAN: A RETROSPECTIVE<\/em>, THE OPENING GALLERY, NEW YORK, USA, 2024<\/strong><\/span><\/h2>\r\n

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STRIP-TEASE: ALL ABOUT MY LIFE, ALL ABOUT MY ART<\/em>, PUBLISHED BY THE EVERYDAY PRESS<\/span>
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<\/i>Strip-tease: Everything About My Life, Everything About My Art<\/em>, Gallimard<\/span>Strip-tease: Everything About My Life, Everything About My Art<\/em>, Edi\u00e7\u00f5es Sesc<\/span>
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ORLAN HYBRIDS AI, SPECIAL <\/i>RETROSPECTIVE EXHIBITION , PART OF THE GWANGJU BIENNALE OF CONTEMPORARY ART, GMAP, SOUTH KOREA, 2024<\/strong><\/span><\/h2>\r\n

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Omnipresence II,<\/em> Centre Pompidou, Paris, 2024<\/span>
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We would like to thank our friends at the Centre Pompidou for acquiring<\/span> this major work by ORLAN, based on a suggestion by Sophie Duplaix.<\/span><\/h4>\r\n\r\n

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Beauty and Monstrosity in Art and Culture, Published by Routledge, 2024<\/span><\/strong><\/h2>\r\n

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The endangered polar bear and new robots made from recycled objects and materials. <\/em><\/strong>Version 2, 2024<\/strong><\/span><\/h2>\r\n

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Disfiguration-Refiguration, Maya Self-Hybridizations: ORLAN hybridized with anthropomorphic Maya figures No. 13, Photo montage, 2022<\/strong><\/span><\/h2>\r\n

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ORLAN X CHARLIE LE MINDU 
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ORLAN X CAMILLE FOURNET, <\/strong><\/span>“DE CORPS EN CORPS” CAPSULE COLLECTION<\/strong>“<\/em><\/span>The endangered African forest elephant and new robots made from recycled objects and materials<\/span><\/em><\/h2>\r\n

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BECOMING ORLAN: CREATION AND EMANCIPATION,SESC PAULISTA S\u00c3O PAULO, 2023 <\/span><\/strong><\/h2>\r\n

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ORLAN – Visiting M\u00e9rida, 2022<\/span><\/strong><\/span><\/h2>\r\n

Edited by Leila Voight<\/span><\/strong><\/h2>\r\n

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 LE SLOW DE L’ARTISTE 2022-2023<\/strong><\/span><\/h3>\n

DOWNLOAD THE BOOK<\/a><\/p>\n

DOWNLOAD THE BOOK<\/a><\/p>\n

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