{"id":18237,"date":"2013-05-09T11:31:58","date_gmt":"2013-05-09T11:31:58","guid":{"rendered":"https:\/\/www.orlan.eu\/bio-biblio\/book-covers\/"},"modified":"2023-11-21T14:32:48","modified_gmt":"2023-11-21T14:32:48","slug":"book-covers","status":"publish","type":"page","link":"https:\/\/www.orlan.eu\/en\/bio-biblio\/book-covers\/","title":{"rendered":"Book covers"},"content":{"rendered":"\n<p><strong>HIBRIDACI\u00d3NES<br><\/strong>2023<br>Published by Fundaci\u00f3n la C\u00f9pula<\/p>\nngg_shortcode_0_placeholder\n<p>&#8220;<strong>ORLAN EN MERIDA&#8221;<br><\/strong>2023<br>Published by Fundaci\u00f3n la C\u00f9pula<\/p>\nngg_shortcode_1_placeholder\n<p><strong>&#8220;GUERLAIN Une Ic\u00f4ne Imp\u00e9riale&#8221; (An Imperial Icon)<\/strong><br>2023<br>Published by Assouline<\/p>\nngg_shortcode_2_placeholder\n<p>&nbsp;<\/p>\n<p><strong>&#8220;ORLAN: SIX DECADES<\/strong><br>2023<br>Published by Gabriele Schor &amp; Catherine Morris<\/p>\nngg_shortcode_3_placeholder\n<p><strong>&#8220;ORLAN: Stip-tease, all about my life, all about my art&#8221;<br><\/strong> Author : ORLAN<br>2021<br>Published by Gallimard<\/p>\n<p style=\"text-align: left;\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-12471 alignnone\" src=\"https:\/\/i0.wp.com\/www.orlan.eu\/wp-content\/uploads\/2023\/01\/Capture-decran-2023-01-13-a-16.26.54.png?resize=143%2C209\" alt=\"\" width=\"143\" height=\"209\" srcset=\"https:\/\/i0.wp.com\/www.orlan.eu\/wp-content\/uploads\/2023\/01\/Capture-decran-2023-01-13-a-16.26.54.png?w=644&amp;ssl=1 644w, https:\/\/i0.wp.com\/www.orlan.eu\/wp-content\/uploads\/2023\/01\/Capture-decran-2023-01-13-a-16.26.54.png?resize=68%2C100&amp;ssl=1 68w\" sizes=\"auto, (max-width: 143px) 100vw, 143px\" \/><\/p>\n<p><strong><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-8705\" src=\"https:\/\/i0.wp.com\/www.orlan.eu\/wp-content\/uploads\/2018\/05\/Couv_OrlanSITE-150x150.png?resize=148%2C148\" alt=\"\" width=\"148\" height=\"148\" srcset=\"https:\/\/i0.wp.com\/www.orlan.eu\/wp-content\/uploads\/2018\/05\/Couv_OrlanSITE.png?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/www.orlan.eu\/wp-content\/uploads\/2018\/05\/Couv_OrlanSITE.png?zoom=2&amp;resize=148%2C148&amp;ssl=1 296w, https:\/\/i0.wp.com\/www.orlan.eu\/wp-content\/uploads\/2018\/05\/Couv_OrlanSITE.png?zoom=3&amp;resize=148%2C148&amp;ssl=1 444w\" sizes=\"auto, (max-width: 148px) 100vw, 148px\" \/><\/strong><strong>&#8220;ORLANoid Hybrid Robot<\/strong><\/p>\n<p>Authors: Ariel Kyrou, Virginie Martin, Laurence Devillers and ORLAN.<\/p>\n<p>2018<\/p>\n<p>Published by \u00c9ditions Li\u00e9nart<\/p>\n<p>&nbsp;<\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-8368\" src=\"https:\/\/i0.wp.com\/www.orlan.eu\/wp-content\/uploads\/2013\/05\/ORLANencapitales.jpg?resize=150%2C227\" alt=\"\" width=\"150\" height=\"227\"><\/p>\n<p><strong>&#8220;ORLAN EN CAPITALES<\/strong><\/p>\n<p>Authors: J\u00e9r\u00f4me Neutres, Shelley Rice, Tatyana Franck<\/p>\n<p>2017<\/p>\n<p>Published by Skira Paris<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-6839 alignleft\" src=\"https:\/\/i0.wp.com\/www.orlan.eu\/wp-content\/uploads\/2013\/05\/2mwu_Capturedcran20160531202513.png?resize=148%2C172\" alt=\"2mwu_Capturedcran20160531202513\" width=\"148\" height=\"172\" srcset=\"https:\/\/i0.wp.com\/www.orlan.eu\/wp-content\/uploads\/2013\/05\/2mwu_Capturedcran20160531202513.png?w=638&amp;ssl=1 638w, https:\/\/i0.wp.com\/www.orlan.eu\/wp-content\/uploads\/2013\/05\/2mwu_Capturedcran20160531202513.png?resize=517%2C600&amp;ssl=1 517w\" sizes=\"auto, (max-width: 148px) 100vw, 148px\" \/><\/p>\n<p><strong>&#8220;ORLAN TechnoBody Retrospective 1966-2016<\/strong><\/p>\n<p>Authors: &nbsp;Moon Soon Park, Soukyoun Lee, Jinsang Yoo, Donatien Grau, Philippe Piguet, Imma Prieto, Domenico Quaranta<\/p>\n<p>2016<br \/>Published by SCALA<\/p>\n<p>&nbsp;<\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-6042 alignnone\" src=\"https:\/\/i0.wp.com\/www.orlan.eu\/wp-content\/uploads\/2013\/05\/Capture-d%E2%80%99%C3%A9cran-2016-02-07-%C3%A0-15.17.17-800x466.png?resize=600%2C349\" alt=\"Screenshot 2016-02-07 at 15.17.17\" width=\"600\" height=\"349\"><\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-6043\" src=\"https:\/\/i0.wp.com\/www.orlan.eu\/wp-content\/uploads\/2013\/05\/Capture-d%E2%80%99%C3%A9cran-2016-02-07-%C3%A0-15.17.36.png?resize=600%2C207\" alt=\"Screenshot 2016-02-07 at 15.17.36\" width=\"600\" height=\"207\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-6041\" src=\"https:\/\/i0.wp.com\/www.orlan.eu\/wp-content\/uploads\/2013\/05\/Capture-d%E2%80%99%C3%A9cran-2016-02-07-%C3%A0-15.17.55.png?resize=600%2C194\" alt=\"Screenshot 2016-02-07 at 15.17.55\" width=\"600\" height=\"194\"><\/p>\n<p><strong>ORLAN,&nbsp;Methode of the artiste<\/strong>, Centre national de la photographie, 2006<\/p>\n<p style=\"text-align: left;\"><span style=\"color: #666;\"><strong>ORLAN, M\u00e9thode de l&#8217;artiste<\/strong>, Centre national de la photographie, 2006<\/span><\/p>\nngg_shortcode_4_placeholder\n<p><img alt=\"\" width=\"800\" height=\"20\"><\/p>\n<p style=\"text-align: left;\"><strong>Magazyn Sztuki<\/strong>, Mutant Rebelion, 2004<\/p>\n<p style=\"text-align: left;\"><span style=\"color: #666;\"><strong>Magazyn Sztuki<\/strong>, Mutant Rebelion, 2004<\/span><\/p>\nngg_shortcode_5_placeholder\n<p><img alt=\"\" width=\"800\" height=\"20\"><\/p>\n<p style=\"text-align: left;\"><strong>All That Is Solid Melts Into Air<\/strong>, 2011<\/p>\n<p style=\"text-align: left;\"><span style=\"color: #666;\"><strong>Everything solid melts into air<\/strong>, 2011<\/span><\/p>\nngg_shortcode_6_placeholder\n<p><img alt=\"\" width=\"800\" height=\"20\"><\/p>\n<p style=\"text-align: left;\"><strong>The fiance of the devil<\/strong>, Ed. du Toucan, 2011<\/p>\n<p style=\"text-align: left;\"><span style=\"color: #666;\"><strong>Les Fianc\u00e9es du diable<\/strong>, Ed. du Toucan, 2011<\/span><\/p>\nngg_shortcode_7_placeholder\n<p><img alt=\"\" width=\"800\" height=\"20\"><\/p>\n<p style=\"text-align: left;\"><strong>The portrait in contemporary art<\/strong>, Patou edition, 2011<\/p>\n<p style=\"text-align: left;\"><span style=\"color: #666;\"><strong>Portraiture in contemporary art<\/strong>, Edition Patou, 2011<\/span><\/p>\nngg_shortcode_8_placeholder\n<p><img alt=\"\" width=\"800\" height=\"20\"><\/p>\n<p style=\"text-align: left;\"><strong>Contemporary art between the lines<\/strong>, PUF, 2013<\/p>\n<p style=\"text-align: left;\"><span style=\"color: #666;\"><strong>L&#8217;art contemporain entre les lignes<\/strong>, PUF, 2013<\/span><\/p>\nngg_shortcode_9_placeholder\n<p><img alt=\"\" width=\"800\" height=\"20\"><\/p>\n<p style=\"text-align: left;\"><strong>4th favorite element of ORLAN<\/strong>, L&#8217;ARTOTHEQUE, 2006<\/p>\n<p style=\"text-align: left;\"><span style=\"color: #666;\"><strong>El\u00e9ments favoris n&#8217;4 by ORLAN<\/strong>, L&#8217;ARTOTHEQUE, 2006<\/span><\/p>\nngg_shortcode_10_placeholder\n<p><img alt=\"\" width=\"800\" height=\"20\"><\/p>\n<p style=\"text-align: left;\"><strong>O R L A N monography numerique<\/strong>, J\u00e9riko, 2004<\/p>\n<p style=\"text-align: left;\"><span style=\"color: #666;\"><strong>O R L A N digital monograph<\/strong>, J\u00e9riko, 2004<\/span><\/p>\nngg_shortcode_11_placeholder\n<p><img alt=\"\" width=\"800\" height=\"20\"><\/p>\n<p style=\"text-align: left;\"><strong>O R L A N<\/strong>, Espace Liquido, 2006<\/p>\n<p style=\"text-align: left;\"><span style=\"color: #666;\"><strong>O R L A N<\/strong>, Espace Liquido, 2006<\/span><\/p>\nngg_shortcode_12_placeholder\n<p><img alt=\"\" width=\"800\" height=\"20\"><\/p>\n<p style=\"text-align: left;\"><strong>RIGA 2014<\/strong>, European Capital of culture, 2014<\/p>\n<p style=\"text-align: left;\"><span style=\"color: #666;\"><strong>RIGA 2014<\/strong>, European Capital of Culture, 2014<\/span><\/p>\nngg_shortcode_13_placeholder\n<p><img alt=\"\" width=\"800\" height=\"20\"><\/p>\n<p style=\"text-align: left;\"><strong>Unhuman Culture<\/strong>, University of Pennsylvania Press, 2010<\/p>\n<p style=\"text-align: left;\"><span style=\"color: #666;\"><strong>Inhuman Culture<\/strong>, University of Pennsylvania Press, 2010<\/span><\/p>\nngg_shortcode_14_placeholder\n<p><img alt=\"\" width=\"800\" height=\"20\"><\/p>\n<p style=\"text-align: left;\"><strong>Fabulous Harlequin: ORLAN and the Patchwork Self<\/strong>, University of Nebraska Press, 2010<\/p>\n<p style=\"text-align: left;\"><span style=\"color: #666;\"><strong>Fabulous Harlequin: ORLAN and the Personal Patchwork<\/strong>, University of Nebraska Press, 2010<\/span><\/p>\nngg_shortcode_15_placeholder\n<p><img alt=\"\" width=\"800\" height=\"20\"><\/p>\n<p style=\"text-align: left;\"><strong>ORLAN: This Is My Body&#8230;This Is My Software<\/strong>, Black Dog Publishing Ltd, 1996<\/p>\n<p style=\"text-align: left;\"><span style=\"color: #666;\"><strong>ORLAN: Ceci Est Mon Corps&#8230;Cesi Est Mon Logiciel<\/strong>, Black Dog Publishing Ltd, 1996<\/span><\/p>\nngg_shortcode_16_placeholder\n<p><img alt=\"\" width=\"800\" height=\"20\"><\/p>\n<p style=\"text-align: left;\"><strong>ORLAN<\/strong>, Murcia Cultural, 2008<\/p>\n<p style=\"text-align: left;\"><span style=\"color: #666;\"><strong>ORLAN<\/strong>, Murcia Cultural, 2008<\/span><\/p>\nngg_shortcode_17_placeholder\n<p><img alt=\"\" width=\"800\" height=\"20\"><\/p>\n<p style=\"text-align: left;\"><strong>ORLAN: Millennial Female<\/strong>, Berg Publishers, 2000<\/p>\n<p style=\"text-align: left;\"><span style=\"color: #666;\"><strong>ORLAN: Femme du mill\u00e9naire<\/strong>, Berg Publishers, 2000<\/span><\/p>\nngg_shortcode_18_placeholder\n<p><img alt=\"\" width=\"800\" height=\"20\"><\/p>\n<p style=\"text-align: left;\"><strong>The Artist&#8217;s body<\/strong>, Phaidon, 2006<\/p>\n<p style=\"text-align: left;\"><span style=\"color: #666;\"><strong>The artist&#8217;s body<\/strong>, Phaidon, 2006<\/span><\/p>\nngg_shortcode_19_placeholder\n<p><img alt=\"\" width=\"800\" height=\"20\"><\/p>\n<p style=\"text-align: left;\"><strong>Art and Feminism<\/strong>, Phaidon, 2001<\/p>\n<p style=\"text-align: left;\"><span style=\"color: #666;\"><strong>Art and Feminism<\/strong>, Phaidon, 2001<\/span><\/p>\nngg_shortcode_20_placeholder\n<p><img alt=\"\" width=\"800\" height=\"20\"><\/p>\n<p style=\"text-align: left;\"><strong>The art in the electronic age <\/strong>, Fernand Hazan, 1993<\/p>\n<p style=\"text-align: left;\"><span style=\"color: #666;\"><strong>Art in the electronic age<\/strong>, Fernand Hazan, 1993<\/span><\/p>\nngg_shortcode_21_placeholder\n<p><img alt=\"\" width=\"800\" height=\"20\"><\/p>\n<p style=\"text-align: left;\"><strong>From Acting to Performance: Essays in Modernism and Postmodernism <\/strong>, Routledge, 1997<\/p>\n<p style=\"text-align: left;\"><span style=\"color: #666;\"><strong>De l&#8217;acte \u00e0 la performance: Essai dans le modernisme et Postmodernisme<\/strong>, Routledge, 1997<\/span><\/p>\nngg_shortcode_22_placeholder\n<p><img alt=\"\" width=\"800\" height=\"20\"><\/p>\n<p style=\"text-align: left;\"><strong>Second Skins &#8211; The Body Narratives of Transsexuality<\/strong>, Columbia University Press, 1998<\/p>\n<p style=\"text-align: left;\"><span style=\"color: #666;\"><strong>Secondes Peaux &#8211; Le r\u00e9cit des corps transexuels<\/strong>, Columbia University Press, 1998<\/span><\/p>\nngg_shortcode_23_placeholder\n<p><img alt=\"\" width=\"800\" height=\"20\"><\/p>\n<p style=\"text-align: left;\"><strong>ORLAN triumph of Baroque<\/strong>, Images En Manoeuvres, 2000<\/p>\n<p style=\"text-align: left;\"><span style=\"color: #666;\"><strong>ORLAN triumphs over the Baroque<\/strong>, Images En Manoeuvres, 2000<\/span><\/p>\nngg_shortcode_24_placeholder\n<p><img alt=\"\" width=\"800\" height=\"20\"><\/p>\n<p style=\"text-align: left;\"><strong>Communications, n\u00b092. Performance. The exposed body<\/strong>Edition du Seuil, 2013<\/p>\nngg_shortcode_25_placeholder\n<p><img alt=\"\" width=\"800\" height=\"20\"><\/p>\n<p style=\"text-align: left;\"><strong>Primitivism and Photography<\/strong>, editions trocadero, 2013<\/p>\n<p style=\"text-align: left;\"><span style=\"color: #666;\"><strong>Primitivism in Photography<\/strong>, editions trocadero, 2013<\/span><\/p>\nngg_shortcode_26_placeholder\n<p><img alt=\"\" width=\"800\" height=\"20\"><\/p>\n<p style=\"text-align: left;\"><strong>ORLAN, MeasuRAGES(1968-2012) Action: ORLAN-Body<\/strong>, Catalogue of M HKA, 2012<\/p>\n<p style=\"text-align: left;\"><span style=\"color: #666;\"><strong>ORLAN, MesuRAGES(1968-2012) Action: ORLAN-Corps<\/strong>, M HKA catalog, 2012<\/span><\/p>\nngg_shortcode_27_placeholder\n<p><img alt=\"\" width=\"800\" height=\"20\"><\/p>\n<p style=\"text-align: left;\"><strong>ORLAN: a hybrid body of artworks<\/strong>, Routledge Editions, 2010<\/p>\n<p style=\"text-align: left;\"><span style=\"color: #666;\"><strong>Edited by Simon Donger with Simon Shepherd and ORLAN<\/strong><br \/>ngg_shortcode_28_placeholder<\/span><\/p>\n<p><img alt=\"\" width=\"800\" height=\"20\"><\/p>\n<p style=\"text-align: left;\"><strong>ORLAN, The Narrative<\/strong>, Edizioni Charta, 2007<\/p>\n<p style=\"text-align: left;\"><span style=\"color: #666;\"><strong>ORLAN, Le R\u00e9cit<\/strong>, Edizioni Charta, 2007<\/span><\/p>\nngg_shortcode_29_placeholder\n<p><img alt=\"\" width=\"800\" height=\"20\"><\/p>\n<p style=\"text-align: left;\"><strong>L&#8217;art contemporain en France<\/strong>, Publisher: Flammarion; Edition: revised and expanded edition, 2005<\/p>\n<p style=\"text-align: left;\"><span style=\"color: #666;\"><strong>Catherine Millet<\/strong><\/span><\/p>\nngg_shortcode_30_placeholder\n<p><img alt=\"\" width=\"800\" height=\"20\"><\/p>\n<p style=\"text-align: left;\"><strong>ORLAN Carnal Art<\/strong>, Flammarion Editions, 2004<\/p>\n<p style=\"text-align: left;\"><span style=\"color: #666;\"><strong>ORLAN<\/strong>, Flammarion \u00c9ditions, 2004<\/span><\/p>\nngg_shortcode_31_placeholder\n<p><img alt=\"\" width=\"800\" height=\"20\"><\/p>\n<p style=\"text-align: left;\"><strong>ETC. Montr\u00e9al, no. 60<\/strong>December 2002, January, February, 2003<\/p>\nngg_shortcode_32_placeholder\n<p><img alt=\"\" width=\"800\" height=\"20\"><\/p>\n<p style=\"text-align: left;\"><strong>Avatar<\/strong>, Meltemi Editore, 2001<\/p>\nngg_shortcode_33_placeholder\n<p><img alt=\"\" width=\"800\" height=\"20\"><\/p>\n<p style=\"text-align: left;\"><strong>Art \u00e0 Mort<\/strong>, L\u00e9o Scheer \u00c9ditions, 2001<\/p>\nngg_shortcode_34_placeholder\n<p><img alt=\"\" width=\"800\" height=\"20\"><\/p>\n<p style=\"text-align: left;\"><strong>Beaux Arts Magazine, Le Magazine De L&#8217;actualit\u00e9 N\u00b0 174<\/strong>, Beaux Arts S. A., 1998<\/p>\nngg_shortcode_35_placeholder\n<p><img alt=\"\" width=\"800\" height=\"20\"><\/p>\n<p style=\"text-align: left;\"><strong>Believe: Walter Van Beirendonck and Wild and Lethal Trash<\/strong>, NAi Publishers\/Museums Boijmans Van Beuningen, 1998<\/p>\nngg_shortcode_36_placeholder\n<p><img alt=\"\" width=\"800\" height=\"20\"><\/p>\n<p style=\"text-align: left;\"><strong>From Acting to Performance: Essays in Modernism and Postmodernism<\/strong>, Routledge, 1997<\/p>\nngg_shortcode_37_placeholder\n<p><img alt=\"\" width=\"800\" height=\"20\"><\/p>\n<p style=\"text-align: left;\"><strong>L&#8217;art au corps: le corps expos\u00e9 de Man Ray \u00e0 nos jours<\/strong>, Mus\u00e9es de Marseille, 1996<\/p>\nngg_shortcode_38_placeholder\n<p><img alt=\"\" width=\"800\" height=\"20\"><\/p>\n<p style=\"text-align: left;\"><strong>Fiction International 29: Pain<\/strong>, San Diego State University, 1996<\/p>\nngg_shortcode_39_placeholder\n<p><img alt=\"\" width=\"800\" height=\"20\"><\/p>\n<p style=\"text-align: left;\"><strong>Kroppen som membran<\/strong>, Kunsthallen Brandts Kl\u00e6defabrik, 1996<\/p>\n<p style=\"text-align: left;\"><span style=\"color: #666;\"><strong>Body as a Membrane<\/strong>, Kunsthallen Brandts Kl\u00e6defabrik, 1996<\/span><\/p>\nngg_shortcode_40_placeholder\n<p><img alt=\"\" width=\"800\" height=\"20\"><\/p>\n<p style=\"text-align: left;\"><strong>Feminism and Contemporary Art: The Revolutionary Power of Women&#8217;s Laughter<\/strong>, Routledge, 1996<\/p>\nngg_shortcode_41_placeholder\n<p><img alt=\"\" width=\"800\" height=\"20\"><\/p>\n<p style=\"text-align: left;\"><strong>The Emptiness of the Image: Psychoanalysis and Sexual Differences<\/strong>, Routledge, 1995<\/p>\nngg_shortcode_42_placeholder\n<p><img alt=\"\" width=\"800\" height=\"20\"><\/p>\n<p style=\"text-align: left;\"><strong>Arte in Francia: 1970-1993<\/strong>, Edizioni Mazzotta, 1994<\/p>\n<p style=\"text-align: left;\"><span style=\"color: #666;\"><strong>Art en France: 1970-1993<\/strong>, Mazzotta \u00c9ditions , 1994<\/span><\/p>\nngg_shortcode_43_placeholder\n<p><img alt=\"\" width=\"800\" height=\"20\"><\/p>\n<p style=\"text-align: left;\"><strong>DARS, periodico d&#8217;arte contemporanea l&#8217;angoscia<\/strong>, 1992<\/p>\nngg_shortcode_44_placeholder\n<p><img alt=\"\" width=\"800\" height=\"20\"><\/p>\n<p style=\"text-align: left;\"><strong>L&#8217;Acte pour l&#8217;Art<\/strong>, \u00c9diteurs \u00c9vidant, 1988<\/p>\nngg_shortcode_45_placeholder\n","protected":false},"excerpt":{"rendered":"<p>HIBRIDACI\u00d3NES2023Published by Fundaci\u00f3n la C\u00f9pula &#8220;ORLAN EN MERIDA&#8221;2023Published by Fundaci\u00f3n la C\u00f9pula &#8220;GUERLAIN Une Ic\u00f4ne Imp\u00e9riale&#8221; (An Imperial Icon)2023Published by Assouline &nbsp; &#8220;ORLAN: SIX DECADES2023Published by Gabriele Schor &amp; Catherine Morris &#8220;ORLAN: Stip-tease, all about my life, all about my art&#8221; Author : ORLAN2021Published by Gallimard &#8220;ORLANoid Hybrid Robot Authors: Ariel Kyrou, Virginie Martin, Laurence [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":18206,"menu_order":1,"comment_status":"closed","ping_status":"open","template":"","meta":{"_eb_attr":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_s2mail":"","ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-18237","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.orlan.eu\/en\/wp-json\/wp\/v2\/pages\/18237","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.orlan.eu\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.orlan.eu\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.orlan.eu\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.orlan.eu\/en\/wp-json\/wp\/v2\/comments?post=18237"}],"version-history":[{"count":2,"href":"https:\/\/www.orlan.eu\/en\/wp-json\/wp\/v2\/pages\/18237\/revisions"}],"predecessor-version":[{"id":18239,"href":"https:\/\/www.orlan.eu\/en\/wp-json\/wp\/v2\/pages\/18237\/revisions\/18239"}],"up":[{"embeddable":true,"href":"https:\/\/www.orlan.eu\/en\/wp-json\/wp\/v2\/pages\/18206"}],"wp:attachment":[{"href":"https:\/\/www.orlan.eu\/en\/wp-json\/wp\/v2\/media?parent=18237"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}