{"id":18237,"date":"2013-05-09T11:31:58","date_gmt":"2013-05-09T11:31:58","guid":{"rendered":"https:\/\/www.orlan.eu\/bio-biblio\/book-covers\/"},"modified":"2026-09-09T15:10:38","modified_gmt":"2026-09-09T15:10:38","slug":"book-covers","status":"publish","type":"page","link":"https:\/\/www.orlan.eu\/en\/bio-biblio\/book-covers\/","title":{"rendered":"Book covers"},"content":{"rendered":"

ORLAN <\/strong><\/p>\n

2026<\/p>\n

Published by Maison Elsa Triolet-Aragon<\/p>\n

On the occasion of the exhibition \u201cORLAN,\u201d curated by Caroline Bruant, Maison Elsa Triolet-Aragon, Saint-Arnoult-en-Yvelines<\/p>\nngg_shortcode_0_placeholder\n\r\n

“ORLAN: Artistic Intelligences”
<\/strong><\/p>\r\n

2026<\/span>
<\/strong><\/p>\r\n

Published by Muffathalle MunichOn the occasion of the exhibition ORLAN: Artistic Intelligences, curated by Dr. Jens Hauser, Muffathalle, Munich<\/p>\r\n\r\nngg_shortcode_1_placeholder\r\n\r\n

 <\/p>\r\n

“ORLAN hybrids”
<\/strong><\/p>\r\n

2025<\/span>
<\/strong><\/p>\r\n

Published by the Pohang Museum of Steel Art<\/p>\r\n\r\nngg_shortcode_2_placeholder\r\n\r\n

 <\/p>\r\n

“Striptease: All About My Life, All About My Art”<\/strong><\/p>\r\n

2024<\/p>\r\n

Published by the Everyday Press<\/p>\r\n\r\nngg_shortcode_3_placeholder\r\n\r\n

“Arte”<\/strong><\/p>\r\n

2024<\/p>\r\n

Published by the Portuguese Screen Printing Center<\/p>\r\n\r\nngg_shortcode_4_placeholder\r\n\r\n

“Trophy Lives”<\/strong><\/p>\r\n

2024<\/p>\r\n

Published by Mack<\/p>\r\n\r\nngg_shortcode_5_placeholder\r\n\r\n

“I give you permission to be me, and I give myself permission to be you”<\/strong><\/p>\r\n

2024<\/p>\r\n

Published by CSP<\/p>\r\n\r\nngg_shortcode_6_placeholder\r\n\r\n

“The Infinite Woman”<\/strong><\/p>\r\n

2024<\/p>\r\n

Published by Dilecta<\/p>\r\n\r\nngg_shortcode_7_placeholder\r\n\r\n

 <\/p>\r\n

“Beauty and Monstrosity in Art and Culture”<\/b><\/p>\r\n

2024<\/p>\r\n

Published by Routledge<\/p>\r\n\r\nngg_shortcode_8_placeholder\r\n\r\n

“A Mina Historia\u2026 Da Arte” <\/b><\/p>\r\n

2023<\/p>\r\n

Published by the City Council of A Coru\u00f1a<\/p>\r\n\r\nngg_shortcode_9_placeholder\r\n\r\n

“THAT’S WHAT THE PROTEST IS ALL ABOUT”<\/b><\/p>\r\n

2023<\/p>\r\n

Published by Bonart Cultural<\/p>\r\n\r\nngg_shortcode_10_placeholder\r\n\r\n

“ORLAN, Striptease: Everything About My Life, Everything About My Art”<\/strong><\/p>\r\n

2023<\/p>\r\n

Published by Edicoes Sesc<\/p>\r\n\r\nngg_shortcode_11_placeholder\r\n\r\n

“HIBRIDACI\u00d3NES”<\/strong>2023Published by Fundaci\u00f3n la C\u00f9pula<\/p>\r\n\r\nngg_shortcode_12_placeholder\r\n\r\n

“ORLAN IN M\u00c9RIDA”<\/strong>2023Published by Fundaci\u00f3n la C\u00f9pula<\/p>\r\n\r\nngg_shortcode_13_placeholder\r\n\r\n

 <\/p>\r\n

“ORLAN: SIX DECADES”<\/strong>, 2023Published by Hatje Cantz<\/p>\r\n\r\nngg_shortcode_14_placeholder\r\n\r\n

“Guerlain: An Imperial Icon”<\/strong><\/p>\r\n

2023<\/p>\r\n

Published by Assouline<\/p>\r\n\r\nngg_shortcode_15_placeholder\r\n\r\n

“Money in Art”<\/strong><\/p>\r\n

2023<\/p>\r\n

Published by in Fine<\/p>\r\n\r\nngg_shortcode_16_placeholder\r\n\r\n

“The Films of Sainte-ORLAN”<\/strong><\/p>\r\n

2022<\/p>\r\n

Published by Fundatia culturala intact<\/p>\r\n\r\nngg_shortcode_17_placeholder\r\n\r\n

“ORLAN Manifesto”<\/strong><\/p>\r\n

2022<\/p>\r\n

Published by Manuella<\/p>\r\n\r\nngg_shortcode_18_placeholder\r\n\r\n

“Women who cry are angry”<\/strong><\/p>\r\n

2021<\/p>\r\n

Published by Jannink<\/p>\r\n\r\nngg_shortcode_19_placeholder\r\n\r\n

“ORLAN: Striptease, Everything About My Life, Everything About My Art”<\/strong> 2021<\/p>\r\n

Published by Gallimard<\/p>\r\n\r\nngg_shortcode_20_placeholder\r\n\r\n

 <\/p>\r\n

“ORLANoid Hybrid Robot<\/strong><\/p>\n

2018<\/p>\n

Published by \u00c9ditions Li\u00e9nart<\/p>\nngg_shortcode_21_placeholder\n

 <\/p>\n

 <\/p>\n

“Artists” and “Robots”<\/strong><\/p>\n

2018<\/p>\n

Published by Flammarion<\/p>\nngg_shortcode_22_placeholder\n

“ORLAN Before ORLAN”<\/strong><\/p>\n

2018<\/p>\n

Published by Ceysson<\/p>\nngg_shortcode_23_placeholder\n

“ORLAN before ORLAN”<\/strong><\/p>\n

2018<\/p>\n

Published by Ceysson<\/p>\nngg_shortcode_24_placeholder\n

 <\/p>\n

“ORLAN EN CAPITALES<\/strong><\/p>\n

2017<\/p>\n

Published by Skira Paris<\/p>\nngg_shortcode_25_placeholder\n

 <\/p>\n

“Exogenous”<\/strong> <\/p>\n

2017<\/p>\n

Published by AcquAvivA<\/p>\nngg_shortcode_26_placeholder\n

 <\/p>\n

“ORLAN TechnoBody Retrospective 1966-2016<\/strong><\/p>\n

2016
Published by SCALA<\/p>\nngg_shortcode_27_placeholder\n

 <\/p>\n

“The Feminist Avant-Garde of the 1970s: Art of the 1970s”<\/strong><\/p>\n

2016<\/p>\n

Published by Prestel<\/p>\nngg_shortcode_28_placeholder\n

 <\/p>\n

“ORLAN. Stripping Cells Down to the Bone”<\/strong><\/p>\n

2015<\/p>\n

Published by Scala<\/p>\nngg_shortcode_29_placeholder\n

 <\/p>\n

“ORLAN, BAROQUE ZOOM: FOLDS AND UNFOLDS” ARTIST’S BOOK<\/strong><\/p>\n

2015<\/p>\n

Published by Edizioni Peccolo Livorno<\/p>\nngg_shortcode_30_placeholder\n

 <\/p>\n

“Contemporary Art Between the Lines”<\/strong> <\/p>\n

2013<\/p>\n

Published by PUF<\/p>\nngg_shortcode_31_placeholder\n

\"\"<\/p>\n

“Communications, No. 92. Performance. The Body on Display” <\/strong><\/p>\n

2013<\/p>\n

Published by Seuil<\/p>\nngg_shortcode_32_placeholder\n

\"\"<\/p>\n

“Primitivism and Photography”<\/strong><\/p>\n

2013<\/p>\n

Published by Trocadero<\/p>\nngg_shortcode_33_placeholder\n

\"\"<\/p>\n

“ORLAN, MeasuRAGES (1968\u20132012) Action: ORLAN-Body”<\/strong><\/p>\n

2012<\/p>\n

Published by the M HKA Catalog<\/p>\nngg_shortcode_34_placeholder\n

 <\/p>\n

“ORLAN: A Word on the Tip of My Tongue”<\/strong><\/p>\n

2011<\/p>\n

Published by Fage Eds<\/p>\nngg_shortcode_35_placeholder\n

 <\/div>\n

“All That Is Solid Melts Into Air”<\/strong><\/p>\n

 2011<\/p>\nngg_shortcode_36_placeholder\n

 <\/p>\n

“The Portrait in Contemporary Art”<\/strong><\/p>\n

2011<\/p>\n

Published by Patou <\/p>\nngg_shortcode_37_placeholder\n

 <\/p>\n

“The Devil’s Fianc\u00e9e”<\/strong><\/p>\n

2011<\/p>\n

Published by du Toucan <\/p>\nngg_shortcode_38_placeholder\n

 <\/p>\n

“Mixed Unions, Free Marriages, and Barbaric Weddings”<\/strong><\/p>\n

2010<\/p>\n

Published by Dilecta<\/p>\nngg_shortcode_39_placeholder\n

 <\/div>\n
 <\/div>\n

“Fabulous Harlequin: ORLAN and the Patchwork Self”<\/strong><\/p>\n

2010<\/p>\n

Published by the University of Nebraska Press<\/p>\nngg_shortcode_40_placeholder\n

 <\/p>\n

“Unhuman Culture”<\/strong> <\/p>\n

2010<\/p>\n

Published by the University of Pennsylvania Press <\/p>\nngg_shortcode_41_placeholder\n

\"\"<\/p>\n

“ORLAN: A Hybrid Body of Artworks”<\/strong><\/p>\n

2010<\/p>\n

Published by Routledge Editions<\/p>\n

 ngg_shortcode_42_placeholder<\/span><\/p>\n

 <\/p>\n

“ORLAN” <\/strong><\/p>\n

2008<\/p>\n

Published by Murcia Cultural<\/p>\nngg_shortcode_43_placeholder\n

\"\"<\/p>\n

ORLAN, *The Narrative*<\/strong>,<\/p>\n

2007<\/p>\n

Published by Charta<\/p>\nngg_shortcode_44_placeholder\n

“Apple Butt and Little Flowers” <\/strong><\/p>\n

2007<\/p>\n

Published by Jannick<\/p>\nngg_shortcode_45_placeholder\n

“ORLAN, The Artist’s Method”<\/strong><\/p>\n

2006<\/p>\n

Published by the National Center for Photography <\/p>\nngg_shortcode_46_placeholder\n

 <\/p>\n

“ORLAN’s 4th favorite element”<\/strong> <\/p>\n

2006<\/p>\n

Published by L’ARTOTHEQUE<\/p>\nngg_shortcode_47_placeholder\n

 <\/p>\n

“The Artist’s Body” <\/strong><\/p>\n

2006<\/p>\n

Published by Phaidon<\/p>\nngg_shortcode_48_placeholder\n

\"\"<\/p>\n

“Contemporary Art in France”<\/strong><\/p>\n

2005<\/p>\n

Published by Flammarion<\/p>\nngg_shortcode_49_placeholder\n

 <\/p>\n

“Magazyn Sztuki”<\/strong><\/p>\n

2004<\/p>\n

Published by Mutant Rebelion<\/p>\nngg_shortcode_50_placeholder\n

 <\/p>\n

“O R L A N Digital Monograph”<\/strong><\/p>\n

2004<\/p>\n

Published by J\u00e9riko<\/p>\nngg_shortcode_51_placeholder\n

 <\/p>\n

“ORLAN, CARNAL ART”<\/strong><\/p>\n

2004<\/p>\n

Published by Flammarion<\/p>\nngg_shortcode_52_placeholder\n

\"\"<\/p>\n

ETC. Montr\u00e9al, no. 60 <\/strong>December 2002, January, February, 2003<\/p>\nngg_shortcode_53_placeholder\n

 <\/p>\n

“Art and Feminism” <\/strong><\/p>\n

2001<\/p>\n

Published by Phaidon<\/p>\nngg_shortcode_54_placeholder\n

\"\"<\/p>\n

“Avatar”<\/strong><\/p>\n

2001<\/p>\n

Published by Meltemi Editore<\/p>\nngg_shortcode_55_placeholder\n

\"\"<\/p>\n

“Art to the Death”<\/strong> <\/p>\n

2001<\/p>\n

Published by L\u00e9o Scheer \u00c9ditions <\/p>\nngg_shortcode_56_placeholder\n

 <\/p>\n

“ORLAN: Millennial Female”<\/strong><\/p>\n

2000<\/p>\n

Published by Berg <\/p>\nngg_shortcode_57_placeholder\n

 <\/p>\n

“ORLAN: Triumph of the Baroque”<\/strong><\/p>\n

2000<\/p>\n

Published by Images En Manoeuvres <\/p>\nngg_shortcode_58_placeholder\"\"<\/p>\n

“Beaux Arts Magazine, The News Magazine No. 174”<\/strong><\/p>\n

1998<\/p>\n

Published by Beaux Arts S.A. <\/p>\nngg_shortcode_59_placeholder\n

\"\"<\/p>\n

“Believe: Walter Van Beirendonck and Wild and Lethal Trash”<\/strong><\/p>\n

1998<\/p>\n

Published by NAi Publishers\/Boijmans Van Beuningen Museum <\/p>\nngg_shortcode_60_placeholder\n

 <\/p>\n

“Second Skins – The Body Narratives of Transsexuality”<\/strong> <\/p>\n

1998<\/p>\n

Published by Columbia University Press <\/p>\nngg_shortcode_61_placeholder\n

\"\"<\/p>\n

“From Acting to Performance: Essays on Modernism and Postmodernism<\/strong><\/p>\n

1997<\/p>\n

Published by Routledge <\/p>\nngg_shortcode_62_placeholder\n

 <\/p>\n

“From Sensual Art to the Artist’s Kiss”<\/strong><\/p>\n

1997<\/p>\n

Published by Nouvelles Editions Place<\/p>\n

\nngg_shortcode_63_placeholder\n<\/div>\n
 <\/div>\n

“ORLAN: This Is My Body…This Is My Software”<\/strong><\/p>\n

1996<\/p>\n

Published by Black Dog Publishing Ltd <\/p>\nngg_shortcode_64_placeholder\n

\"\"<\/p>\n

“Art and the Body: The Exposed Body from Man Ray to the Present”<\/strong><\/p>\n

1996<\/p>\n

Published by Mus\u00e9es de Marseille <\/p>\nngg_shortcode_65_placeholder\n

\"\"<\/p>\n

“Fiction International 29: Bread”<\/strong> <\/p>\n

1996<\/p>\n

Published by San Diego State University <\/p>\nngg_shortcode_66_placeholder\n

\"\"<\/p>\n

“The Body as a Membrane”<\/strong><\/p>\n

1996<\/p>\n

Published by Kunsthallen Brandts Kl\u00e6defabrik <\/p>\nngg_shortcode_67_placeholder\n

\"\"<\/p>\n

“Feminism and Contemporary Art: The Revolutionary Power of Women’s Laughter”<\/strong><\/p>\n

1996<\/p>\n

Published by Routledge<\/p>\nngg_shortcode_68_placeholder\n

\"\"<\/p>\n

“The Emptiness of the Image: Psychoanalysis and Sexual Differences”<\/strong><\/p>\n

1995<\/p>\n

Published by Routledge<\/p>\nngg_shortcode_69_placeholder\n

\"\"<\/p>\n

“Art in France: 1970\u20131993”<\/strong><\/p>\n

1994<\/p>\n

Published by Mazzotta<\/p>\n

ngg_shortcode_70_placeholder\n

 <\/p>\n

“Art in the Electronic Age”<\/strong><\/p>\n

1993<\/p>\n

Published by Fernand Hazan <\/p>\nngg_shortcode_71_placeholder\n

\"\"<\/p>\n

“DARS, a contemporary art magazine: ‘Anguish'”<\/strong> <\/p>\n

1992<\/p>\nngg_shortcode_72_placeholder\n

\"\"<\/p>\n

“The Act for Art”<\/strong><\/p>\n

1988<\/p>\n

Published by \u00c9diteurs \u00c9vidant <\/p>\nngg_shortcode_73_placeholder\n

“Performances”<\/strong><\/p>\n

1979<\/p>\n

Published by Cirque Divers<\/p>\nngg_shortcode_74_placeholder\n

“Written Prose. Preface by Henri de Simon Faure – Pictorial Complicity, preface by Lell Boehm”<\/strong><\/p>\n

1967<\/p>\n

Published by the Lithographic Printing House in Saint-\u00c9tienne<\/p>\nngg_shortcode_75_placeholder\n","protected":false},"excerpt":{"rendered":"

ORLAN 2026 Published by Maison Elsa Triolet-Aragon On the occasion of the exhibition \u201cORLAN,\u201d curated by Caroline Bruant, Maison Elsa Triolet-Aragon, Saint-Arnoult-en-Yvelines “ORLAN: Artistic Intelligences” 2026 Published by Muffathalle MunichOn the occasion of the exhibition ORLAN: Artistic Intelligences, curated by Dr. Jens Hauser, Muffathalle, Munich   “ORLAN hybrids” 2025 Published by the Pohang Museum of […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":18206,"menu_order":1,"comment_status":"closed","ping_status":"open","template":"","meta":{"_eb_attr":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_s2mail":"","ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-18237","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.orlan.eu\/en\/wp-json\/wp\/v2\/pages\/18237","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.orlan.eu\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.orlan.eu\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.orlan.eu\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.orlan.eu\/en\/wp-json\/wp\/v2\/comments?post=18237"}],"version-history":[{"count":3,"href":"https:\/\/www.orlan.eu\/en\/wp-json\/wp\/v2\/pages\/18237\/revisions"}],"predecessor-version":[{"id":23896,"href":"https:\/\/www.orlan.eu\/en\/wp-json\/wp\/v2\/pages\/18237\/revisions\/23896"}],"up":[{"embeddable":true,"href":"https:\/\/www.orlan.eu\/en\/wp-json\/wp\/v2\/pages\/18206"}],"wp:attachment":[{"href":"https:\/\/www.orlan.eu\/en\/wp-json\/wp\/v2\/media?parent=18237"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}