{"id":18250,"date":"2010-03-25T13:59:45","date_gmt":"2010-03-25T13:59:45","guid":{"rendered":"https:\/\/www.orlan.eu\/bio-biblio\/exhibition-catalogs\/"},"modified":"2026-09-09T13:59:27","modified_gmt":"2026-09-09T13:59:27","slug":"exhibition-catalogs","status":"publish","type":"page","link":"https:\/\/www.orlan.eu\/en\/bio-biblio\/exhibition-catalogs\/","title":{"rendered":"Exhibition catalogs"},"content":{"rendered":"

 <\/p>\n

2026 <\/strong><\/p>\n

ORLAN, Jens Hauser, Dietmar Lupfer, Donatien Grau, Primavera De Filippi, <\/span>\u201cORLAN: Artistic Intelligences\u201d<\/b>, Muffathalle Publications, Munich<\/span><\/p>\n

2025<\/strong><\/p>\n

La Marrade<\/strong><\/em>, Art, Humor, and Feminism, LAAC, El Visio Publishing, Dunkirk, 95 pages, p. 7, p. 38, p. 56\/59 <\/span><\/p>\n

Feminist Avant-Garde – Art of the 1970s, Verbund Collection, Vienna, Gabriele Schor, <\/span>Exposed Body, Body<\/strong> for Sale<\/strong>,<\/span><\/i> pp. 350\u2013361<\/span><\/p>\n

Catalog for the exhibition of the collection marking the 20th anniversary of the MAC VAL, <\/span>The Ideal Genre<\/i>, <\/strong>In principle, an<\/strong> attempt at exhaustion<\/strong><\/span><\/i>, MAC VAL, 247 pages, p. 176  <\/span><\/p>\n

Denis Curti, <\/span>Deep Beauty: The Doubt of Beauty <\/i><\/strong>, 24 ORE, 159 pages, p. 31<\/span><\/p>\n

\u201cORLAN hybrids,\u201d <\/b>Published by the Pohang Museum of Steel Art, Pohang, 2025<\/span><\/p>\n

2024<\/b><\/p>\n

\u201cORLAN, I give you permission to be me, I give myself permission to be you<\/strong>,\u201d<\/strong>Edi\u00e7\u00f5es CPS, Series <\/span>Femmage<\/strong>, <\/span>exhibition booklet<\/span><\/i> for the exhibition at the Centro Cultural de Bel\u00e9m, Lisbon, May 18\u2013June 2, 2024<\/span><\/p>\n

The<\/em><\/strong> <\/i>Infinite Woman<\/i><\/strong>, Carmignac Foundation, Porquerolles, 2024, Dilecta, Paris, 229 pages, p. 126-127<\/span><\/p>\n

 <\/p>\n

2023<\/b><\/p>\n

ORLAN, Charles Pepin, Donatien <\/b>Grau, Gladys Fabre, Parveen Adams, Maria Bonnafous-Boucher, Marc Partouche, Quentin Petit Dit Duhal, Bernard Ceysson, Yann Toma, Ines Rey, Alain Quemin, \u201cA Mina Historia\u2026 Da Arte<\/b>, \u201d<\/b> <\/b>, Editions Concello da Coruna<\/p>\n

2023<\/b><\/p>\n

ORLAN, Monica Bonell Tuset, Roc\u00edo Santa Cruz, Ricard Planas Camps, Donatien Grau, Gladys Fabre, Parveen Adams, Maria Bonnafous-Boucher, Marc Partouche, Quentin Petit Dit Duhal, Bernard Ceysson, Yann Toma \u201cEL COS COM A MANIFEST<\/b>, \u201d<\/b> <\/b>Bonart Cultural Publishing<\/strong><\/p>\n

2023<\/strong><\/p>\n

\u201cHIBRIDACI\u00d3NES<\/strong>,\u201d<\/strong> Published by Catherine Petitgas<\/p>\n

2023<\/strong><\/p>\n

Leila Voight,“ORLAN EN M\u00c9RIDA”<\/strong>, Fundaci\u00f3n la C\u00f9pula Edition<\/p>\n

2023<\/strong><\/p>\n

Multiple authors,“European Month of Photography Luxembourg 2023<\/strong>“, \u00c9dition Caf\u00e9-Cr\u00e8me, p.96-97.<\/p>\n

2023<\/strong><\/p>\n

Dominique Ant\u00e9rion, Jean-Michel Bouhours, Thibault Cardon, Gwena\u00eblle Colas, Sophie Cras, Patrick de Haas, Donatienne Dujardin, Fran\u00e7ois Letailleur, Ghislain Mollet-Vieville, Marc-Alain Ouaknin, Margaux Palud, edited by Jean-Michel Bouhours, “L’argent dans l’art<\/strong>“, \u00c9dition in fine, p108<\/p>\n

2023<\/b><\/p>\n

Olivier Pilcher, Marc Einsele, Val\u00e9rie Tougard, Julie Chazelle, Andrea Ram\u00ecrez Reyes, “GUERLAIN Une Ic\u00f4ne Imp\u00e9riale”,<\/strong> Editions Assouline<\/p>\n

2023<\/b><\/p>\n

Patricia Allmer, Elisabeth Bronfen, Christine Buci-Glucksmann, Else Marie Bukdahl, Sophie Duplaix, Donatien Grau, Jens Hauser, Roxana Marcoci, Catherine Millet, Camille Morineau, Catherine Morris, ORLAN, Gabriele Schor, \u201cORLAN SIX DECADES<\/strong>, \u201d<\/strong> Editions Gabriele Schor & Catherine Morris<\/p>\n

2022<\/b><\/p>\n

Horea Avram, Florin Stefan, Andrei Budescu, Andrei Ispas, Dan Aurel Tamas, Andra Purdea, “Les films de Sainte-ORLAN”<\/strong>, Fundatia Culturala Intact Editions<\/p>\n

Julie Crenn, Annabelle T\u00e9n\u00e8ze, Manuela de Barros, \u00c9milie Bouvard, Elsa Dorlin, Florian Gait\u00e9, Maura Reilly, <\/span>“Manifeste ORLAN – CORPS et SCULPTURES”,<\/b> Manuella \u00c9ditions, 2022<\/span><\/p>\n

ORLAN, Donatien Grau, Gladys Fabre, Parveen Adams, Maria Bonnafous-Boucher, Marc Partouche, Quentin Petit Dit Duhal “<\/span>WOMEN WHO CRY ARE ANGRY<\/b>“, <\/span>Editions Jannink \/ Les presses du r\u00e9el, 2019<\/b><\/p>\n

J\u00e9r\u00f4me Neutres, Shelley Rice, Tatyana Franck, Jean-Luc Monterosso, “<\/span>ORLAN ARTIST IN THE CAPITAL”, \u00c9ditions SKIRA, Paris, 2016<\/b>.<\/span><\/p>\n

Moon Soon Park, Soukyoun Lee, Jinsang Yoo, Donatien Grau, Philippe Piguet, Imma Prieto,<\/span><\/p>\n

Domenica Quaranta, <\/span>“ORLAN TechnoBody Retrospective 1966-2016”, \u00c9ditions Scala, South-Korea, France, 2016.<\/b><\/p>\n

Donatien Grau, Jackie-Ruth Meyer, Philippe Piguet, Imma Prieto, Domenico Quaranta, <\/span>“ORLAN, Striptease des cellules jusqu’\u00e0 l’os”, Editions Scala, Paris, 2015.<\/b><\/p>\n

Inese Baranovska, Catherine Grenier, Dominique Pa\u00efni, Jean-Pierre Rehm; “ORLAN, The Icon of the French Contemporary Art”, Editions Neputns, Riga, Latvia, 2014.<\/span><\/p>\n

Jose Ignacio Benito Climent, “El Arte-Carnal en ORLAN, hacia una estetica del sacrificio”, Editions Devenir, Madrid, Spain, 2013.<\/span><\/p>\n

Hubert Besacier, Alain Charre, Bart De Baere, Sophie Gregoir and Win Van Mulders, <\/span>“ORLAN mesuRages (1968-2012) actions: ORLAN-body”, M HKA, Antwerp, Belgium, 2012.<\/b><\/p>\n

Ricardo Arcos-Palma, Nicolas Bourriaud and Michael La Chance, “Art Charnel et Corps Obsol\u00e8te \/ Hybridations et Refigurations”, Editions Mus\u00e9e Antioquia, Medellin, Colombia, 2012.<\/span><\/p>\n

Anne Morelli, Johan Muyle and Pierre-Olivier Rollin, “Est-ce que vous \u00eates Belge? ORLAN”, Yellow Now\/ENSAV La Cambre, Brussels, Belgium, 2012.<\/span><\/p>\n

Blandine Chavanne, Christine Buci-Glucksmann and Camille Morineau, “Un Boeuf Sur la Langue”, \u00c9ditions Fage, Lyon, France, 2011.<\/span><\/p>\n

Rhonda K. Garelick and Jorge Daniel Veneciano, Homi K. Bhabha, Michel Serres, Isabel Tejeda, Paul Virilio, Lan Vu and Faboulous Harlequin, <\/span>“Fabulous ORLAN and the Harlequin patchwork self”, The University of Nebraska Press, Lincoln, NE, USA, 2010<\/b>. <\/span><\/p>\n

Simon Donger, Simon Shepherd, Gianna Bouchard, Christine Buci-Glucksmann, Howard Caygill, Simon Donger, Sander L. Gilman, Markus Hallensleben, Jens Hauser, Dominic Johnson, St\u00e9phane Malysse, Hans-Ulrich Obrist, Catherine Petitgas, Simon Shepherd, Paul Virilio and Sarah Wilson, <\/span>“ORLAN, a Hybrid Body of Artworks”, Routledge Editions, London, UK, 2010<\/b>. <\/span><\/p>\n

Raphael Enthoven, Raoul Vaneigem and ORLAN, <\/span>“Unions Mixtes, Mariages Libres et Noces Barbares” (Mixed Unions, Free Marriages and Barbarian Wedding)<\/b>, <\/span>Editions Dilecta, Paris, France, 2010<\/b>. <\/span><\/p>\n

Paul Virilio and ORLAN, <\/span>\u201cTransgression, Transfiguration [Conversation],\u201d Editions L\u2019Une et L\u2019Autre, Paris, France, 2009<\/b>.<\/span><\/p>\n

Joerg Bader, Lorand Hegyi, Marcela Iacub, Donald Kuspit, Peggy Phelan, Eugenio Viola, ORLAN, The Narrative\/Le R\u00e9cit, \u00c9ditions Charta, Milan, Italy, 2007. <\/span><\/p>\n

Bernard Blist\u00e8ne, Christine Buci-Glucksmann, Caroline Cros, R\u00e9gis Durand, Eleanor Heartney, Laurent Le Bon, Hans Ulrich Obrist, Vivian Rehberg, Julian Zugazagoitia and ORLAN, <\/span>“ORLAN, Carnal Art”, \u00c9ditions Flammarion, Paris, France, 2004. <\/b><\/p>\n

Marc Partouche, Monographie CD-Rom et Papier, Se placer au center du monde, ORLAN, Editions J\u00e9riko, 2000.<\/span><\/p>\n

2021<\/i><\/b><\/p>\n

Sandra Barr\u00e9, <\/span>
\n ODORE, art, smell and the sacred<\/span>
\n<\/i>Galerie Pauline Pavec, pp.103-104. <\/span><\/p>\n

\u00d6zlem Sariyildiz (ed.), <\/span>
\n The female side of the Moon<\/span>
\n<\/i>Galerie Z22, Berlin, 23\/01\/21-27\/03\/21<\/span><\/p>\n

Philippe Dagen (ed.), <\/span>
\n Ex Africa, Pr\u00e9sences africaines dans l’art d’aujourd’hui<\/span>
\n<\/i>Paris, \u00e9ditions Gallimard and Mus\u00e9e du Quai Branly-Jacques Chirac<\/span><\/p>\n

2020<\/b><\/p>\n

ORLAN, “Cerises \u00e0 l’eau de vie!” in <\/span>
\n I love cherries!<\/span>
\n<\/i>Ch\u00e2teau de Montsoreau, Jacques Halbert exhibition, <\/span>
\n Cerises<\/span>
\n<\/i>exhibition, pp. 39-40.<\/span><\/p>\n

2019<\/b><\/p>\n

Bernd Stiegler, <\/span>
\n Der montierte Mensch, The Assembled Human<\/span>
\n<\/i>Museum Folkwang, Editions Kerber <\/span><\/p>\n

Marie-Jo, <\/span>
\n Cr\u00e9atrices, l’\u00e9mancipation par l’art<\/span>
\n<\/i>Editions Ouest France, p.22 \/35 – 38<\/span><\/p>\n


\n Notre Dame de Paris, April 15, 2019, Visions d’artistes<\/span>
\n<\/i>Editions Janninck, p.64<\/span><\/p>\n

“Le r\u00eave d’\u00eatre artiste”, Palais des Beaux-Arts de Lille, p. 101<\/span><\/p>\n

2018<\/strong><\/p>\n

Laurence Bertrand Dorl\u00e9ac, J\u00e9r\u00f4me Neutres, Artist & Robots, Grand Palais, 2018, p. 186-188<\/p>\n

Johanna Schwanberg, Shoe Me Your Wound<\/em>, Dom Museum, Wien, 2018, p. 111<\/p>\n

2017<\/strong><\/span><\/p>\n

J\u00e9r\u00f4me Neutres, Jean-Luc Monterosso, Shelley Rice, Tatyana Franck, ORLAN EN CAPITALES<\/strong>, Skira, 2017 <\/p>\n

Fr\u00e9d\u00e9ric Acquaviva, EXOGENE<\/strong>, Editions AcquAvivA, 2017.<\/p>\n

You can purchase ORLAN’s exhibition book at this bookstore (click here<\/a>) or by sending an email to info@laplaquetournante.org<\/a>  <\/a><\/strong><\/span><\/p>\n

Kunga Kim, La Piel que Habito<\/em>, Seoul Olympic Museum of Art, Changseop Lee, 2017, p. 30<\/p>\n

Philippe Arti\u00e8res, Thibaud Croisy, Fran\u00e7ois Cusset, Alexandre Devaux, Fabienne Dumont, Julien Hage, Antoine Idier, Nathalie Quintane, Kantuta Quir\u00f3s, Aliocha Imhoff, \u00c9lisabeth Lebovici, Olivier Marboeuf, Peggy Pierrot, Sarah Wilson, Contre-Cultures 1969-1989 L’Esprit Fran\u00e7ais, La Maison Rouge La D\u00e9couverte, p.143<\/p>\n

Fran\u00e7oise Adamsbaum, Roberto Battistini, Gainsb’Art, Cornette de Saint-Cyr, p.74-79<\/p>\n

2016<\/strong><\/span><\/p>\n

Paris Photo 1997-2016, Christoph Wiesner and Florence Bourgeois, \u00c9ditions Xavier Barral, p.256-257<\/p>\n

Gabriele Schor,
\n Feminist AvantGarde<\/strong>
\n<\/em> of the 1970’s, Sammlung Verbund, Prestel, 2016, pp.55, 325, 505<\/p>\n

Gabriele Schor, Jessica Morgan,
\n RENATE BERTLMANN Works 1969 – 2016<\/em>
\n<\/strong>Sammlung Verbund, Prestel, 2016, pp.190<\/p>\n

Alain Thibault, AUTOMATA, Art made by machines for machines<\/strong><\/em>, 3rd International Digital Art Biennale and 17th International Digital Art Festival, Arsenal Art Contemporain, pp.32<\/p>\n

Delfina Jalowik, J\u00fcrgen Kaumk\u00f6tter, Monika Koziol, Miaria Anna Potocka,
\n Medicine in Art, Krakow: Mocak<\/strong>
\n<\/em>2016, pp. 216-218<\/p>\n

Mark Evans and Stefan Weppelmann; with Ana Debenedetti and Ruben Rebmann; and Mary McMahon and Gabriel Montua,
\n Boticelli Reimagined<\/em>
\n<\/strong>London: V&A publishing, 2016, pp. 150-151<\/p>\n

Dominique Goutard and Jean-Luc Monterosso,
\n En\/qu\u00eate d’identit\u00e9<\/strong>
\n<\/em>Seine-Maritime Site et Mus\u00e9es D\u00e9partementaux, 2016, pp. 22-23.<\/span><\/p>\n

Brigitte L\u00e9al, Masterpieces of the Centre Pompidou in Malaga: The Collection<\/strong><\/em>TF editores, pp.140-141<\/span><\/p>\n

Pascal Beausse, Claire Jacquet and Magali Nachtergael,
\n The family of the Invisibles<\/em>
\n<\/strong>Seoul Museum of Art, Ilwoo foundation, Cnap, Frac Aquitaine, 2014, pp. 344-345.c<\/span><\/p>\n

2015<\/b><\/span><\/p>\n

Bibi Silva (ed.), Rencontres de Bamako, Biennale africaine de la photographie, 10th edition, Kehrer Heidelberg, Berlin, 2015, pp. 287, 440.<\/span><\/p>\n

Sunhee Choi, Bonjour la France, Seongnam Cultural Foundation and Goyang Cultural Foundation and UNC Gallery, Seoul, 2015, pp. 70-73<\/span><\/p>\n

Fran\u00e7ois Delaporte, Bernard Devauchelle and Emmanuel Fournier;  Transplanter, \u00c9ditions Hermann, p.161-176<\/span><\/p>\n

Gabriele Schor; Feministische Avantgarde, Edition Prestel, p.43, 47, 51, 277-283.<\/span><\/p>\n

2014<\/b><\/span><\/p>\n

Raphael Cuir; HATS! Hommage \u00e0 Robert Filliou, SilvanaEditoriale, p.54-61 <\/span><\/p>\n

Eva Meyer-Hermann, BLICKE! K\u00d6RPER! SENSATIONEN, Wallstein, p. 93<\/span><\/p>\n

Marloes Krijnen; Le regardeur: Collection Neuflize vie, Edition Xavier Barral, p.101<\/span><\/p>\n

Etic Patou, Portraiture in Contemporary Art; Collectif; \u00c9dition Patou, p.232-233<\/span><\/p>\n

2013<\/b><\/span><\/p>\n

Jan Hoet, Middle Gate; Edition Borgerhoff & Lamberigts, p.204<\/span><\/p>\n

Susanne Buckesfeld, Disturbing the piece; Edition Marta Herford Museum, p.80-81<\/span><\/p>\n

Collectif, Masculin \/ Masculin; Mus\u00e9e d’Orsay, Flammarion, p. 170<\/span><\/p>\n

Festival international d’art contemporain alpilles provence, a-part 2010-2014, Editions festival a-part, p. 176<\/span><\/p>\n

Des images comme des oiseaux; Centre National des arts graphiques, editions Loco, p. 72<\/span><\/p>\n

The Collection as a Character; M_HKA, p 158-161<\/span><\/p>\n

Pia Myrvold, The Metamorphoses of the Virtual, 100 Years of Art and freedom; Venice Biennale 2013, Officia delle Zattere, pp 68-85<\/span><\/p>\n

Juliette Lafon, Marseille Provence 2013 la culture a trouv\u00e9 sa capitale; Edition Marseille provence2013, p. 59<\/span><\/p>\n

Camille Vi\u00e9ville, Ici, Ailleurs, une exposition d’art contemporain; Skira Flammarion, p. 158-161<\/span><\/p>\n

Rosa Barovier Mentasti, Cristina Tonini, FRAGILE, Murano, masterpieces of glass from the Renaissance to the 21st century; Edition Gallimard Mus\u00e9e Maillol, cat 186-190<\/span><\/p>\n

De Passage Sur La Terre; Institut Francais de l’Espagne, p. 78<\/span><\/p>\n

2012<\/b><\/span><\/p>\n

Ami Barak, La collection du FRAC des pays de la Loire, 2012, Edition B42, p.84<\/span><\/p>\n

De Passage Sur La Terre; Institut Francais de l’Espagne, p. 78<\/span><\/p>\n

Jean Blaise, Le voyage \u00e0 Nantes -la ville renvers\u00e9e par l’art- Estuaire -le paysage l’art et le fleuve p. 45<\/span><\/p>\n

John Curtin, Stilness, Art + Science + Technology, Editions BEAP, p. 48 – 51<\/span><\/p>\n

Gisela Staupe, Thomas Macho, Was ist Sch\u00f6n?, Editions Wallstein<\/span><\/p>\n

Blanchard Pascal, Bo\u00ebtsch Gilles, Jacomijn Snoep Nanette, L’invention du sauvage, Mus\u00e9e du Quai Branly, Acte Sud, Arles \/ mus\u00e9e du Quai Branly, Paris, 2011, p. 349<\/span><\/p>\n

Sylvie Ramond, L\u00e9na Widerkehn, 20th Century masters, the human figure, Editions Gilles Fage, p.154,155<\/span><\/p>\n

C\u00e9cilia Bezzan, Pierre Henrion, Openairs, Editions Province de Li\u00e8ge, p.74, 85<\/span><\/p>\n

2011<\/b><\/span><\/p>\n

William Jeffett, Olivier Kaeppehn, Tour de France\/Florida, Editions the Patricia & Phillip Frost art museum, p.40, 80, 81<\/span><\/p>\n

Lorand Hegyi, Speaking artists, Editions stabbed stright, p.8, 90, 91<\/span><\/p>\n

Villa Arson, deliberate living! A history of performance on the C\u00f4te d’Azur from 1951 to 2011; p. 47, p. 53, p. 91<\/span><\/p>\n

Thomas Sclesser, Cent \u00e9nigmes de la peinture, Editions Hazan, P. 318, 319<\/span><\/p>\n

Christian Dior Couture, Inspiration Dior, Editions de La Martini\u00e8re, Pushkin Museum of Fine Arts, Moscow Editions, “Naked Beauty” booklet: p. 15<\/span><\/p>\n

Francesca Cantionotti, Around the Extreme, Editions Contrasto, P.170, 171<\/span><\/p>\n

Bousteau Fabrice, Duplaix Sophie, Paris-Delhi-Bombay, Centre Pompidou, Paris, pp. 10-1r, 57, 264-267<\/span><\/p>\n

Association 303, La mode, Editions Pays de la loire, p.38, 39, 40<\/span><\/p>\n

Ambourg Nicole, Fr\u00e9d\u00e9ric Chappey, Fanny Hollman, Anne Rivi\u00e8re, Sculpture’elles: Les sculpteurs femmes du XVIIIi\u00e8me si\u00e8cle \u00e0 nos jours, Mus\u00e9e des Ann\u00e9es Trente, Boulogne-Billancourt, pp. 144-147, 243, 245, 248<\/span><\/p>\n

Bologne Jean-Claude, Dosogne Christophe, Hennebert Diane, S\u00e9phora Thomas, Pudeurs et col\u00e8res de femmes, Villa Empain, Boghossian Foundation, Brussels, Belgium, pp. 34 – 37<\/span><\/p>\n

Book direction Diane Venet, Bijoux d’artistes de Picasso \u00e0 Jeff Koons, Editions Flammarion, p. 136<\/span><\/p>\n

Alexandra Antoniadou, Katerina Koskina, Eirini Papakonstantinou, Pavlos Kountouriotis, Festival of the third Thessaloniki biennial of contemporary arts, pp. 105 – 117<\/span><\/p>\n

Helena Demakova, Adriano Berengo, Nils Sakss, Laura Bresolin, Jean Blanchaert; Glasstress Riga, works from the Berengo Studio, Art museum Riga Bourse, p. 86, 106, 118, 132v <\/span><\/p>\n

2010<\/b><\/span><\/p>\n

Gaillard Fran\u00e7oise, Luste Boulbina Seloua, Guran Milton, Monterosso Jean-Luc, Autour de l’Extr\u00eame, Maison Europ\u00e9enne de la Photographie, Editions Contrasto, Rome, Italy, pp. 170 – 173<\/span><\/p>\n

Duffort Norbert, Coquillages et Crustac\u00e9s, Mus\u00e9e des Beaux-Arts de Brest, France, p. 88 – 89<\/span><\/p>\n

Hegyi Lorand, Koskina Katerina, Viola Eugenio, Island Never Found, Editions Mus\u00e9e d’Art Moderne Saint-Etienne M\u00e9tropole, Silvana Editoriale, Milan, Italy, p. 22 – 23<\/span><\/p>\n

Voight Le\u00efla, catalog of AP’ART \/ Alpilles – Provence’Art – International Festival of Contemporary Art, edited by the A3 art association, Saint-R\u00e9my-de-Provence, France, p. 11, 16, 122 – 123 and 183 <\/span><\/p>\n

De Grandis Paolo, OPEN 13 International Exhibition of Sculptures and Installations, Edited by Arte Communications, Venice Lido and San Servolo Island, Italy, p. 36-39<\/span><\/p>\n

Dufr\u00eame Thierry, En Mai, fais ce qu’il te pla\u00eet, Edited by Actes Sud, Paris, France, p. 32-45<\/span><\/p>\n

Clelia Belgrado, Caterina Gualco, Bad girls, Editions Unim\u00e9diamodern, Geneva, Switzerland, pp. 47<\/span><\/p>\n

Hein Heinsen, God and the Trinity Machine, Gyldendal Publishing House, Copenaghen, Denmark<\/span><\/p>\n

2009<\/b><\/span><\/p>\n

Eder Chiodetto, Jean-Luc Monterosso, A inven\u00e7\u00e3o de um mundo, Editions Ita\u00fa Cultural, S\u00e3o Paulo, Brasil, p. 18-21, 171, 180, 231-232<\/span><\/p>\n

Kara Lee Rowe, Verlag Dr M\u00fcller; The Textuality of the Body: ORLAN’s Performance Art as Subversive Act, Analyzing the feminist debate, theorizing race, and de-colonizing the representation of the female body. Leibzig, Germany <\/span><\/p>\n

Aliaga Juan Vicente, Bajac Quentin, Braidotti Rosi, Debray C\u00e9cile, Ernoult Nathalie, Fassin Eric, Gonnard Catherine, Guillaume Val\u00e9rie, Jones Amelia, Lavigne Emma, Lebovici Elisabeth, Morineau Camille, Pollock Griselda, Ronell Avital, Smet Catherine (de), Zabunyan Elvan, Elles@ centrepompidou, Editions Centre Pompidou, Paris, France, pp. 96<\/span><\/p>\n

Allemand Lauranne, Denaro Dolores, Fankhauser Christian, Mauris Marl\u00e8ne, Nicod Caroline, Rusca Elisa, Sanchez Serrano Laura, Witzgall Suzanne, GENIPULATION – G\u00e9nie g\u00e9n\u00e9tique et manipulation dans l’art contemporain, Editions Verlag f\u00fcr moderne Kunst N\u00fcrnberg|Centre PasquArt, Bienne, Switzerland, pp. 112-115<\/span><\/p>\n

Berengo Adriano, Barovier Mentasti Rosa, Giubilei Francesca, Mattioli Rossi Laura (curators), GLASSTRESS, Charta, Milan, Italy, p. 36-37, 100-101, 136, 143, 148<\/span><\/p>\n

Bonito Oliva Achille, Madre Coraggio: l’arte, Editions Electra, Ravello, Italy, p. 129<\/span><\/p>\n

Bulatov Dimitry (editor, curator), Evolution haute couture – Art and science in the post-biological Age, Editions The National Center of Contemporary Art, Kaliningrad, Russia, p. 126-127<\/span><\/p>\n

Dimitry Bulatov, Science As Suspense, Dynasty Foundation, Moscow, Russia, 2009, p. 62-63, 106<\/span><\/p>\n

Cadognato Mario, Cicelyn Eduardo (curators), Barock, Editions Electa, Milano, Italia, p. 93, 303-311<\/span><\/p>\n

Carels Edwin, De Baere Bart, Dewatchter Liliane, Roelstraete Dieter, Watson Grant, All that is Solid Melts in the Air, Five reflections on Materialist Spirituality in Contemporary Art, Stadsvisionen Festival, Belgium, 2009, pp. 149<\/span><\/p>\n

Ingres et les Modernes, Mairie de Montauban, France, p. 169<\/span><\/p>\n

M\u00e9tamorphoses contemporaines, Editions du Mus\u00e9e Dini, France, p. 38, 39, 40<\/span><\/p>\n

Deho Valerio, Second Skin, Antiga Edizioni, Treviso, Italy, pp. 30-31<\/span><\/p>\n

Est\u00e8ve Julie, Gu\u00e9dron Martial, Harent Sophie, Vannouvong Agn\u00e8s, Beaut\u00e9s monstres, curiosit\u00e9s, prodiges et ph\u00e9nom\u00e8nes Interview with ORLAN, Editions Somogy, Paris, France, p. 50-61<\/span><\/p>\n

Froment Jean-Louis, Jouannais Jean-Yves, Ottinger Didier, La force de l’Art 02, Paris, France, pp. 118<\/span><\/p>\n

Hegyi Lorand, Essential Experiences, Editions Electa, Milano, Italy, p. 136-141<\/span><\/p>\n

Jurgens Sandra Vieira, BESart Banco Espirito Santo Collection – The Present: An Infinite Dimension, Museu Colec\u00e7ao Berardo, Lisbon, Portugal, pp. 272-275<\/span><\/p>\n

Lebel Jean-Jacques, Soul\u00e8vements, Editions La Maison Rouge, Paris, France, p. 16<\/span><\/p>\n

Miah Andy, Human futures, Art in the Age of uncertainty, Liverpool University Press, UK, p. 86<\/span><\/p>\n

Moura Leonel, *Inside [Art and Science]*, Editions LxXL, Lisbon, Portugal, p. 176-185<\/span><\/p>\n

Ouaki Gilles, Queff\u00e9lec Yann, Bye Bye Polaroid and Leic’art, Wharf, Centre d’Art de Basse-Normandie, France<\/span><\/p>\n

Sayag Alain, Soukyoun Lee,  Masks, Editions Kim Youngsoo, Gangwon-do, South Korea p. 81-82<\/span><\/p>\n

ANNUAL REPORT april 2008 – march 2009, National Museum of Art of Osaka, Editions the national Museum of Art, OSAKA, p 35<\/span><\/p>\n

2008<\/b><\/span><\/p>\n

Alizart Marc, Loisy Jean, Traces du Sacr\u00e9, Editions Centre Georges Pompidou, Paris, France, pp. 382<\/span><\/p>\n

Amsellem Patrick, Femmes, Echo international, Paris, France, p. 30-33<\/span><\/p>\n

Baqu\u00e9 Dominique, Bond Henry, Bronfen Elisabeth, Jaeggi Martin, Stahel Urs, Ziegler Ulf Erdmann, Zweifel Stefan, Darkside I – Fotographische Begierde und fotografierte Sexualit\u00e4t – Photographic Desire and Sexuality Photographed, Photomuseum Winterthur, Steidel, Germany, p. 229<\/span><\/p>\n

Bartz Edek, catalog of the Vienna Fair 2008, Reed exhibitions Messe Wien, Vienna, Austria, p. 186<\/span><\/p>\n

Norbert Jocks, \u00c4sthetik der fotographie, Sch\u00f6nheit II, Editions Kunstforum, p.59 – 75<\/span><\/p>\n

Candet Nadia, Collections particuli\u00e8res, 150 commandes priv\u00e9es d’art contemporain en France, Editions Flammarion, Paris, France, p. 16<\/span><\/p>\n

Crawford Holly, Artistic Bedfellows – History and Discourse in Collaborative Art Practices, University Press of America, Lanham, USA, pp. 11<\/span><\/p>\n

De Gracia, De Medeiros Maria Beatriz, Dominguez Ricardo, Leote Rosangella, ORLAN, Sterlac Silvio, Performance, Presente, Futuro; cole\u00e7ao Arte e Tecnologia, ContraCapa, Oi Futuro, Rio de Janeiro, Brazil, p. 42-43, 60<\/span><\/p>\n

Dupuy Jean, A la bonne heure! Editions Semiose,Villa Tamaris Centre d’Art, Villa Arson Nice, France, p. 71<\/span><\/p>\n

J\u00fcrgen Raap, Berlin Biennale, When things cost no shadow, Sch\u00f6nheit I, Editions Kunstforum, p.103<\/span><\/p>\n

Essevaz-Roulet Baptiste, Les Arts font \u00e9v\u00e8nement, Editions Art Saint-Germain-des-Pr\u00e9s, Paris, France, pp. 114-115<\/span><\/p>\n

Scheck Hayley and Miller Megan, Photo MIAMI 2008 – Programming Details, Miami, USA, p. 4<\/span><\/p>\n

Fuchs Daniel, Geo, Famous Eyes, Editions Reuss, Germany, p.254<\/span><\/p>\n

Hauser Jens, Skin-Interfaces, Liverpool University press, UK, p. 83-90<\/span><\/p>\n

Jun Seungbo, the Biennale of Contemporary Art of Busan, Busan, South Korea, p. 108-109<\/span><\/p>\n

Maiolini Carlo, Avatar, Society and culture of the new virtual worlds, Museo Tridentino di Scienze Naturali, , Italy<\/span><\/p>\n

Spillebout Olivier, Transphotographiques 2008, , France<\/span><\/p>\n

Vervoordt Axel, Academia, Qui es-tu ?, La Chapelle de l’Ecole des Beaux-Arts de Paris, Editions MER, p.148<\/span><\/p>\n

2007<\/b><\/span><\/p>\n

Yukihiro Hirayoshiwith, Skin of Contemporary Art, National Museum of Art of Osaka, editorial assistance from Keiko Yamamoto, Atsishi Uematsu and Azusa Hashimoto, Editions the National Museum of Art, Osaka, p 37-44<\/span><\/p>\n

Arakistain Xabier, Kiss Kiss Bang Bang. 45 A\u00f1os de Arte y Feminismo, Editions Museo de Bellas Artes de Bilbao, Bilbao, Spain, pp. 82-83 <\/span><\/p>\n

Bajac Quentin, Ch\u00e9roux Cl\u00e9ment, Collection Photographies, Collection du Centre Pompidou, Mus\u00e9e national d’art moderne, Editions du Centre Pompidou, Paris, France, p. 335<\/span><\/p>\n

Bell David, M. Kennedy Barbara, The Cybercultures Reader, Editions Routledge, USA, p. 472-481<\/span><\/p>\n

Moran Macu, Dones Indomables, by Centre de Cultura de Dones Francesca Bonnemaison (CCDFB), Madrid, p. 22<\/span><\/p>\n

Biesenbach Klaus (curator), Into me\/Out of me, Editions Hatje Cantz, Museo d’arte Contemporanea de Roma, Italy, p. 375<\/span><\/p>\n

WysiwygArt Travel Miami, My Unlimited Guide 2007 for Art Basel Miami Beach, USA,  p. 22<\/span><\/p>\n

Butler Cornelia, WACK! Art and the Feminist Revolution, Editions MIT Press, Cambridge, USA, <\/span><\/p>\n

p. 182, 277, 356<\/span><\/p>\n

Fabre Alexia, Parcours #2 2007\/2086, MAC\/VAL collection, Editions du MAC\/VAL, Paris, France, p. 108<\/span><\/p>\n

Ira L. Meyer, Marcello Garofalo (curators), GNAM gastronomia nell’arte moderna, Editions Frederico Most, Italy, p. 228-229<\/span><\/p>\n

K. Brodsky Judith, Olin Ferris, Favorite Elements: works by ORLAN, New Brunswick (New Jersey), Editions Rutgers University, New-Jersey, USA, (Cover Photo of ORLAN)<\/span><\/p>\n

Kozloff Max, The Theatre of the Face: Portrait Photography Since 1900, Editions Phaidon Press Inc. London, UK <\/span><\/p>\n

Leismann Scherer, Diagnose Kunst\/Diagnosis Art, Editions Wienand, Germany, p. 28-29<\/span><\/p>\n

Nehamas Alexander, Only a Promise of Happiness, The Place of Beauty in a World of Art, Editions Princeton University, Princeton and Oxford, UK, p. 38, 40<\/span><\/p>\n

Slome Manon, Belleza Pericolosa, Dangerous beauty, Editions Palazzo delle art Napoli, Naples, Italy, p. 16, 17, 18, 19, 20, 21 (side 1), p. 19, 20, 21 (side 2) <\/span><\/p>\n

Thomas Paul, the Beap 07, Biennale of Electronic Arts Perth Stillness, Editions BEAP, Australia, p. 48-51<\/span><\/p>\n

Veneciano Jorge Daniel, Imago, The Drama of Self-Portraiture in Recent Photography, Paul Robeson Gallery, Editions GM Printing, New York, USA, pp. 96 (Cover Photo of ORLAN) <\/span><\/p>\n

Vervoordt Axel, Artempo Where Time Becomes Art, Editions MER, Belgium, p. 43, 76<\/span><\/p>\n

Zidianakis Vassilis, RRRIP! Paper Fashion, Atopos Non Profit Company, Greece <\/span><\/p>\n

2006<\/b><\/span><\/p>\n

Anker Suzanne, Talasek JD, Virtual Culture and Bioscience an online Symposium, Editions Center for Art, Design and Visual Culture, UMBC, Washington, DC, USA, p. 89, 210<\/span><\/p>\n

Baeza-Gomez Rosina, ARCO’06, Feria Internacional de Arte Contemporaneao, Editions ARCO\/IFEMA Feria de Madrid, Madrid, Spain, p. 73<\/span><\/p>\n

Bonnet Marie-Jo, Les artistes dans les avant-gardes, Editions Odile Jacob, Paris, France, p. 112, 131, 176-180, 215<\/span><\/p>\n

Paul Ardenne, Pascal Beausse, Harry, Bellet, Vincent Berni\u00e8re, 100 artistes, qu’est ce que l’art cintemporain en France?, Editions Beauxarts Magazine, p. 138, 139<\/span><\/p>\n

Mayeur Christian, Le manager \u00e0 l’\u00e9coute de l’artiste, Editions Organisation, France, p. 165, 170, 244<\/span><\/p>\n

Montfumat Isabelle (de), Face \u00e0 Faces\/ Face to Faces, Collection priv\u00e9e ADP, Editions Corpus initial\/AFAA, France, p. 64-69<\/span><\/p>\n

Rusinova Zora, Autopoesis, Editions Irena Kucharova, Bratislava, Slovaquia, p. 158-159<\/span><\/p>\n

Salmon Dimitri, Ingres, La Grande Odalisque, Editions Mus\u00e9e du Louvre, Paris, France, p. 59, 61<\/span><\/p>\n

2005<\/b><\/span><\/p>\n

Alandete Christian, Un vrai bijou, Editions les 7 p\u00e9ch\u00e9s capitaux, Paris, France, p. 95<\/span><\/p>\n

Alfano Miglietti Francesca (curator), The Self-Hybridations exhibition by ‘bnd’, Italy<\/span><\/p>\n

Ardenne Paul, Hegyi Lorand, Rosa Herv\u00e9 (di), Bang Bang, Editions Fage, Saint- Etienne, France, p. 222<\/span><\/p>\n

Blasco Amor\u00f3s Lorena, Abismos de la mirada: La experiencia l\u00edmite en el autorretrato \u00faltimo, Editions CC, Cendeac, Spain, p. 14, 17, 210<\/span><\/p>\n

Buci-Glucksmann Christine, Charbonneaux Anne-Marie (ed.), Les vanit\u00e9s dans l’art contemporain, Editions Flammarion, Paris, France, pp. 76-77<\/span><\/p>\n

Camber Diane, Jeffet William, Kaeppelin Olivier, Poivre d’Arvor Olivier, Shortcuts Between Reality and Fiction: Video, Installations and Paintings from the Fond National d’Art Contemporain, Editions Bass Museum of Art, USA<\/span><\/p>\n

David Julie (ed.), Parcours #1 2005\/2006, MAC\/VAL collection, Editions du MAC\/VAL, Paris, France, p. 220-223<\/span><\/p>\n

Fraser Mariam, The Body: A Reader, Editions Routledge, USA, p. 305-312<\/span><\/p>\n

Miessgang Thomas, Superstars, Editions HatjeCantz, Vienna, Austria, p. 272-273<\/span><\/p>\n

Sanchez Marc, Sans Jerome, Luminous Room\/Pi\u00e8ce Lumineuse, in collaboration with the architect Philippe Chiambaretta, Editions Palais de Tokyo, Paris, France, 2005 (Cover photo of ORLAN)<\/span><\/p>\n

Viola Eugenio, Zuliani Stefania (ed. ),Itinerari del Post-Human Figure dell’Arte 1950-2000, ), Editions Modo, Italy, p. 25, 67-70, 85-86<\/span><\/p>\n

2004<\/b><\/span><\/p>\n

Airung Kim, In Mouvement, UNESCO salutes Women video artists of the world, Paris, France, p. 18<\/span><\/p>\n

Allemand Evelyne-Doroth\u00e9e, De leur temps, collections priv\u00e9es fran\u00e7aises, Editions ADIAF, Mus\u00e9e de Tourcoing, France, pp. 246-247<\/span><\/p>\n

Amsellem Patrick, Goury Philippe, Portraits de femmes de la Bible par 32 artistes contemporains, Paris Mus\u00e9es, Editions Echo international, Paris, France<\/span><\/p>\n

Bonafoux Pascal, Moi Je, par soi-m\u00eame – L’autoportrait au XXe si\u00e8cle, Editions Diane de Selliers, Mus\u00e9e du Luxembourg, Paris, France, p. 208, 233, 236<\/span><\/p>\n

Burguillo Marie-Christine, Chalumeau Jean-Luc, Mollard Claude, Campus Euro(pe) Art : Quand les artistes entrent \u00e0 l’universit\u00e9, Editions Sc\u00e9r\u00e9n, France, p. 64-65<\/span><\/p>\n

Chupin Olivier, Goy Bernard, Projet c\u00f4ne sud, fond regional d’Art Contemporain d’Ile de France et de Poitou Charentes, Editions skira, France, p. 108<\/span><\/p>\n

Delay Annie, Marie Madeleine Contemporaine, Espace-Temps et Cr\u00e9ation, Editions Mus\u00e9e de Toulon, Paris, France, 2004, pp. 38-39<\/span><\/p>\n

Ewing William A, About Face, Photography and the death of the Portait, Editions Hayward Gallery, London, UK, p. 31<\/span><\/p>\n

Fabre Gladys, La dona, metamorfosi de la modernitat, Editions Fundacio Joan Miro, Barcelona, Spain, p. 214-215<\/span><\/p>\n

Falgayrettes-Leveau Christianne, Signes du corps, Editions du Mus\u00e9e Dapper, Paris, France, p. 322, 326, 329, 331, 332, 334<\/span><\/p>\n

Fongsmut Ark, Gouvion Saint-Cyr Agn\u00e8s (de), The Month of Photography of Bangkok, Editions Relag, Bangkok, Thailand,<\/span><\/p>\n

Gouvion Saint-Cyr Agn\u00e8s (de), Pop Culture, Editions Gallery Seoul, Korea, p. 17<\/span><\/p>\n

Goy Bernard, Lamy Franck, Du corps \u00e0 l’image, Collections du Fonds R\u00e9gional d’Art Contemporain d’Ile-de-France, Conseil G\u00e9n\u00e9ral des Yvelines, Fondation d’Art Contemporain Daniel & Florence Guerlain, Editions FRAC Ile-de-France, France, p. 62-63<\/span><\/p>\n

Heathfield Adrian, Live, Art and performance, Editions Tate, London, UK, p. 139-140<\/span><\/p>\n

Hern\u00e1ndez-Navarro Miguel \u00c1, S\u00e1nchez Pedro A. Cruz, Cartograf\u00edas del Cuerpo: La dimensi\u00f3n corporal en el arte contempor\u00e1neo, Editions CendeaC, Murcia, Spain, p. 25, 38, 283-284<\/span><\/p>\n

Kalkmann Hans Werner, Bocca Della Verit\u00e0, Editions Kunstverein Bad Salzdetfurth, Germany, p. 150-151<\/span><\/p>\n

Mileaf Janine, Inside Out Loud, Vizualizing Women’s Health in Contemporary Art, Mildred Lane Kemper Art Museum, Washington University, Saint Louis, Editions Jane E. Neidhardt, Washington, USA, p. 87<\/span><\/p>\n

The Prix Arcimboldo 2004, Editions Maison Europ\u00e9enne de la Photographie, Paris, France,<\/span><\/p>\n

Pantellini Claudia, Stohler Peter, Body Extensions, Art, Photography, Film, Comic, Fashion, Editions Arnoldsche, Zurich, Lausanne, Switzerland<\/span><\/p>\n

Ribettes Jean-Michel, D’une image qui ne serait pas du semblant, la photographie \u00e9crite 1950-2005, Paris audiovisuel, Editions Passage de Retz, Paris, France, p. 60-61, (Back Cover Photo of ORLAN) <\/span><\/p>\n

Sigg Thierry, Album 1983-2003, Editions CREDAC, Ivry-sur-Seine, France<\/span><\/p>\n

Sultan Oliver, Les Afriques – 36 Artistes contemporains, Editions Autrement, Paris, France, p. 103, 107-108<\/span><\/p>\n

Sviblova Olga, Fifth Moscow International Month of Photography Photobiennale 2004, Moscow House of Photography Publishing House, Russia, p. 85, 182-183, 270<\/span><\/p>\n

Walter Herbert, Die Zhen Gebote, Editions Hatje Cantz, Deutschen Hygiene Museum, Germany, pp. 36-37<\/span><\/p>\n

2003<\/b><\/span><\/p>\n

Barak Ami, Baudin Katia, Blist\u00e8ne Bernard, Zahm Olivier, Tr\u00e9sors publics, 20 ans de cr\u00e9ation dans les Fonds r\u00e9gionaux d’Art contemporain, Editions Flammarion, Paris, France, p. 310<\/span><\/p>\n

Bethenod Martin, Kerchache Jacques, Portraits crois\u00e9s, Editions Gallimard, Mus\u00e9e du Quai Branly, Paris, France, p. 163<\/span><\/p>\n

Block Holly, Katz-Freiman Tami, Time Capsule, Art in General, Editions Holly, New York, USA, pp. 10<\/span><\/p>\n

Bourdin Emeline, Ferr\u00e9 Nicolas, Th\u00e9venin Olivier, Corps invent\u00e9s, LP METI- Editions Universit\u00e9 de Franche-Comt\u00e9, Besan\u00e7on, France, p. 32-33<\/span><\/p>\n

Chesneau Isabelle, Csizek Gabriella, Dumont Daniel, Ho\u00ebl Pascal, Monterosso Jean-Luc, Pierret Stanislas, La Fabrication du r\u00e9el, 1980-2000, collection of the Maison Europ\u00e9enne de la Photographie, Paris, Editions Hungarian Institute of Photography, Budapest, Hungary<\/span><\/p>\n

Cortenova Giorgio, La Creazione ansiosa da Picasso a Bacon, Editions Marsilio, Palazzo Forti, Verona, Italy, p. 110-111<\/span><\/p>\n

Kerry Andrews, n.paradoxa, out of order, Edtions Aj Fwinton, p.44 – 48<\/span><\/p>\n

Deschamps G\u00e9rard, Retrospective 1956-2003, Mus\u00e9e de l’hospice Saint-Roch, Issoudun, Editions Mus\u00e9e des Beaux-Arts, Dole, France, p. 53<\/span><\/p>\n

Durand R\u00e9gis, Fulch\u00e9ri Fabienne, Milin Jean-Louis, Pessel Andr\u00e9, Fables de l’identit\u00e9, photographic and video works from the NSM Vie\/ABN AMRO collection, Editions Centre National de la Photographie, Paris, France<\/span><\/p>\n

Gilles Matthieu, Haenning Marie, Veer Shirley, Art contemporain, 20 ans d’acquisitions avec l’aide du FRAM, Les raisons du corps :ORLAN et Gina Pane, Editions \u00c9pinal, France<\/span><\/p>\n

Rosa Olivares, John Coplans, Luis Francisco Paerez, Exit, Autorratos, Self-portraits, Editions Olivares, p.58, 59<\/span><\/p>\n

Han-Seung Ryu, Seung-Wan Kang, New Acquisitions, Editions National Museum of Contemporary Art, Seoul, Korea, p. 87<\/span><\/p>\n

Jean-Yves Jouannais, L’idiotie, art, vie, politique – M\u00e9thode, Editions b.a.m. Books, p.22 <\/span><\/p>\n

H\u00e9bel Fran\u00e7ois, Rencontres de la photographie d’Arles, Editions Actes Sud, Arles, France, p. 31<\/span><\/p>\n

Chastagner Claude, Goldberg RoseLee, Lalibert\u00e9 Martin, Lavigne Emma, Mallet Franck, Mou\u00e9llic Gilles, Electric Body, Le corps en sc\u00e8ne, Editions Beaux- Arts Magazine \/ Cit\u00e9 de la Musique, Paris, France<\/span><\/p>\n

Fernado Castro, Nuria Fernandez, Fernando Martin Galin, Fragiles, Editions Firma, p.48, 49<\/span><\/p>\n

K\u00e9senne Joannes, Eva Venus Madonna, 2002, Editions Alle deelnemende kunstenaars en bruikleengevers, Leuven, Belgium, p. 42<\/span><\/p>\n

Lamoureux Johanne, Doublures, V\u00eatements de l’art contemporain, Editions Mus\u00e9e National des Beaux-Arts du Qu\u00e9bec, Canada, p. 46-48<\/span><\/p>\n

Perez N. Nissan, Revelation, representations of Christ in photography, Editions Merrell limited, London, UK, Editions The Israel Museum, Jerusalem, Israel, p. 140<\/span><\/p>\n

Settembrini Luigi, Second Valencia Biennial, La Ciudad Ideal, Editions Charta, Valencia, Spain, p. 204-205<\/span><\/p>\n

Vollerin Alain, Histoire des biennales d’Art Contemporain de Lyon, Editions Memoire des Arts, France, p. 36<\/span><\/p>\n

2002<\/b><\/span><\/p>\n

Buci-Glucksmann Christine, Le Temps des plis, Editions Mus\u00e9e des Beaux- Arts de Tourcoing, France, p. 17<\/span><\/p>\n

Buci-Glucksmann Christine, Folie Sabine, Glasmeier Michael, Reissberger Mara, Tableaux vivants, Editions Lebende Bilder und Attit\u00fcden in Fotografie, Film und Video, Kunsthalle Wien, Austria, p. 140-141<\/span><\/p>\n

Campitell Marina, Michelli Lorenzo, Vallorani Nicoletta, Shock & Show, Trieste, Italy<\/span><\/p>\n

Capperon Pierre, Jaeger V\u00e9ronique, FIAC 2002, Editions Galerie Rabouan Moussion, Paris, France, p. 320<\/span><\/p>\n

Chung Junmo, Babel 2002, Editions National Museum of Contemporary Art, Seoul, South Korea, p. 101<\/span><\/p>\n

Degott Ekat\u00e9rina, Fourth International Month of Photography, Photobiennale 2002, Bodies and Movements, Editions Moscow Institute of Photography, Moscow, Russia, p. 101<\/span><\/p>\n

Lebel Jean-Jacques, Polyphonix, \u00c9ditions L\u00e9o Scheer, Centre Georges Pompidou, Paris, France, p. 204-205<\/span><\/p>\n

Mie\u00dfgang Thomas, Dem Absurden, Sinn Geben, Magazin im Magazin-Revisited vol. 2, Magazin 4, Editions Vorarlberger Kunstverein, Bregenz, Austria<\/span><\/p>\n

Mondadori Bruno, Fotografia, First International Festival of Rome, Editions SIAE, Rome, Italy<\/span><\/p>\n

Perez Nissan N., Corpus Christi: Les repr\u00e9sentations du Christ en photographie, 1855-2002, Editions MacVal, Paris, France, p. 145<\/span><\/p>\n

Slome Manon, Dangerous Beauty, The Jewish Community Center in Manhattan, Editions Skira, New York, USA, pp. 27<\/span><\/p>\n

Sviblova Olga, Fourth Moscow International Month of Photography, Photobiennale 2002, Moscow House of Photography Publishing, Russia<\/span><\/p>\n

Tadde\u00ef Jean-Fran\u00e7ois, La collection du FRAC des Pays de la Loire 1993-2002, Editions FRAC des Pays de la Loire, France, p. 202<\/span><\/p>\n

2001<\/b><\/span><\/p>\n

Balling Gert, Deepwell Katie, Gether Christian, Hoholt Stine, Zuckriegl Margit, Mennesket, Et halvt arhunderde set gennem kroppen, Editions Arken Museum of Modern Art, Denmark, p. 174<\/span><\/p>\n

Brys-Schatan Gita, Clerbois Michel, Durant Ben, Sojcher Jacques, Le Clonage d’Adam, La lettre vol\u00e9e, Editions ISELP, Brussels, Belgium, p. 31<\/span><\/p>\n

Levitte Harten Doreet, Heaven: an Exhibition That Will Break Your Heart, Kunsthalle D\u00fcsseldorf, Editions Hatje Cantz, Germany, and Tate Gallery, Liverpool, UK, p. 200-205<\/span><\/p>\n

Marella Maria Rosa, Marella Primo, La metamorfosi del corpo nel nuovo scenario dell’arte contemporanea, Editions Marella Arte Contemporanea, Milan, Italy<\/span><\/p>\n

Margat Jean, Jocondissima, Editions des Mus\u00e9es de Cholet, Cholet, France, p. 10<\/span><\/p>\n

Mc Donald Helen, Erotic Ambiguities: The Female Nude in Art, Editions Routledge, London, UK, and New York USA<\/span><\/p>\n

Riva Alessandro, Totemica, Feticci e rituali del contemporaneo, Editions Casa del Mantegna, Mantua, Italy<\/span><\/p>\n

Smith-Lucie Edward, Between Earth and Heaven, Museum voor Moderne Kunst, Editions Drukkerij, Ostende, Belgium, pp. 238<\/span><\/p>\n

Vezzosi Alessandro, Raffaello e l’idea della bellezza, Raffaello vive, Editions Relitalia studi, San Benedetto del Tronto and in Rome, Italy, p. 44<\/span><\/p>\n

Wimmer Elga, Arzulananlar\/Les Volupt\u00e9s, Editions Borusan Sanat Galerisi, Istanbul, Turkey, p. 26-27<\/span><\/p>\n

2000<\/b><\/span><\/p>\n

Abadie Daniel, Eynard Pierre, Tongue in ‘Cheek, six contemporary French artists, Editions Deste Foundation, Athens, Greece, p. 42-47<\/span><\/p>\n

Aziosmanoff Nils, ISEA 2000, the Tenth International Symposium on Electronic Arts, Editions Musica Falsa\/ Art 3000, Paris, France, p. 173<\/span><\/p>\n

Bianchi Paolo, Fetz Wolfgang, Matt G\u00e9rald, Sagmeister Rudolf, LKW Kunst in der Stadt 4, Editions Kunsthaus Bregenz (KUB), Germany, pp. 152-157<\/span><\/p>\n

Bourriaud Nicolas, Le Breton David, M\u00fcller Florence, Navarra Enrico, Ranc Jacques, Restany Pierre, Sun-hoan Hong, Yun Jin-sup, Seoul International Performance Art Festival (SIPAF), South Korea, p. 32-33 (Cover photo of ORLAN) <\/span><\/p>\n

Bourriaud Nicolas, Gr\u00fcnberg Serge, Kahn Axel, Le Breton David, Marchal Hugues, Navarra Enrico, Ranc Jacques, Restany Pierre, Le Corps mutant, Editions Galerie Enrico Navarra, Paris, France, pp. 15, 18, 23, 29, 148-155<\/span><\/p>\n

Christian Gether, Mennesket, Editions Arken, p. 174<\/span><\/p>\n

De Candia Mario, Anableps, Editions Studio Stefania Miscetti, Rome, Italy, p. 80<\/span><\/p>\n

Delarge Alexandre and Coutas \u00c9velyne, R\u00e9sonances ou Le Mus\u00e9e au risque de l’art, Editions \u00c9comus\u00e9e de Fresnes, France, p. 34<\/span><\/p>\n

Dumas Marie-H\u00e9l\u00e8ne, L’Invention des femmes, Editions Municipal Department of Culture, Auvers-sur-Oise, France, p. 27<\/span><\/p>\n

Eiblmayr Silvia, Snauwaert Dirk, Wilmes Ulrich, Winzen Matthias, Die Verletzte Diva, Hysterie, K\u00f6rper, Technik in der Kunst des 20 Jahrhunderts, Editions Oktagon, Innsbr\u00fcck, Austria, p. 242<\/span><\/p>\n

Heuze St\u00e9phanie (dir. ), ORLAN, Manifeste de l’art charnel, Changer le corps, Editions La Musardine, Paris, p. 72-74<\/span><\/p>\n

Jaeger V\u00e9ronique, Fiac 2000, Editions FIAC, Galerie Yvonamor Palix, Paris, France, p. 578-581<\/span><\/p>\n

Martin Jean-Hubert, Partage d’Exotismes, Fifth Lyon Biennial of Contemporary Art, Editions RMN, Lyon, France, p. 50<\/span><\/p>\n

M\u00fcller Florence, Eccentrics: a manifesto of appearance, Editions Le Printemps Hausmann, Paris, France<\/span><\/p>\n

Ribettes Jean-Michel, Les 100 Sourires de Mona Lisa, Editions Nihon Keizai Shimbun, Japan, p. 150<\/span><\/p>\n

Sadovska Dorota, Editions Dimension S, Vojtech L\u00f6ffler Muzeum of Arts, Kosice, Slovakia, (Cover photo of ORLAN)<\/span><\/p>\n

1999<\/b><\/span><\/p>\n

Alfano Miglietti Francesca, Rosso vivo, mutazione, trasfigurzione e sangue nell’arte contemporanea, Editions Electa, Milan, Italy, p. 132-135<\/span><\/p>\n

Armin Sandig, Griffelkunst, Editions Herbsr, p.13 – 15<\/span><\/p>\n

Bousso Daniela Vitoria, Acima do bem e do mal, Pa\u00e7o das Artes, Editions Casa, Sao Paulo, Brazil, P. 34, 35<\/span><\/p>\n

Combalia Victoria, Lebel Jean-Jacques, Jardin d’Eros, Institut de Cultura de Barcelona, Editions Electa, Barcelona, Spain, p. 260<\/span><\/p>\n

Fontes Carlos, Prata Rui, Encontros da Imagem Photography Festival, Editions Braga, Portugal, p. 42-44<\/span><\/p>\n

Hegyi Lorand, The competence of Utopia-Reflection on ORLAN’s oeuvre, Editions Chelouche Gallery, Tel Aviv, Israel<\/span><\/p>\n

Games and simulacra, MNCARS Library, Madrid, Spain<\/span><\/p>\n

Hentz Mike, The prize of Griffelkunst, Editions Kunst, Hamburg, Germany, p. 13-15<\/span><\/p>\n

Landau Suzanne, Skin-Deep, Surface and Appearance in Contemporary Art, Editions The Israel Museum, Jerusalem, Israel, p.58, 59<\/span><\/p>\n

Ribettes Jean-Michel, F\u00e9tiches et f\u00e9tichisme in Le D\u00e9faut de l’objet religieux, \u00e9conomique & sexuel, \u00c9ditions Blanche, Passage de Retz, Paris, France, p. 54<\/span><\/p>\n

Sobieszek Robert A., Ghost in the Shell: Photography and the Human Soul, 1850-2000, Editions Lacma\/Mit, Los Angeles, USA, p. 273-285<\/span><\/p>\n

Viso Olga M., Beauty Now, Die Sch\u00f6nheit in der Kunst am Ende des 20, Jahrhunderts, Hirshhorn Museumhaus Haus der Kunst, Editions Munchen Hatje Cantz Verlag, Ostfildern-ruit, Germany, p. 94<\/span><\/p>\n

1998<\/b><\/span><\/p>\n

Bonito Oliva Achille, Disidentico, Maschile Femminile e Oltre, Editions Panepinto Arte, Rome, Italy, pp. 168-69<\/span><\/p>\n

Floriano de Sanit, Il futuro della citta nel mondo telematico, Editions Ugo Bordoni, p.133<\/span><\/p>\n

FIAC 98, Editions FIAC, Galerie Yvonamor Palix, Paris, France, p. 183<\/span><\/p>\n

Dorota Sadovska, Ablum de paris, Editions GMB, p.54 (Cover photos of ORLAN)<\/span><\/p>\n

Carnalo Strano, Unimplosive art, Editions palerma, p.19, 81<\/span><\/p>\n

Gadella Rick, Gaillard Fran\u00e7oise, Gouvion Saint-Cyr Agn\u00e8s (de), Lamarche-Vadel Bernard, Lemagny Jean-Claude, Leroy Jean-Fran\u00e7ois, Monterosso, Mondzain Marie-Jos\u00e9e, Mora Gilles Nori Claude, Roche Denis, Th\u00e9rond Roger, Tisseron Serge, Mois de la Photo \u00e0 Paris, \u00c9ditions Paris Audiovisuel\/Maison Europ\u00e9enne de la Photographie, France, pp. 52<\/span><\/p>\n

Hentz Mike, Vierter Graphikpreis der Mitglieder, Kunst und Computer, Editions Griffelkunst, Hamburg, Germany, p. 61-71, 103-109<\/span><\/p>\n

Patrick Raynaud, La nouvelle interlope, Editions Erban, p.43 – 47<\/span><\/p>\n

De la monstruosit\u00e9, expression des passions, Espace D. Ren\u00e9 Harrison, \u00c9ditions Jaune-Fusain, Montreal, Canada, p. 21<\/span><\/p>\n

McNiven Andrew, Napoli St\u00e9phane, Propp\u00e9 J\u00f3n, Rieusset-Lemari\u00e9 Isabelle, Fl\u00f6gd og f\u00f6gur skinn, Editions Art. is books, Reykjavik, Iceland, p. 234-238<\/span><\/p>\n

Roudier Marc, L’Art d\u00e9g\u00e9n\u00e9r\u00e9, \u00c9ditions Al Dante\/Caac, Aix-en- Provence, France, p. 98, 265<\/span><\/p>\n

Schimmel Paul, Stiles Kristine, Out of Actions: Between Performance and the Object 1949-1976, Editions MOCA\/Cantz, New York\/Ostfildern, USA, pp. 99, 241, 256, 271-72, 296-97<\/span><\/p>\n

Serra Zanetti Sega Paola, Tolomeo Maria Grazia, La Coscienza Luccicante. Dalla Videoarte all’arte Interattiva, Palazzo delle Esposizioni, Editions Gangemi, Rome, Italy, p. 139<\/span><\/p>\n

Strano Carmelo, Europe-USA and the Epoch of Unimplosive Art, Editions Cefal\u00f9, Palermo, Sicily, Italy, p. 18, 81<\/span><\/p>\n

Van Beirendonck Walter, Wild and Lethal Trash! Believe, Kiss the Future, Editions Boijmans Van Beuningen Museum, Rotterdam, The Netherlands, p.48, 49 <\/span><\/p>\n

1997<\/b><\/span><\/p>\n

Asthon Harris Lyle, Blessing Jennifer, Halberstam Judith, Spector Nancy, Tyler Carole-Anne, Wilson Sarah, Rose is a Rose is a Rose: Gender Performance in Photography, Editions Solomon R. Guggenheim Museum, New York, USA, pp. 150<\/span><\/p>\n

Bagulho Francisca, Checa Natxo, Festival Atlantico, Arte Performance Tecnologia, Lisboa, Portugal, p. 9<\/span><\/p>\n

Briend Christian, Durey Philippe, Mar\u00e9chal Fran\u00e7oise, Hommage \u00e0 Ren\u00e9 D\u00e9roudille, un combat pour l’art moderne, Mus\u00e9e des Beaux-Arts de Lyon, Editions RMN, Lyon, France, p. 16, 43, 166-167<\/span><\/p>\n

Cottingham Laura, Really Feminism and Art, Editions Centre National d’Art Contemporain de Grenoble, France<\/span><\/p>\n

Felice Paul (di), Lunghi Enrico, Stiwer Pierre, The 90’s: A Family Of Man?, Images de l’homme dans l’art contemporain, Editions Caf\u00e9-Cr\u00e8me, Galerie Nei Liicht- dudelange, Casino Luxembourg, Luxembourg, p. 74-76<\/span><\/p>\n

Fontcuberta Joan, Zabalbeascoa Anatxu, M\u00e0scara i Mirall, Editions MACBA, Barcelona, Spain, p. 44-45<\/span><\/p>\n

Hagedorn-Olsen Claus, Hessellund Birgit, Lerche Anette, Nyholm Tove, Kvinden, Editions Horsens Kunstmuseum, Horsens, Denmark, p. 87<\/span><\/p>\n

Hessellund Birgit, Lykke-Moller, Rasmussen Steen, Ravn Inge-Lise, Sum Jubil\u00e6umsudstilling II, Editions Arhus, Denmark, p. 24-27<\/span><\/p>\n

Luces C\u00e0mara, Accion (. . . ) Corten: Videoaccion: el cuerpo y sus fronteras, Editions MNCARS Library, Valencia, Spain<\/span><\/p>\n

Martinez Rosa, The Fifth international Istanbul Biennial, On Life, Beauty, Translations and Other Difficulties, Editions Fifth Istanbul Biennial, Istanbul, Turkey, p. 166-167<\/span><\/p>\n

Van Duyn Edna, Hybrids, Editions Appel Foundation, Amsterdam, The Netherlands<\/span><\/p>\n

Vnuk Gordana, The Eurokaz Festival, Zagreb, Croatia<\/span><\/p>\n

1996<\/b><\/span><\/p>\n

A. Rudolf Lorenzo, Art Basel 27, Editions Espace d’art Yvonamor Palix, Miami, USA, p. 292-293<\/span><\/p>\n

Abou Isaac Nathalie, Bonnet Fr\u00e9deric, Chapuis Yvane, Defilippi H\u00e9l\u00e8ne, Donguy Jacques, Vergne Philippe, L’Art au corps, Editions RMN, Mus\u00e9e d’Art Contemporain Marseille, France, 1996, pp. 33, 191-231, 463<\/span><\/p>\n

Betterton Rosemary, Intimate Distance, Women, Artists and The Body, Editions Routledge, London, pp. 138, 147<\/span><\/p>\n

Burkard Lene, Justesen Kirsten, Ohrt Karsten, Ruhs August Body As Membrane, EditionsKunsthallen Brandts Kl\u00e6defabrik, Odense, Denmark, p. 60-65<\/span><\/p>\n

The FIAC 96, Galerie Yvonamor Palix, Editions France Culture, Paris, France, p. 187<\/span><\/p>\n

Del Val Pablo, Expoarte 96, Editions Guadalajara, Guadalajara, Mexico, p. 104<\/span><\/p>\n

Delin Hansen Elisabeth, Nemo\/Drommen om det ny menneske: The Dream of New Man, Editions Copenhagen Contemporary Art Center, Copenhagen, Denmark, p. 22-23, 64-66<\/span><\/p>\n

Ecker Bogomir, Sefkow Bettina, \u00dcbergangsbogen und \u00dcberh\u00f6hungsrampe, naturwissenschaftliche und k\u00fcnstlerische Verfahren, Symposion I und II, Hochschule f\u00fcr bildende K\u00fcnste, Editions Material-Verlag, Hamburg, Germany, p. 160-164<\/span><\/p>\n

Fontcuberta Joan, Zabalbeascoa Anatxu, M\u00e0scara i Mirall, Editions Lunwerg, MACBA, Barcelona, Spain, p. 21, 44-45, 66<\/span><\/p>\n

M. Wilmes Hildegard, ORLAN, Art Charnel, Editions Internationale Photoszene K\u00f6ln, K\u00f6ln, Germany, p. 56<\/span><\/p>\n

Macri Teresa, Corpo Estremo in Riminicinema Catalogo generale 1996, Italy, p. 104-105<\/span><\/p>\n

Parent Francis, Le Corps dans tous ses \u00e9tats, Espace Belleville, Editions CFDT, Paris, France, p. 37, 54<\/span><\/p>\n

Zabalbeascoa Anatxu, R\u00e9els, fiction, virtuel, Rencontres de la photographie d’Arles 1996, \u00c9ditions Actes-Sud, Arles, France, p. 40<\/span><\/p>\n

1995<\/b><\/span><\/p>\n

Fabre Gladys, Prat Thierry, Raspail Thierry, Rey Georges, The Third Contemporary Art Bienniale of Lyon – Installation, cin\u00e9ma, vid\u00e9o, informatique, Editions RMN, Paris, France, p. 42-44<\/span><\/p>\n

Francalanci Ernesto L. The sedicesima biennale internazionale del bronzetto Piccola Scultura Padova’95, Scultura e Oltre, Editions Il Poligrafo, Padova, Italy, p. 225<\/span><\/p>\n

Klaniczay J\u00falia, Video Expedition in the Performance World, Editions Artpool, Budapest, Hungary, p. 15<\/span><\/p>\n

Magotte Hector, Le Grand Jardin du paradoxe et du mensonge universels, 18 ans de la galerie du Cirque Divers, Mus\u00e9e d’Art Moderne et d’Art Contemporain de la Ville de Li\u00e8ge, Tome 2, \u00c9ditions du Cirque Divers, Li\u00e8ge, Belgium, p. 131<\/span><\/p>\n

Schmidt Hans-Werner, Jahresgaben 1995, Schleswig- Holsteinischer, Editions Kunstverein, Kiel, Germany<\/span><\/p>\n

Straus Marc J., ORLAN, Inside Out, Psychological Self-Portraiture, Editions The Aldrich Museum of Contemporary Art, Ridgefield, USA<\/span><\/p>\n

Wilson Sarah, F\u00e9minin=Masculin, le sexe de l’art, Centre Georges Pompidou, Editions Gallimard-Electa, Paris, France, p. 302<\/span><\/p>\n

1994<\/b><\/span><\/p>\n

Barlli Renato, Prodhon Fran\u00e7oise-Claire, Restany Pierre, Arte in Francia 1970\/1993, Galleria d’Arte Moderna, Bologna, Editions Gabriele Mazzotta, Milano, Italy, p. 44, 146-149<\/span><\/p>\n

Bianda Rinaldo, The XVth International Festival of video and electronic arts, forum of new images and emerging culture, Video Art, Editions AVArt Associazione per la VideoArte, Locarno, Italy, pp. 53-54<\/span><\/p>\n

Dander Heike, Performance in BE magazin, Editions Kunstlerhaus Bethanien, Berlin, Germany, pp. 90-92<\/span><\/p>\n

De Loisy Jean, Labelle Rojoux Arnaud, Performance attitude, Hors limites : L’art et la vie, 1952\/1994, \u00c9ditions du Centre Georges Pompidou, Paris, France, p. 231<\/span><\/p>\n

Eiblmayr Silvia, Suture-Phantansmen der vollkommenheit, Editions Salzburger Kunstverein, Salzburg, Austria<\/span><\/p>\n

Ergino Nathalie, Lindner Ines, Stiegler Bernard, ORLAN: oder die bilder des begehrens, in exhibition of Stelarc, ORLAN, Louis Bec, Der k\u00f6rper und der computer, Neuen Gesellschaft f\u00fcr Bildende Kunst, Editions NGBK, Berlin, Germany, p. 23-32, 36-39, 52<\/span><\/p>\n

Ermacora Beate, Positionen Zum Ich, Kamerabilder, Editions Kunsthalle zu Kiel, Kiel, Germany, p. 13, 35-37<\/span><\/p>\n

Hubaut Joel, Labelle-Rojoux Arnaud, Extr\u00eame Limite, \u00c9ditions Galerie Janos, Paris, France<\/span><\/p>\n

Ribettes Jean-Michel, L’Art du portrait au XIXe et XXe si\u00e8cles en France, Editions Atelier trois-quarts face, France, p. 132-133<\/span><\/p>\n

Sigg Thierry, Pleins feux sur Ivry, Editions Ivry-sur-sceine, Ivry, France, p. 12<\/span><\/p>\n

1993<\/b><\/span><\/p>\n

Ancion Elisabeth, Deux soirs \u00e0 l’autel, Collection papier journal, Editions du Cirque Divers, Li\u00e8ge, Belgium, p. 12-13<\/span><\/p>\n

Blaine Julien, Dix ans de po\u00e9sie directe 1984-1993: Attendez- moi, je reviens, Mus\u00e9e de Marseille, Editions RMN, France, p. 91<\/span><\/p>\n

The Body in Ruin, Manifestatie voor de instabiele Media, ORLAN: My Flesh. Editions The Text and the Languages, The Netherlands <\/span><\/p>\n

Sex Quake Show: Art after the Apocalypse, Editions First Art-Genes, Portable Museum, USA<\/span><\/p>\n

Wilms Hildegard M. , Borderlines, Editions Fotomuseum, Frankfurt, Germany, p. 84-85<\/span><\/p>\n

1992<\/b><\/span><\/p>\n

Beres Jerzy, Borowski Wlodzimierz, Dlubak Zbigniew, Robakowski J\u00f3zef, Spotkania Sztuki aktywnej, Editions Konin, Poland<\/span><\/p>\n

Bernard Christian, Besacier Hubert, Besson Christian, Charre Alain, Cor\u00e0 Bruno, Gassiot- Talabot G\u00e9rald, Jeune Marie-Claude, Mavridorakais Val\u00e9rie, Raspail Thierry, Sarkis, Collection Rh\u00f4ne-Alpes, Editions du FRAC Rh\u00f4ne-Alpes, France, pp. 377<\/span><\/p>\n

Bond Anthony, The 9th Sydney Biennale – The Boundary Rider, Editions National Library of Australia, Australia, pp. 184-185<\/span><\/p>\n

1991<\/b><\/span><\/p>\n

Ribettes Jean-Michel, Les Couleurs de l’argent, Editions Mus\u00e9e de la Poste, France, p. 37<\/span><\/p>\n

Marcelin Pleynet, Mathilde Fener, Les bonheurs de l’art, II, Editions Ensba, p. 55<\/span><\/p>\n

Sigg Thierry, Pleins feux sur Ivry, Editions Ivry-sur-seine , France, p. 33-60<\/span><\/p>\n

1990<\/b><\/span><\/p>\n

Apert Olivier, Sarrazin St\u00e9phane, La vid\u00e9o casse le baroque, Editions Centre Wallonie-Bruxelles, Grand Canal Paris, France, pp. 39<\/span><\/p>\n

Archer Michael, Benett Oliver, Brighton Andrew, Gilroy Paul, Kaye Nick, Oku Bright Nancee, Edge 90, Art and Life in the Nineties, The Edge Biennale Trust and Mediamatic magazine vol. 4, Editions Newcastle, UK, p. 236<\/span><\/p>\n

Buci-Glucksmann Christine, Gattinoni Christian, \u00c9crans-ic\u00f4nes, Espace Art Brenne, \u00c9dition Art Brenne, Le Blanc, France, p. 88 (Cover photo of ORLAN) <\/span><\/p>\n

Ceysson Bernard, Savary Jo\u00ebl, Les Vingt ans de pub et de cin\u00e9ma de sainte ORLAN, Editions Centre d’Art Contemporain de Basse-Normandie, H\u00e9rouville Saint-Clair, France<\/span><\/p>\n

Lebel Jean-Jacques, D\u00e9sir et d\u00e9sordre, Editions Galleria Notturna d’Arte Contemporanea, Milan, Italy, p. 12<\/span><\/p>\n

ORLAN, Situation(s), Editions CREDAC, Centre d’Art Contemporain d’Ivry, Ivry-sur-Seine, France, p. 17<\/span><\/p>\n

1989<\/b><\/span><\/p>\n

Beer Monica, Wellreshoff Maria, Bilder Streit, Editions Cologne, Germany, p. 109<\/span><\/p>\n

VI Rencontre internationale de poesie contemporaine, Tarascan 89, Editions Agrippa, p. 118<\/span><\/p>\n

Gu\u00e9rin Syn, Femmes cathodiques, International Video Festival, Editions Centre audiovisuel Simone de Beauvoir, Paris, France, pp. 39<\/span><\/p>\n

Nardin Anne, Vierge noire aux deux Chevalets, Fonds National d’art contemporain (acquisitions 1989), Editions Minist\u00e8re de la Culture et de la Communication Paris, France, 1989<\/span><\/p>\n

Second Roubaix Video Meeting – Video Ch’ti choc de Roubaix, Roubaix, France<\/span><\/p>\n

1988<\/b><\/span><\/p>\n

Brys-Schatan Gita, Pages d’artistes hors mesure, cinquante fois plus moins z\u00e9ro, Editions ISELP, Brussels, Belgium, p.158<\/span><\/p>\n

1986<\/b><\/span><\/p>\n

Daniels Dieter, Moser B\u00e4rbel, Unn\u00fctzer Petra, The 2nd Videonale,Editions Bonn, Bonn, Germany, p. 142<\/span><\/p>\n

1985<\/b><\/span><\/p>\n

Fagone Vittorio, Vid\u00e9o d’artistes, Editions Salle patino, Geneva, Switzerland, p.36<\/span><\/p>\n

Fagone Vittorio, Faux Monique, Laporte Dominique-Gilbert, ORLAN, Restany Pierre, Histoires saintes de l’art: ORLAN, L\u00e9a Lublin, Lacertid\u00e9, Editions Cergy- Pontoise, France, (Cover photo of ORLAN)<\/span><\/p>\n

Lyotard Jean-Fran\u00e7ois, Les Immateriaux. Album et inventaire, Editions Centre Georges Pompidou, Paris, France <\/span><\/p>\n

1984<\/b><\/span><\/p>\n

Besacier Hubert, Charre Alain, D\u00e9roudille Ren\u00e9, Morgan Stuart, ORLAN, Pelzer Birgit, Pwlowski Tadeus, ORLAN, exhibition 1979-1983, Cinq ans d’Art Performance \u00e0 Lyon, Editions Comportement, Lyon, France, p. 11-14, 111<\/span><\/p>\n

Bongiovanni Pierre, Duhard Jean-Marie, Fargier Jean-Paul, Zanoli Patrick, The 2nd international video demonstration, Editions Monb\u00e9liard, France, p. 275<\/span><\/p>\n

Donguy Jacques, Mise en sc\u00e8ne pour une assomption, \u00e9tude documentaire n\u00b0100, Le Mois de la photo \u00e0 Paris, Editions Direction des Affaires culturelles de la ville de Paris & Paris Audiovisuel, Paris, France, p. 242<\/span><\/p>\n

Prado Patrick, Etude documentaire n\u00b0111 – La lumi\u00e8re: mise en sc\u00e8ne pour un grand fiat, Etude documentaire n\u00b02 – La lumi\u00e8re baignant les anges baroques, Grand Canal Video, Editions Composite diffusion, Paris, France<\/span><\/p>\n

Ubi, Editions maquette natvia, Saint-Vorles, Ch\u00e2tillon-sur-Seine, France, p. 27-30<\/span><\/p>\n

1983<\/b><\/span><\/p>\n

Berne-Joffroy Andr\u00e9, Briot Marie-Odile, Lecombre Sylvain, Popper Frank, Electra, l’\u00e9lectricit\u00e9 et l’\u00e9lectronique dans l’art du xxe si\u00e8cle, Mus\u00e9e d’Art Moderne de la Ville de Paris, France, pp. 380-383<\/span><\/p>\n

Froment Jean-Louis, M. Fischer Alfred, Jappe Georg, Honnef Klaus, Thieler Fred, Pfennig Gerhard, Poinsot Jean-Marc, Wilke Reinhard, Qu’importe, si c’est bien, Editions Office Franco-Allemande, Marseille, France, p. 223<\/span><\/p>\n

1982<\/b><\/span><\/p>\n

Adams Hugh, Besacier Hubert, Breyne Jean (de), Crispolti Enrico, D\u00e9roudille Ren\u00e9, Fagone Vittorio, Jappe Elisabeth, ORLAN, Watson Gary, The 4th International Symposium for Performance Arts, Lyon, France, 1982, pp. 12<\/span><\/p>\n

Egidio Alvaro, Alternativa, II Festival international de arte viva, Editions oficina de cultura, p.131<\/span><\/p>\n

Alvaro Egidio, Donguy Jacques, The first international festival of performance of Paris, Paris, France, p. 23<\/span><\/p>\n

Bloch Dany, Boss\u00e9 Laurence, Travaux sur papier, objets photos, Editions Villeparisis, Villeparisis, France, p. 6<\/span><\/p>\n

Velasco Barroetabena Roberto, Contemporary Art Fair, arteder 82, Editions seccion III photographia, Bilbao, Spain, p. 596<\/span><\/p>\n

1981<\/b><\/span><\/p>\n

Identity: illusion-allusion no 1, The Eleventh Paris Biennale, National Gallery of Art, Lisbon, Portugal<\/span><\/p>\n

Barilli Renato, Besacier Hubert, Corominas Maria-Jos\u00e9, Daolio Roberto, De Sousa Ernesto, Fagone Vittorio, Kent Sarah, Kontova Helena, Matta Malitte, Pawlowski Tadeusz, Poli Francesco, Schwarzbauer Georg F, Stener Mike, Symposium international d’art-performance de Lyon, Editions ELAC, Lyon, France.<\/span><\/p>\n

Besacier Hubert, D\u00e9roudille Ren\u00e9, Jeune Marie-Claude, ORLAN, \u0152uvres plastiques des artistes de la Performance, Editions ELAC, Lyon, France<\/span><\/p>\n

Roche Denis, Autoportraits photographiques, Centre Georges Pompidou, Edition Herscher, Paris, France, p. 63<\/span><\/p>\n

1980<\/b><\/span><\/p>\n

Ainardi Dol\u00e8ne, Flagrant d\u00e9lit de traces, Editions TNP, Lyon, France<\/span><\/p>\n

Alinovi Francesca, Barilli Renato, Bex Flor, Daolio Roberto, The 5e settimana Internazionale della Performance, la Soffitta, Editions teatro della provincia di Bologna, Italy<\/span><\/p>\n

Bex Flor, The XI Paris Biennale, Paris, France.<\/span><\/p>\n

Bonnaval Jacques, Made in France, Editions ELAC, Lyon, France.<\/span><\/p>\n

Von Mulders Vim, Aspects du mythe dans l’\u0153uvre d’ORLAN, Mesurage, Antwerpen, Belgium.<\/span><\/p>\n

1979<\/b><\/span><\/p>\n

Alvaro Egidio, Performances, rituals, interventions in urban spaces, behavioral art in Portugal, The Symposium International of Art-Performance of Lyon, Editions ELAC, Lyon, France<\/span><\/p>\n

Charre Alain, Notes \u00e0 partir du mesurage du Mus\u00e9e St Pierre de Lyon, The First International Symposium for Performance Arts in Lyon, Editions du Cirque Divers, Lyon, France,<\/span><\/p>\n

Friloux F. The Performances-bouffe, Editions Th\u00e9\u00e2tre d’en face, Paris, France, p. 3<\/span><\/p>\n

1978<\/b><\/span><\/p>\n

Besacier Hubert, ORLAN chose her body as material, The Interdisciplinary days about Corporal Art and Performance, Editions Centre Georges Pompidou, Paris, France<\/span><\/p>\n

Maubant J. L. , ORLAN, The National Fine Arts School of Macon’s Teachers’exhibition, France<\/span><\/p>\n

Maubant J. L, Les artistes sur les pav\u00e9s, in Bilan du Symposium, Editions Mus\u00e9e d’Angoul\u00eame, Angoul\u00eame, France<\/span><\/p>\n

1977<\/b><\/span><\/p>\n

Besacier Hubert, Face \u00e0 une soci\u00e9t\u00e9 de m\u00e8res et de marchands, Le baiser de l’artiste, FIAC, Paris, France<\/span><\/p>\n

Besacier Hubert, Langages au f\u00e9minin, Editions ELAC, Lyon, France<\/span><\/p>\n

Charre Alain, G\u00e9rome \u00c9lyane, Tendances Contemporaines Rh\u00f4ne-Alpes \u00e9tat 1, Editions ELAC, Lyon, France<\/span><\/p>\n

De Cast\u00e9ras Christiane, Feminie 77, Dialogue Group’s third exhbition, Editions Unesco, Paris, France, p.265<\/span><\/p>\n

1975<\/b><\/span><\/p>\n

Artias Lydia, Triennale – sculptures, paintings, Editions Maison de la Culture et des Loisirs de Saint-\u00c9tienne, Saint-Etienne, France<\/span><\/p>\n

1974<\/b><\/span><\/p>\n

Artias Lydia, 63\/42, Editions Wuppertal, Germany<\/span><\/p>\n

Artias Lydia, 63\/42, Editions Maison de la Culture et des Loisirs de Saint- Etienne, Saint-\u00c9tienne, France.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

  2026 ORLAN, Jens Hauser, Dietmar Lupfer, Donatien Grau, Primavera De Filippi, \u201cORLAN: Artistic Intelligences\u201d, Muffathalle Publications, Munich 2025 La Marrade, Art, Humor, and Feminism, LAAC, El Visio Publishing, Dunkirk, 95 pages, p. 7, p. 38, p. 56\/59  Feminist Avant-Garde – Art of the 1970s, Verbund Collection, Vienna, Gabriele Schor, Exposed Body, Body for Sale, […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":18206,"menu_order":3,"comment_status":"open","ping_status":"open","template":"","meta":{"_eb_attr":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_s2mail":"","ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-18250","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.orlan.eu\/en\/wp-json\/wp\/v2\/pages\/18250","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.orlan.eu\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.orlan.eu\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.orlan.eu\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.orlan.eu\/en\/wp-json\/wp\/v2\/comments?post=18250"}],"version-history":[{"count":2,"href":"https:\/\/www.orlan.eu\/en\/wp-json\/wp\/v2\/pages\/18250\/revisions"}],"predecessor-version":[{"id":23716,"href":"https:\/\/www.orlan.eu\/en\/wp-json\/wp\/v2\/pages\/18250\/revisions\/23716"}],"up":[{"embeddable":true,"href":"https:\/\/www.orlan.eu\/en\/wp-json\/wp\/v2\/pages\/18206"}],"wp:attachment":[{"href":"https:\/\/www.orlan.eu\/en\/wp-json\/wp\/v2\/media?parent=18250"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}