{"id":18266,"date":"2010-03-25T14:00:00","date_gmt":"2010-03-25T14:00:00","guid":{"rendered":"https:\/\/www.orlan.eu\/bio-biblio\/featuring-orlan\/"},"modified":"2024-03-13T13:03:27","modified_gmt":"2024-03-13T13:03:27","slug":"featuring-orlan","status":"publish","type":"page","link":"https:\/\/www.orlan.eu\/en\/bio-biblio\/featuring-orlan\/","title":{"rendered":"Featuring ORLAN"},"content":{"rendered":"

2024<\/strong><\/p>\n

Yannick Ripa, Fran\u00e7oise Th\u00e9baud, Les F\u00e9minismes: Une histoire mondiale 19e – 20e si\u00e8cles<\/em>, 2024. 320 pages, Editions Textuel, p. 196 – 197<\/p>\n

2023<\/strong><\/p>\n

ORLAN, Gwen Strauss, Ambroise Audoin-Rouzeau, Brigitte Benkemoun, Patrice Allain, Dora Maar Secrets d’atelier<\/i>, 2023. 127 pages, \u00c9ditions Dilecta, p.45-56<\/p>\n

ORLAN, Lorena Ancona, Demi\u00e1n Flores, Le\u00efla Godet Voight, Catherine Petitgas, Hibridaciones<\/i>, 2023. 125 pages, \u00c9ditions Fundaci\u00f3n La C\u00fapula, p.20-46, p. 76-100<\/p>\n

Barbara Rose, “Un sourire critique”, Ceysson<\/em>, p.77-87.<\/p>\n

Omar Kholeif, INTERNET_ART, from the Birth of the web to the Rise of NFTs<\/i>, 2023. 293 pages, Edition PHAIDON, p40-42<\/p>\n

Germaine Richier, edited by Ariane Coulondre. 2023, 24 x 30 cm, 304 pages, exhibition catalog, \u00c9dition du Centre Pompidou, ISBN: 978 2 284426 941 6 <\/p>\n

2022
\n<\/strong><\/p>\n

Multiple authors, “Faking the real”, exhibition catalog, Kunsthaus Graz<\/em>, p.58-61.<\/p>\n

Catherine JACOB, Franck LECLERC, “Hommes\/Femmes, ce qu’elles en disent…”, <\/span>
\n Pygmalion, <\/span>
\n<\/i>p.329-331<\/span>
\n .<\/span>
\n<\/i><\/p>\n

Elisabeth COUTURIER, “Art Contemporain, ce qu’il doit aux chefs d’oeuvre du pass\u00e9. Le guide”, <\/span>
\n Flammarion, <\/span>
\n<\/i>p63.<\/span><\/p>\n

Jean-Luc PARANT, “Le bout des bordes”, <\/span>
\n Actes Sud<\/span>
\n<\/i>, p 375-378. <\/span><\/p>\n

Katy DEEPWELL, “50 Feminist Art Manifestos” ,<\/span>
\n KT PRESS,<\/span>
\n<\/i> p.27. Whitney Chadwich, “Women, Art and Society”,<\/span>
\n Firth Edition,<\/span>
\n<\/i> p.503-505. <\/span><\/p>\n

N\u00eemes Carr\u00e9 d’Art, “Festival de la biographie” (Biography Festival)<\/span><\/p>\n

“Looking For Mona Lisa <\/span>
\n Silvana editorial, <\/span>
\n<\/i>p55-58. <\/span><\/p>\n

Taisiya Polishchuk, Olga Kisseleva, Tatiana Drodz, <\/span>
\n The Milky Way, How art can change the world?<\/span>
\n<\/i>San Marino Pavilion, Venice Biennale, 2022, p.35.<\/span><\/p>\n

Center de cr\u00e9ation contemporaine Olivier Debr\u00e9, “Mythologie tr\u00e8s individuelle”, p.192. <\/span><\/p>\n

2021<\/b><\/p>\n

Thierry Dufr\u00eane, <\/span>
\n Honor\u00e9 De Balzac, Le Chef-d’oeuvre inconnu,<\/span>
\n<\/i> “Conversation autour du chef-d’oeuvre inconnu ORLAN – Thierry Dufr\u00eane”, Paris Mus\u00e9e, 2021, p.123-127<\/span><\/p>\n

Riccardo Matlakas, Giuliana Attanasio, <\/span>
\n Vite in quarantena, prospettive internazionali del Covid-19 tra psicologia e arte<\/span>
\n<\/i>Patti, Casa Editrice Kimerik, March 2021, pp. 85-89.<\/span><\/p>\n

Shelley Rice, ” Frozen Reflections, Notes on Women Artists, Images and the Age “, in Nadeije Laneyrie-Dagen, Caroline Archat (eds.), <\/span>
\n L’art au risque de l’\u00e2ge<\/span>
\n<\/i>Paris, CNRS \u00c9ditions, pp. 105-108.<\/span><\/p>\n

Anne-Claire Meffre, <\/span>
\n The 100 Heroines of Art<\/span>
\n<\/i>Madame Figaro, Soci\u00e9t\u00e9 du Figaro, June 2021, Paris, p.154<\/span><\/p>\n

Emmanuel Saulnier (ed.), <\/span>
\n Almanach Ides de Mars<\/span>
\n<\/i>\u00c9ditions J\u00e9r\u00f4me Cognet, June 2021, Paris,      p. 58-59<\/span><\/p>\n

Hugo Huerta Marin, <\/span>Portrait of an artiste. Conversations with Trailblazing Creative Women<\/span><\/i>Prestel Verlag, Munich, 2021, p.252 <\/span><\/p>\n

Jeon Hye-Suk, ” Multiple acceptance and hyridity ” in <\/span>
\n Anthropocene<\/span>
\n<\/i>Ewha Academy of Humanities and Sciences Eco-Techne Academic, Series 04 Art Ecology, Life, and Body Changes, p.281-283<\/span><\/p>\n

2020<\/b><\/p>\n

Jacques Ohana (doctor), ” La diagonale du corps “, Paris, Le cherche midi, 2020, 317 p.<\/span><\/p>\n

Les grands entretiens d’artpress, ” La performance ” 2.  “, p 39<\/span><\/p>\n

Humensis, Belin, textbook, Francais 2de, p.346<\/span><\/p>\n

2019<\/b><\/p>\n

Nadeije Laneyrie-Dagen”, “Lire la peinture – Dans l’intimit\u00e9 des oeuvres”, collections Reconna\u00eetre\/Comprendre p.179<\/span><\/p>\n

Nathalie Herschdorfer, <\/span>
\n Body<\/span>
\n<\/i>Thames & Hudson, p.156<\/span><\/p>\n

, <\/span>
\n 400 <\/span>
\n<\/i>Rebecca Morrill<\/span>
\n Women Artists<\/span>
\n<\/i>Phaidon, p.307<\/span><\/p>\n

L’Art \u00e0 ciel ouvert – La commande publique au pluriel, 2007-2019, edited by Thierry Dufr\u00eane, Editions Flammarion, p. 53\/62<\/span><\/p>\n

Christiane Lavaquerie-Klein and Laurence Paix Rusterholtz, <\/span>Who am I? Disguise in art<\/span><\/i>\u00c9ditions seuil jeunesse, p.61<\/span><\/p>\n

Woorischool Publishing, “The history of eight answers to art”<\/span><\/p>\n

2018<\/b><\/p>\n

Michel Poivert, <\/span>
\n Contemporary Photography<\/span>
\n<\/i>Edtitions Flammarion, p.115<\/span><\/p>\n

2017<\/b><\/p>\n

Zhong Weixing, <\/span>
\n Face To Face<\/span>
\n<\/i>Miason Europ\u00e9enne de la Photographie, 2017<\/span><\/p>\n

Louis-Jos\u00e9 Lestocart, <\/span>
\n Aesthetics of Complexity, for a non-linear cognitivism<\/span>
\n<\/i>\u00c9ditions Hermann<\/span><\/p>\n

Astroduia Diara, <\/span>
\n Horangel,<\/span>
\n<\/i> p-150 <\/span><\/p>\n

Isabelle de la Maison Rouge, <\/span>
\n The myth of the artist beyond preconceived ideas<\/span>
\n<\/i>October p.194-p.200<\/span><\/p>\n

Alexia Gugg\u00e9mos, <\/span>
\n Art History for Dummies<\/span>
\n<\/i>, 2017, p-211<\/span><\/p>\n

Hugo Huerta Marin, <\/span>
\n Portrait of an artist<\/span>
\n<\/i>, p.145-155, 2017<\/span><\/p>\n

SUM, p.24-26, 2017<\/span><\/p>\n

Else Marie Bukdahl, <\/span>
\n The Recurrent Actuality of the Baroque<\/span>
\n<\/i>, p.111-117, 2017<\/span><\/p>\n

2016<\/b><\/p>\n

Donatien Grau, Paul in Paris, Paris in Paul; Les Belles Lettres, pp. 155-170<\/p>\n

Rapha\u00ebl Cuir, Renaissance de l’anatomie, Paris: Hermann, 2016, pp. 237<\/p>\n

2015<\/b><\/p>\n

Teresa Riccardi, The gazes and History of Female Saints: Lea Lubin and ORLAN between genders, in Lea Lublin – Retrospective by Stephanie Weber and Matthias M\u00fchling, Lenbachhaus, Stoeck, 2015, p.118-131<\/p>\n

Jean-Luc Monterosso, Maison Europ\u00e9enne de la Photographie, Une Collection, Actes Sud, 2015, p.173, p.404<\/p>\n

Fran\u00e7ois Delaporte, Bernard Devauchelle, Emmanuel Fournier ; Transplanter : art, medicine, histoire et biologie, \u00c9ditions Hermann, 2015 p.161-176<\/p>\n

Martial Gu\u00e9dron, Visage(s), Hazan, 2015, p.360,374-75<\/p>\n

Jennifer Blessing (ed.), Body of Art, Phaidon, New York, pp. 43-44<\/p>\n

Ariel Kyrou, Mounir Fatmi, Ceci n’est pas un blasph\u00e8me, Editions Derni\u00e8re marge, Paris, 2015, p.138-139,167, 325-334.<\/p>\n

Virginie Martin, Ce monde qui nous \u00e9chappe, L’aube, 2015, pp. 51-54.<\/p>\n

Anne-Julia Zwierlein, Gender and Disease in Literary and Medical Culture, Editions Iris M. Heid, p236-237.<\/p>\n

Elisabeth Couturier, Art contemporain, le guide, Flammarion, Paris, 2015<\/p>\n

2014<\/b><\/p>\n

Hermann Nitsch, ORLAN, Anke R\u00f6hrscheid, Physis der Seele – Inszenierte Rituale, exhibition catalog. Editions Minerva, p.13-19<\/p>\n

Raphael Cuir, Eric Mangion, Performance art: Life of the Archive and Topicality, Editions Figures, p.97<\/p>\n

Mehdi Brit & Sandrine Meats, Interviewer la performance, Editions Manuella, p.293-315<\/p>\n

(cover photo ORLAN)<\/p>\n

Arthur I.Miller, Colliding Worlds, Editions Norton, p. 207<\/p>\n

Rapha\u00ebl Cuir, Eric Mangion, La performance, vie de l’archive, et actualit\u00e9, Editions les presses du r\u00e9el, p. 105, 192<\/p>\n

Marta Herford, Ruhest\u00f6rung steifz\u00fcge durch die welten der collage, Editions Kunst museum ahlen, p.<\/p>\n

Christian Gattinoni, Danse contemporaine et op\u00e9ra, Editions Scala, p. 79<\/p>\n

Amber Vein, Selection Riga 2014, Editions Riga 2014, p.156, 157<\/p>\n

Cuneyt Akeroglu, The romance issue, Editions Magazine antidote, p. 39-41<\/p>\n

Paul-Arnaud Parsy, Caroline Cohn, Tajan, Femmes artistes, Editions Tajan, p. 77<\/p>\n

Julien Blaine, Mary Read & ses acolytes, Editions al dante, p. 46, 47<\/p>\n

No\u00e9mie Etienne, \u00e0 bras le corps, image, mat\u00e9rialit\u00e9s et devenir des corps, Editions Agn\u00e8s Vannouvong, p. 47-54<\/p>\n

Denis Baron, Corps et artifices, de Cronenberg \u00e0 Zpira, Editions L’Harmattan, p.148-149<\/p>\n

Rapha\u00ebl Cuir,  Pourquoi y a t- il de l’art plut\u00f4t que rien, Editions archibooks, p.235<\/p>\n

Bettina Knaup, Beatrice Ellen Stammer, React Feminism; Editions Verlag; p. 138,139<\/p>\n

Stephane Dumas, Les peaux cr\u00e9atrices: Esth\u00e9tique de la s\u00e9cr\u00e9tion; Editions Borch\u00e9<\/p>\n

Nathalie Heinich, Le paradigme de l’Art contemporain; Editions Gallimard, Paris, pp. 93, 135.<\/p>\n

Rapha\u00ebl Cuir, Eric Mangion; La Performance, Vie de l’archive et actualit\u00e9; Presses du r\u00e9el, Figures collection<\/p>\n

2013<\/b><\/p>\n

Yannis Constantinid\u00e8s; Le nouveau culte du corps, dans les pas de Nietzsche, Editions Fran\u00e7ois Bourin, p. 96<\/p>\n

B\u00e9atrice Didier, Antoinette Fouque, Mireille Calle-Gruber; Le Dictionnaire universel des Cr\u00e9atrices; des Femmes Antoinette Fouque; Volume II p.3274<\/p>\n

Zora Rusinova, Autopoesis, Editions Slovenska narodna, pp 1581-59<\/p>\n

Christian Biet, Sylie Roques, ORLAN Les pr\u00e9jug\u00e9s \u00e9branl\u00e9s par l’Art-Action, Communications n\u00b0 92 Performance – le corps expose, Edition du Seuil<\/p>\n

Pilar Lozano Ortiz Toscano, Nomadas, Cuerpos otros, subjetiuidades otros, Editions Compensor, p. 202, 216 (Cover of ORLAN)<\/p>\n

Etienne Akamatsu, Erice Oudin, Mariane Perruche, Le plaisir, de Platon \u00e0 Onfray, Editions Eyrolles, p. 104<\/p>\n

Nina Alejandra Cabra, Manuel Roberto Escobar, Cuerpos otros, subjetividades otras, Editions Universidad central, p.202 – 216<\/p>\n

J\u00e9r\u00f4me Glicenstein, L’art contemporain entre les lignes, Editions puf, p. 94.95 (cover of ORLAN)<\/p>\n

M\u00e9lanie Bouteloup, Christine Buci-Glucksmann, Elisabeth Couturier, Raphael Cuir, Raimi<\/p>\n

Peter Kalb, Art Since 1980, Charting the Contemporary, Editions Laurence King<\/p>\n

Michela Marzano, Que sais-je ? La philosophie du corps, Editions puf, p. 29-35<\/p>\n

Valentine Plisnier. Primitivism in photography. Editions Trocadero<\/p>\n

Vincent Josse. L’Atelier. Editions Flammarion. p.178<\/p>\n

Gbadamosi, Bronwyn Law-Viljoen, Pascale Marthine Tayou, ORLAN, Scenoscome, edited by Raphael Cuir, Hybridation & Art Contemporain, Editions al dante + aica, p 82, 83, 88-99<\/p>\n

2012<\/b><\/p>\n

Shanay Jhaveri, Western Artists and India, Creative Inspirations in Art and Design, The Shoestring Publisher, Editions Flag skin Hybrid, p. 5.<\/p>\n

Amelia Jones, Adrien Heathfield, Perform, Repeat, Record, Editions Intellect Bristol, p. 239, 269, 431<\/p>\n

Debra J. Dewitte, Ralph M. Larmann, M. Kathryn Shields, Gateways to art, Editions Thomes & hudson, p.582<\/p>\n

Philippe R\u00e9gnier, 1% d’art, Editions du patrimoine, center des monuments nationaux, p. 144,152, 153<\/p>\n

Estelle Benazet and Sinziana Ravini,The Hidden Mother, Un Roman Exposition, l’Avenir dure Longtemps, Editions Montgolfier<\/p>\n

Fran\u00e7ois Soulage, Marc Tamisier, Photographie contemporaine & art contemporain, L’image et les images, Edition Klincksieck,<\/p>\n

Catherine Millet, Art Press l’album, 40 ans de cr\u00e9ation, Editions de la Martini\u00e8re, p. 221<\/p>\n

2011<\/b><\/p>\n

Xavi\u00e8re Gauthier, Pionni\u00e8res, De 1900 \u00e0 nos jours, Elles ont chang\u00e9 le monde<\/i>, Editions Flammarion, p. 244<\/p>\n

ORLAN, Marc Quinn, Shawn Brixey, Hunter Cole, Heide Hatry, Hybrid Artists, Natasha Vita-More, Chris Burden, Francesco Monico, Eduardo Kac, Joe Davis, Stelarc, Olga Kisseleva, Robert B. Lisek, Ken Rinaldo, T. Ryan Gregory, Ericaamerica. Editions Book LLC Wiki Series, p. 19-20<\/p>\n

Laneyrie-Dagen Nadeije, Histoire de l’art pour tous, Editions Hazan, pp. 528-529<\/p>\n

Philippe Bidaine, L’Art contemporain, Nouvelles \u00e9ditions Scala, pp 63, 64, 76.<\/p>\n

Melina Balcazar Moreno, Sarah-Ana\u00efs Crevier, Pens\u00e9es du corps, La mat\u00e9rialit\u00e9 et l’organique vus par les sciences humaines, Editions Presses Sorbonne Nouvelle, pp. 13, 122, 124<\/p>\n

Valentine de Saint-Point, Feminine Futures – Performance, Dance, War, Politics and Eroticism, Editions Les Presses du R\u00e9el, pp. 467<\/p>\n

Gu\u00e9dron Martial, L’art de la grimace, Editions Hazan, pp. 287, 289<\/p>\n

Couturier Elizabeth, Photographie contemporaine, mode d’emploi, Editions Flammarion, pp. 96, 110<\/p>\n

Pierrat Emmanuel, Les nouveaux cabinets de curiosit\u00e9s, Editions Les Beaux Jours \/ Compagnie parisienne du livre, pp. 160-165<\/p>\n

Camille Laurens, Les Fianc\u00e9es du Diable – Enqu\u00eate sur les femmes terrifiantes, Editions du Toucan, pp. 132-133<\/p>\n

Francis Parent, Le Portrait dans l’art contemporain \/ Portrait Art Today, Editions Patou, Arcueil, 2011, pp. 262-263<\/p>\n

Catherine Couanet, Sexualit\u00e9s et Photographie, Editions L’Harmattan, Collection Eidos, Paris, 2011, pp. 140-162<\/p>\n

Elizabeth Roudinesco, Lacan, Envers et contre tout, Seuil, 2011, pp. 107<\/p>\n

Center Albert Marinus, Feuillets N\u00b0 100, Editions of Centre Albert Marinus, first term, p. 1<\/p>\n

ARTCURIAL, 100 bricks for Madagascar, contemporary works, Editions Trocad\u00e9ro, lot no. 68.<\/p>\n

Alexandra Boucherifi, The Secret Book of Lady Gaga, Democratic Book, pp. 53- 55<\/p>\n

2010<\/b><\/p>\n

Sally O’Reilly, The Body in Contemporary Art, Editions Thames & Hudson p 137<\/p>\n

Simon Donger, Simon Shepherd, ORLAN, ORLAN a hybrid body of artworks, Routledge<\/p>\n

Stiles Kristine, Concerning Consequences of Trauma in Art and Culture, University of Chicago Press<\/p>\n

Carole Coll, ORLAN, Rapha\u00ebl Enthoven, Perfection & perfectionnements du corps, Editions Alliage, p.3-13<\/p>\n

Tatiana Sentamans, Daniel Tejero, Cuerpos\/ Sexualidades her\u00e9ticas y practicas artisticas, Editions Limencop, p. 206-209<\/p>\n

Stephen Wilson, Art + Science, Editions Thames & Hudson, P.65<\/p>\n

Charbonneaux Anne-Marie, L’or dans l’art contemporain, Editions Flammarion, p. 67,223<\/p>\n

David Rosenberg, Art Game Book, Arts in the 20th Century, Assouline Publishing<\/p>\n

Poivert Michel, La photographie contemporaine, Editions Flammarion, p. 112, 115<\/p>\n

Schlesser Thomas, 100 \u00e9nigmes de la peintures : La Beaut\u00e9, Editions HAZAN, p218 – 219<\/p>\n

100 Masterpieces of the 20th Century, Editions du Centre Pompidou, p. 97<\/p>\n

Forest Fred, Une vie en 100 portraits, Editions Incognito, p. 272 – 274<\/p>\n

Jones Laura K. A Hedonist’s Guide to Art, Editions Artica, p. 117-118<\/p>\n

Carole Hoffmann, ‘\u00c0 corps perdu: du corps obsol\u00e8te aux multiples de soi’ in corps et arts, publishing director Marc Jimenez, Editions Klincksieck, p. 95 – 105<\/p>\n

Morineau Camille, Artistes Femmes de 1905 \u00e0 nos jours, Editions du Centre Pompidou, p. 94, 106, 115<\/p>\n

Lemaire Gerard-Georges, Buci-Glucksmann Christine, L’Or dans l’art contemporain, Editions Flammarion, pp. 67, 222<\/p>\n

De Maison Rouge Isabelle, Salut l’ARTISTE, Editions Le Cavalier Bleu, p. 85, 100, 158-159, 167<\/p>\n

Le Thorel Pascal, Nouveau dictionnaire des artistes contemporains, Edition Larousses, p. 237, 238<\/p>\n

Ewig Isabelle, Maldonado Guitemie, Lire l’art contemporain, dans l’intimit\u00e9 des oeuvres, Editions Larousse, pp. 53, 76<\/p>\n

Ardenne Paul, Art, le Pr\u00e9sent, la cr\u00e9ation plasticienne au tournant du XXIe si\u00e8cle, Editions du Regard, p. 35, 163, 428, 473<\/p>\n

Ballardin Barbara, Sina Adrien, Enif Angiolini Robert, Futurista = amica di Marinietti, Attrice = Fedelissima della Duse, Editions Selene, Milano, Italia<\/p>\n

Buci-Glucksmann Christine, Grenier Catherine, Lambotte Marie-Claude, Van Drathen Doris, Les vanit\u00e9s dans l’art contemporain, Editions flammarion, p. 70-71<\/p>\n

Lemoine Serge, L’art moderne et contemporain, Edition Larousse, p. 260, 290.<\/p>\n

Sophie Harent, Martial Gu\u00e9dron, P\u00e9ristyles 34, Editons Association Emmanuel H\u00e9r\u00e9 et La librairie des mus\u00e9es, p. 63-74<\/p>\n

2009<\/b><\/p>\n

C\u00e9line Delavaux, Christian Demilly, Art Contemporain, Editions Palette…, Paris, 2009, p.58-59<\/p>\n

Kaenel Philippe, Rire avec les Monstres, caricatures, \u00e9tranget\u00e9s et fantasmagories, proceedings, Revue P\u00e9ristyles, Co-edition Association Emmanuel H\u00e9r\u00e9 and La Librairie des mus\u00e9es, p. 63 – 74.<\/p>\n

Marc Lemonier, Guide de la France \u00e9rotique, Editions La musardine, p.380<\/p>\n

C. Delavaux, C. Demilly, Art Contemporain, Editions Palette, p. 58<\/p>\n

Danielle Knafo, In her own image, Women’s self-representation in twentieth-century art, Madison Teaneck Editions, pp. 157-170<\/p>\n

Renato Barilli, L’arte contemporanea; Da C\u00e9zanne alle ultime tendenze, Saggi Universale Eonomica Feltrinelli, p. 339<\/p>\n

Fred\u00e9rica Muzzarelli, Femmes photographes, Edition Hazan, p. 60,1 05, 237<\/p>\n

Het Vasstaande Verdampt, All that is solid melts into air, Editions Stads Visioenen, P. 149<\/p>\n

Cliff Eyland, Camilla Singh, Future species, Editions MOCCA, p. 5<\/p>\n

Ardenne Paul, Un art contextuel, cr\u00e9ation artistique en milieu urbain, en situation, d’intervention, de participation, Editions Champs\/arts, p. 162, 215<\/p>\n

Couturier Elisabeth, L’art contemporain, mode d’emploi, Editions Flammarion, p. 36, 88, 104-105, 112, 247<\/p>\n

Cuir Rapha\u00ebl, Pourquoi y a-t-il de l’Art plut\u00f4t que rien, Editions Archibooks, Paris, France, 2009<\/p>\n

Cuir Raphael, The Development of the Study of Anatomy from the Renaissance to Cartesianism, The Edwin Mellen Press, Lewinston, pp. 178<\/p>\n

De Margerie G\u00e9raldine, Dictionnaire du look, une nouvelle science du jeune, Editions Robert Laffont, p. 12<\/p>\n

Delcourt Thierry, Artiste feminin singulier, Editions L’Age d’Homme, Lausanne, Switzerland, p. 23-24<\/p>\n

Gattinoni Christian, Vigouroux Yannick, La photographie contemporaine, Editions Scala, p. 112<\/p>\n

Gruzinski Serge, Azoulay Elizabeth, Self-Hybridations: ORLAN, Editions Gaillard Fran\u00e7oise<\/p>\n

100,000 ans de Beaut\u00e9, tome Futur\/Projections, Editions Gallimard, Paris, p. 30-33<\/p>\n

Maison Rouge Isabelle, L’Art contemporain, Editions Le Cavalier Bleu, p. 30, 31, 119<\/p>\n

Marcad\u00e9 Bernard, 53 works that shook the world. Une lecture intempestive de l’art du XXe si\u00e8cle, Beaux-Arts \u00e9ditions, p. 202<\/p>\n

M\u00e9zil Eric, Rondeau Corinne, Dommage(s), \u00e0 propos de l’histoire d’un baiser, Editions Actes Sud\/Collection Lambert en Avignon, p. 50, 146<\/p>\n

O’Reilly Sally, The Body in Contemporary Art, EditionsThames & Hudson, p. 137-138<\/p>\n

Poli Francesco, Arte contemporanea, le ricerche internazionali dalla fine degli anni ’50 a oggi, editions Electa, p. 210, 270, 311<\/p>\n

Sturgis Alexander, Faces: A Closer Look, Editions National Gallery Company Publishing,<\/p>\n

2008<\/b><\/p>\n

Andrieu Bernard, Bo\u00ebtsch Gilles, Lachaud Jean-Marc, Le dictionnaire du corps en sciences humaines et sociales, article Body-Art, Editions CNRS, p. 55<\/p>\n

Baron Denis, La chair mutante, fabrique d’un posthumain, Editions Dis voir, p. 58, 83<\/p>\n

Conte Richard, Laval-Jeantet Marion, Du sacr\u00e9 dans l’art actuel? Editions Klincksieck, Presses de la Sorbonne, p. 82-83<\/p>\n

Couanet Catherine, The aesthetics of intimate and political bodies in the West<\/p>\n

Crawford Holly, Artistic Bedfellows: Histories, Theories and Conversations in Collaborative Art Practices, Editions University Press of America<\/p>\n

M\u00e9redieu Florence, Histoire mat\u00e9rielle et immat\u00e9rielle de l’art moderne et contemporain, Editions Larousse, p. 443, 595, 611, 612, 617, 619, 620, 621, 627<\/p>\n

Dreyfus Charles, Etre \u00e0 part, Editions Dilecta<\/p>\n

Gruber Teresa, Heartney Eleanor, Imhasly Josiane, Keller Claudia, Krell Cornellius, Seeholzer, Art and Today, Editions Phaidon, London, UK<\/p>\n

B\u00f6hn Andreas, Horlacher Stefan, Pailer Gaby, Scheck Ulrich, Gender and Laughter: Comic Affirmation and Subversion in Traditional and Modern Media, Amsterdam, The Netherlands<\/p>\n

Heartney Eleanor, Art & Today, Editions Phaidon, p. 189<\/p>\n

Jones Meredith, Skintight: a Cultural Anatomy of Cosmetic Surgery, Editions Berg, Sydney, p. 6, 16, 27-29, 58, 131-132, 151-178, 188, 195, 197<\/p>\n

Joppolo Giovanni, Portraits en m\u00e9tissages, Edition L’Harmattan, p. 84-88, 84-89<\/p>\n

Le Goff Herv\u00e9, Prix Arcimboldo 1999-2008, Editions Gens d’images<\/p>\n

Maubant Jean-Louis, Archive, Ambitions d’Art, Editions les presses du r\u00e9el, p.231<\/p>\n

Norri Claude, La photographie en France, des origines \u00e0 nos jours, Editions Flammarion<\/p>\n

Renaud-Chamska Isabelle, Marie Madeleine en tous ses \u00e9tats, Editions du Cerf, p. 141<\/p>\n

Richard Lionel, Art et Energies, Editions du Cerle d’Art, p. 101<\/p>\n

Sterckx Pierre, Impasses & impostures, Editions Anabet, p. 95-104<\/p>\n

Worms Anne-C\u00e9cile, Arts num\u00e9riques, le premier panorama des Arts Num\u00e9riques en France, Editions M21, p. 76<\/p>\n

2007<\/b><\/p>\n

Baqu\u00e9 Dominique, Visages, du masque grec \u00e0 la greffe du visage, Editions du Regard, p. 191<\/p>\n

Baqu\u00e9 Dominique, Durand R\u00e9gis, Photographies modernes et contemporaines, Editions Flammarion, La collection Neuflize Vie, p. 38<\/p>\n

Buci-Glucksmann Christine, Couanet Catherine, Soulages Fran\u00e7ois, Tamisier Marc, Politique de la Photographie du Corps, Editions Klincksieck, p. 89-98<\/p>\n

Bell David, M. Kennedy Barbara, The cybercultures reader second, Editions Routledge, p. 472-483<\/p>\n

Davis James, Hybrid Culture, Mix Art, Editions Kendall-Hunt,USA<\/p>\n

Depoil Herv\u00e9, Quenouille Fran\u00e7ois, L’encyclop\u00e9die du mauvais go\u00fbt, Editions Hors collection, p. 48<\/p>\n

Gonnard Catherine, Lebovici Elizabeth, Femmes artistes\/Artistes femmes. Paris from 1880 to the present day, Editions Hazan, p. 346, 353-355, 413<\/p>\n

Gunhert Andr\u00e9, Poivert Michel, L’art de la photographie des origines \u00e0 nos jours, Editions adelles et Mazenod, Collection L’art et les grandes civilisations, p. 595<\/p>\n

Jones Amelia, Body art Performing the Subject, Editions University of Minnesota Press, pp. 226-231, 233-235, 324<\/p>\n

Kozloff Max, The Theatre of the Face, Editions Phaidon<\/p>\n

Kuppers Petra, The scar of visibility: medical performances and contemporary art, Editions University of Minnesota Press, pp. 7, 85, 115, 213<\/p>\n

Lemoine Serge, L’art moderne et contemporain, Editions Larousse, p. 260, 290<\/p>\n

Mahon Alyce, Eroticism & Art, Oxford University Press, pp. 37, 277-279<\/p>\n

Mansfield Elisabeth C, Too beautiful to picture, Zeuxis, Myth and Mimesis, Editions University of Minnesota Press, pp. 135, 139, 147-148, 157, 205, 207-208<\/p>\n

Morosoli Jo\u00eblle, L’installation en mouvement, une esth\u00e9tique de la violence, Editions d’Art le Sabord, p. 85-93<\/p>\n

Nehamas Alexander, Only a Promise of Happiness: the Place of Beauty in a World of Art, Princeton University Press, pp. 38-40<\/p>\n

Newton Julianne, Williams Rick, Visual Communication Integrating Media, Art, And Science, Editions Lawrence Erlbaum Associates Press, p. 386<\/p>\n

Popper Frank, From Technological to Virtual Art, Editions Leonardo, Boston<\/p>\n

2006<\/b><\/p>\n

Andrieu Bernard, Bo\u00ebtsch Gilles, Lachaud Jean-Marc, Le dictionnaire du corps en sciences humaines et sociales, article Body-art, Editions CNRS, p. 67<\/p>\n

Arnaud Claude, Qui dit Je en Nous, Editions Grasset<\/p>\n

Biehn Michel, Cruelle coqueterie ou les artifices de la contrainte, Editions Martiniere, p. 25<\/p>\n

Chantal Pontbriand, Amelia Jones, Giovanna Zappei, Th\u00e9r\u00e8se st-Gelais, Christa Blumlinger, Jean-Ernest Joos, Tim Clack, Violence, psycho, parachute, Editions 123, p.24,25<\/p>\n

Bonnet Marie-Jo, Les femmes artistes dans les avant-gardes, Editions Odile Jacob, p. 112, 131, 176-180, 215<\/p>\n

Brignone Paricia, M\u00e9nagerie de Verre, Nouvelles pratiques du corps sc\u00e9nique, Editions Al Dante, p. 29<\/p>\n

Carey John, What good are the Arts, Oxford University Press, p. 5<\/p>\n

Caygill Howard, Reliquary art: ORLAN’s serial operation, in Time and the image, Editions Manchester University Press<\/p>\n

Corbin Alain, Courtine Jean-Jacques, Vigarello Georges, Histoire du corps, Les mutations du regard. Le XXe si\u00e8cle, Editions du Seuil, p. 426, 489<\/p>\n

Cottom Daniel, Unhuman Culture, Editions University of Pennsylvania Press, pp. 131-147,<\/p>\n

Coubetergues Philippe, Fabre Alexia, L’art peut-il se passer de commentaire(s)?, Editions du MAC\/VAL, p. 123<\/p>\n

D\u00e9trez Christine, Simon Anne, A leur corps d\u00e9fendant, Les femmes \u00e0 l’\u00e9preuve du nouvel ordre moral, Editions Seuil, p. 16, 111<\/p>\n

Durand R\u00e9gis, Textes pour ORLAN, L’Exc\u00e8s et le reste, essais sur l’exp\u00e9rience photographique 3, Editions de la Diff\u00e9rence, p. 102-120<\/p>\n

Ewing William A. Faire face, le nouveau portrait photographique, Editions Actes Sud, p. 110-111<\/p>\n

Ewing Wiliam A. Face, the new photographic portrait, Editions Tames & Hudson, p. 110-111<\/p>\n

Feiner Kenneth, Knafo Danielle, Art on the Cutting Edge, ORLAN’s Medusan Female, in Unconscious Fantasies and the Relational World, Editions The Analytic Press, pp. 171-201<\/p>\n

Hubaut Jo\u00ebl, Re-mix \u00e9pid\u00e9mik, Esth\u00e9tique de la dispersion, Editions Les presses du r\u00e9el\/ FRAC Basse-Normandie, p. 318<\/p>\n

Jones Amelia, A companion to Contemporary Art since 1945, Editions Blackwell, p. 427, 435, 443, 396<\/p>\n

Jones Amelia, Self\/Image, Technology, Representation and the Contemporary Subject, Editions Routledge, p. 30-33<\/p>\n

Lafargue Bernard, Figure de l’Art 10: L’Esthetique, Aujourd’hui, Editions University of Pau, p. 301<\/p>\n

Mespl\u00e9 Louis, L’aventure de la photographie contemporaine de 1945 \u00e0 nos jours, Hachette livre, Editions Ch\u00eane, p. 227<\/p>\n

Catherine Millet, L’art contemporain : Histoire et G\u00e9ographie,Editions Flammarion, p. 136 – 137, 140 – 141, 157<\/p>\n

Strasser Catherine, Du travail de l’art, Editions du Regard, p. 163-169<\/p>\n

2005<\/b><\/p>\n

Eduardo Kac; Telepresence & Bio Art, Networking Humans, rabbits and robots, Editions University of Michigan Press. p.66.<\/p>\n

Bussagli Marco, Le Corps, anatomie et symboles, Editions Hazan, p. 127<\/p>\n

Dagnino Enrico, Marek Marie-Christine, Peerin Philippe, Rey Nicolas, Ricciotti Rudy, VIP Room, Part three, Editions Enrico Navarra Gallery<\/p>\n

Ede Si\u00e2n, Art & science, Editions I. B. Tauris London\/New York, p. 115, 135<\/p>\n

Ewig Isabelle, Maldonado Guitemie, Lire l’art contemporain dans l’intimit\u00e9 des \u0153uvres, Editions Larousse, pp. 53, 76<\/p>\n

Fraser Mariam, The body, Editions Routledge New York, p. 301-302<\/p>\n

Gattinoni Christian, Vigouroux Yannick, La photographie contemporaine, Editions Scala, Collection Tableaux choisis, p. 109<\/p>\n

Hatry Heide, Skin, Editions Kehrer<\/p>\n

Jimenez Marc, L’artiste, S\u00e9minaire Interarts de Paris, 2003-2004, L’universit\u00e9 des arts, Editions Klincksieck<\/p>\n

Jones Amelia, Warr Tracey, The Artist’s Body, Editions Phaidon, p. 13-14, 32, 185<\/p>\n

Millet Catherine, L’art contemporain en France, Editions Flammarion, p. 181, 278-281, 328-329<\/p>\n

Reckitt Helena, Phelan Peggy, Art and Feminism, Editions Phaidon, p. 16, 41, 44, 172<\/p>\n

Rouill\u00e9 Andr\u00e9, La Photographie, Editions Gallimard, p. 573-575<\/p>\n

Sans J\u00e9r\u00f4me, Chiambaretta Philippe, Sanchez Marc, ORLAN, in Les archives de la production n\u00b038, Serie, Editions Analogues Arles<\/p>\n

Taschen Angelika, Cosmetic surgery, Editions Taschen Koln, p. 308-309<\/p>\n

Beeldenstorm in een spiegelzaal, Het ICC en de actuele kunst 1970 1990, Editions Johan Pas, Lannoo campus p. 182<\/p>\n

2004<\/b><\/p>\n

Alfano Miglietti Francesca, Extreme Bodies: The Use and Abuse of the Body in Art, Editions Skira, p. 169-176, 166-167, 170-171, 193<\/p>\n

Alfano Miglietti Francesca, Virus Art, Editions Skira<\/p>\n

Anker Suzanne, Nelkin Dorothy, The Molecular gaze, Art in the Genetic Age, Cold Spring, Editions Harbor Laboratory Press, pp. 73-74, 192, 194<\/p>\n

Brigitte Hatat, L’en-je, Le corps parlant 3, Editions \u00e9r\u00e8s, p. 167 – 184<\/p>\n

Ardenne Paul, Face to Face, the Art of portrait photography, Editions Flammarion, p. 229<\/p>\n

Baqu\u00e9 Dominique, Photographie plasticienne, l’extr\u00eame contemporain, Editions du Regard, p. 222, 225- !226, 229-230<\/p>\n

Bonnet M-J., Les femmes dans l’art, Editions de la Martini\u00e8re, p. 90, 220-223<\/p>\n

Casta-Rosaz F., Histoire de la sexualit\u00e9 en Occident, Editions de la Martini\u00e8re, pp. 204<\/p>\n

Dorl\u00e9ac-Bertrand Laurence, L’ordre Sauvage, violence, d\u00e9pense et sacr\u00e9 dans l’Art des ann\u00e9es 1950-1960, Editions Gallimard, p. 314<\/p>\n

Fimiani Mariapaola, Kurotschka Gessa Vanna, Pulcini Elena, Umano, Post Umano, Potere, Sapere, etica nell’et\u00e0 globale, Editions Riuniti<\/p>\n

Giannachi Gabriella, Virtual Theatres, Editions Routledge<\/p>\n

Horst Gerhard Haberl, Kraus Evelyn, Temmel Wolfgang, Senseless-Sinnlos, Editions SpringerWienNY, p. 128<\/p>\n

Kaufman Jean-Claude, Bathroom manners, Editions Janninck, p. 99<\/p>\n

Kuspit Donald, The End of Art, Cambridge University Press<\/p>\n

Le Thorel Pascale, Nouveau dictionnaire des artistes contemporains, Editions Larousse, collection Comprendre Reconna\u00eetre, p. 225-226<\/p>\n

Maisonrouge Isabelle , ORLAN sets herself up as a myth , in Mythologies personnelles : l’art contemporain et l’intime, Editions Scala, p. 109-113, 119<\/p>\n

Mayeur Sylvie, Guide op\u00e9rationnel de la qualit\u00e9. Faut-il tuer la qualit\u00e9 totale, Editions Maxima\/Laurent du Mesnil, p. 39, 93, 283<\/p>\n

Stiles Kristine, Uncorrupted Joy: Art Actions, Art History and Social Value, University of California Press<\/p>\n

Uberquoi Marie-Claire, El Arte a la Deriva, Editions Debold, p. 127<\/p>\n

Vasseur Nadine, Les incertitudes du corps – De m\u00e9tamorphoses en transformations, Editions du Seuil, p. 179<\/p>\n

Vasseur Nadine, M\u00e9tamorphoses du corps, Editions Seuil<\/p>\n

Weill Nicolas, Que reste-t-il de nos tabous, Editions Universitaires de Rennes, p. 217-224<\/p>\n

Regarder l’art du XXe si\u00e8cle, dictionnaire encyclop\u00e9die, Editions Hazan, p. 226<\/p>\n

2003<\/b><\/p>\n

Bethenot Martin, Kerchache Jacques, La beaut\u00e9 sans a priori, Portraits crois\u00e9s, Editions Gallimard\/Mus\u00e9e du Quai Branly, p. 162<\/p>\n

Buci-Glucksmann Christine, L’art \u00e0 l’\u00e9poque du virtuel, Editions L’Harmattan, Collection Arts 8, p. 145, 235<\/p>\n

Castant Alexandre, Man Ray’s Noire et blanche, Editions Scala<\/p>\n

Couchot Edmont, Hillaire Norbert, Digital art. Comment la technologie vient au monde de l’art, Editions Flammarion, p. 82<\/p>\n

Danto Arthur C., The Abuse of Beauty, Aesthetics and the concept of art, Editions Open Court<\/p>\n

Dery Marc, Escape Velocity, Editions Grove Press, p. 239-240<\/p>\n

Dietrich Andrea, Draganovic Julia, Ulbricht Justus H., Uber Menschen. Conference proceedings. Autoren und K\u00fcnstle<\/p>\n

Franklin Catherine, Leydier Richard, Sausset Damien, L’abcdaire de l’art contemporain, Editions Flammarion, p. 90<\/p>\n

Hubaut Jo\u00ebl, Hiatus, Editions FRAC Basse Normandie, p. 46, 47<\/p>\n

Kockelkoren Petran, Technology: Art, Fairground and Theater, Nai Publishers Rotterdam<\/p>\n

Labelle-Rojoux Arnaud, L’Acte pour l’art, Editions Al Dante, p.616, 617<\/p>\n

Onfray Michel, Arch\u00e9ologie du pr\u00e9sent, manifeste pour une esth\u00e9tique cynique, Editions Grasset\/Adam Biro, pp. 74, 111-112<\/p>\n

Pitts Victoria L. In the Flesh: The Cultural Politics of Body Modification, Editions Palgrave MacMillan, p. 154, 164-166, 169-170-177, 179, 181, 183-184, 192<\/p>\n

Ramirez Juan Antonio, Corpus Solus, para un mapa del cuerpo en el arte contempor\u00e0neo. Editions Siruela, p. 315-333<\/p>\n

Mary O’Mahony, Cyborg: The Man-Machine, Editions Thames and Hudson, p. 26<\/p>\n

Ardenne Paul, Un art contextuel, cr\u00e9ation artistique en milieu urbain, en situation, d’intervention, de participation, Editions Flammarion, p. 162, 215<\/p>\n

Raney Karen, Art in Question, Editions The Art Council of UK, p. 147-157<\/p>\n

Schwerfel Heinz Peter, Kino Und Kunst, Editions Dumont, Germany, p. 60-61<\/p>\n

2002<\/b><\/p>\n

Baqu\u00e9 Dominique, Mauvais genre(s), \u00e9rotisme, pornographie, art contemporain, \u00c9ditions du Regard, p. 170, 173-181<\/p>\n

Benthien Claudia, Skin, on the Cultural Border Between Self and the World, Columbia University Press, p. 2<\/p>\n

Bouscayrol Marie-Jos\u00e9, Partouche Marc, Femmes et artistes, Editions Regards, p. 302-305<\/p>\n

Buci-Glucksmann Christine, La Folie du voir. Une esth\u00e9tique du virtuel, Editions Galil\u00e9e<\/p>\n

Buci-Glucksmann Christine, Histoire florale de la peinture. Hommage \u00e0 Steve Dawson, Editions Galil\u00e9e, p. 10, 186<\/p>\n

Bougnoux Daniel, Faire face, Editions Gallimard, p.128 – 134<\/p>\n

Busca Jo\u00eblle, Les Visages d’ORLAN, pour une relecture du post-humain, Editions La Lettre Vol\u00e9e<\/p>\n

Aesthetics and philosophy of art. Rep\u00e8res historiques et th\u00e9matiques, Editions Boeck & Larcier Brussels, p. 277-278<\/p>\n

Conte Richard, Dout\u00e9 Alain, Morsillo Sandrine, L’Art contemporain au risque du clonage, Publications de la Sorbonne, p. 178-181<\/p>\n

Gattinoni Christian, Vigouroux Yannick, La Photographie contemporaine, Editions Scala, pp. 109<\/p>\n

Giordano Bruni Ciro, Utopia 3, la question de l’art au 3e mill\u00e9naire, Proceedings of the international conference organized by the University of Paris-VIII France, Editions the University of Venice, p. 94<\/p>\n

Laneyrie-Dagen Nadeije, Deux nouveaux regards sur l’anatomie : Corpet et ORLAN, in Lire la peinture dans l’intimit\u00e9 des \u0153uvres, Editions Larousse, p. 179<\/p>\n

Le Breton David, Signes d’identit\u00e9, tatouages, piercing et autres marques corporelles, Editions M\u00e9taili\u00e9<\/p>\n

Luc Virginie, Art \u00e0 mort, \u00c9ditions L\u00e9o Scheer, p. 60-67<\/p>\n

Lucie-Smith Edward, Art Tomorrow, Regard sur les artistes du futur, Editions Pierre Terrail, p. 205<\/p>\n

Laure Limongi, Eros Peccadille, Editions al dante, p.70, 71<\/p>\n

Imaginaries of the body II. Proceedings of the Interdisciplinary Colloquium in Grenoble, Editions L’Harmattan, collection Nouvelles \u00c9tudes Anthropologiques<\/p>\n

Martel Richard, Art Action 1958-1998, Intervention, Quebec, National Museum of Contemporary Art, Editions New Acquisitions, Korea<\/p>\n

Paintings, drawings, collages, photographs auctioned in aid of Afganistan-Libre, Editions Nikki Diana Marquardt Gallery<\/p>\n

Miell Dorothy, Phoenix Ann, Thomas Kerry, Mapping Psychology, The Open University, Milton Keynes, p. 49<\/p>\n

Muxel Paule, A season in Bondeville, Editions Heritage Architectural<\/p>\n

Nabokov Dominique, Paris Living Rooms, Editions Assouline, p. 116-117<\/p>\n

Navarra Enrico, Pille Lolita, Ranc Jacques, Reynes Pierre, VIP Room, Part one, Editions Enrico Navarra Gallery<\/p>\n

Oneto Manuela, TechnoMutAzioni, Post-futurismi del terzo millenio, Editions Anexia, p. 185<\/p>\n

Poivert Michel, La Photographie contemporaine, Editions Flammarion, Centre National des Arts Plastiques, p. 80<\/p>\n

Poupel Antoins, The Illusion and Sensuality of Paris, Editions France Metropolitan Museum of Photography, Tokyo<\/p>\n

Schneede Marina, Mit Haut und Haaren, der K\u00f6rper in der zeitgen\u00f6ssischen Kunst, Editions Dumont, p. 129-130<\/p>\n

Small Helen, The Public Intellectual, The New Art, Old Masters and Masked Passions, Editions Blackwell, p. 153-154<\/p>\n

Smith Sidonie, Watson Julia, Interfaces, Women, Autobiography, Image, Performance, Editions University of Michigan Press, p. 107-128<\/p>\n

William Jeffet, Olivier Kaeppelin, Tour de france \/ Florida, Editions Patricia & Phillip Frost<\/p>\n

Warner Marien Mary, Photography: A Cultural History, Editions Laurence King, p. 399<\/p>\n

Wilson Stephen, Information Arts, Intersections of Art, Science and Technology, Editions MIT Cambridge, p. 170-171<\/p>\n

Zylinska Joanna, The Cyborg Experiments: The Extensions of the Body in the Media Age Continuum, Editions London, p. 40-44, 56-64<\/p>\n

2001<\/b><\/p>\n

Abreu Juan, Garbageland, Editions Litteratura Mondadori, p. 165-175<\/p>\n

Alfano Miglietti Francesca, Nessun Tempo, Nessun Corpo. . . Arte, Azioni, Reazioni e Conversazioni, Editions Skira, p. 185, 163-16<\/p>\n

Ardenne Paul, L’Image corps, figures de l’humain dans l’art du XXe si\u00e8cle, \u00c9ditions du Regard, pp. 34, 172, 298, 403, 408, 419-425<\/p>\n

Balkema Annette W., Exploding Aesthetics, Rodopi, collection: Lier en Boog, Series of Philosophy of Art and Art Theory, Editions Slager Henk<\/p>\n

Duckett Victoria, ORLAN. Beyond the Body and the Material Morph, in Meta-Morphing, R. L. Rutsky, Visual Transformation and the Culture of Quick-Change, University of Minnesota Press<\/p>\n

Freeland Cynthia, But is it Art?, Oxford University Press, p. 199<\/p>\n

Gear Rachel, All those Nasty Womanly Things: Women Artists, Technology and the Monstrous-Feminine. Editions Elsevier Science<\/p>\n

Giovanni Falvio (de), Avatar, Editions Meltiemi, p.65-75<\/p>\n

Goldberg RoseLee, Performance Art: From Futurism to the Present. Editions Thames & Hudson London<\/p>\n

Grosenick Uta, Women Artists, femmes artistes du XXe et du XXIe si\u00e8cle, Edition Taschen, p. 414-419<\/p>\n

H\u00f8gh-Olesen Henrik, Personlighedens Positioner, Angst og graenseloshed i person og kultur, Editions Dansk Psykologisk Forlag, p. 240<\/p>\n

Hovagimyan G. H., Art in the Age of Spiritual Machines, Edition Ninth,  New York Digital Salon<\/p>\n

Jaquet Chantal, Le Corps, Editions Universitaires de France, p. 211- 218<\/p>\n

Millet Catherine, Qu’est-ce que l’art moderne, Editions Gallimard<\/p>\n

Moulier Boutang Yann, Multitudes, Editions Exils, p.112-115<\/p>\n

M\u00fcller Florence, Excentriques, \u00c9ditions du Ch\u00eane, p. 150, 166-167<\/p>\n

Parfait Fran\u00e7oise, Video : Un art contemporain, Editions Regard, p.211, 244 – 245<\/p>\n

Pearl Lydie, Corps, sexe et art, Dimension symbolique, Editions L’Harmattan, p. 87-97<\/p>\n

Perret Catherine, Les porteurs d’ombre, Mim\u00e9sis et modernit\u00e9, Editions Belin, p. 301<\/p>\n

Phelan Peggy, Reckitt Helena, Art and Feminism, Editions Phaidon, p. 16, 40, 44, 172, 275<\/p>\n

Sanchez Marc, Sans Jer\u00f4me, What do you expect from an art institution in the 21st century, Palais de Tokyo cr\u00e9ation, Collection Tokyobook<\/p>\n

Troncy Eric, Le Colonel Moutarde dans la biblioth\u00e8que avec le chandelier (Texts 1988-1998), Les Presses du r\u00e9el<\/p>\n

2000<\/b><\/p>\n

Bailey Gill Carolyn, Time and the image, Manchester University Press<\/p>\n

Caygill Howard, Reliquary art: ORLAN’s serial operation, from Time and Image, Editions Carolyn Bailey Gill. Manchester University press p. 48-57<\/p>\n

Dumas Marie-H\u00e9l\u00e8ne, Femmes & Art au XXe si\u00e8cle : le temps des d\u00e9fis, Editions Lunes, p. 102, 120, 127, 153, 188<\/p>\n

Featherstone Mike, Body Modification, Editions Sage, p. 8-10, 105, 149-69, 171-184, 185-204<\/p>\n

Camille Amouro, Africultures, Editions L’Harmattan, p. 92<\/p>\n

Harding James M, Avant-Garde Performance, Textuality and the Limits of Literary History, University of Wisconsin Press, p.158<\/p>\n

Jones Amelia, Warr Tracey, The Artist’s Body, Editions Phaidon, p. 13, 14, 32, 40, 178, 185<\/p>\n

Kemp Martin, Wallace Marina, Spectacular Bodies: The Arts and Science of the Human Body from Leonardo to Now, University of California Press, pp. 154<\/p>\n

Labelle-Rojoux Arnaud, Le\u00e7ons de scandale, Editions Yellow Now, Collection C\u00f4t\u00e9 arts, p. 16, 19, 58, 151, 152, 163<\/p>\n

\u00dcber Menschen, Kollopuium, Editions Kultur, p.306-307<\/p>\n

Lafargue Bernard, Quatre fameux cons, Editions Eur\u00e9dit, p. 56-62<\/p>\n

Sederholm Helena, T\u00e4m\u00e4k\u00f6 Taidetta? Editions WSOY Helsinki, p. 87<\/p>\n

Stiles Kristine, Never Enough is Something Else: Feminist Performance Art, Probity, and the Avant-Garde, University of Madison press, p. 24<\/p>\n

Vergine Lea, Body Art and Performance. The Body as Language, Editions Skira, p. 275<\/p>\n

Zeglin Brand Peg, Beauty Matters, Bloomington & Indianapolis, Editions Indiana University Press, p. 14, 15, 79, 289-293, 290, 292, 293-311<\/p>\n

1999<\/b><\/p>\n

Anthony Howell, The Analysis of Performance Art. A Guide to Its Theory and Practice, Harwood Academic Publishers, p. 22, 106, 111, 176, 187<\/p>\n

Arias Manuel, Del Castillo Beatriz, Garcia Fuertes Antonia, Pallol Bel\u00e9n, Ramirez Juan Antonio, Historia del Arte, Editions SM Madrid, p. 493<\/p>\n

Best Victoria, Collier Peter, Ince Kate, Powerful Bodies. Performance in French Cultural Studies, Editions Peter Lang, p. 11, 51- 69, 184<\/p>\n

Domaszewicz Krysia, Body & Society [interview], Sage Publication Ltd,<\/p>\n

Gilman Sander L. Making the Body Beautiful. A cultural History of Aesthetic Surgery, Editions Prinston University Press, p. 319-26<\/p>\n

Goldberg RoseLee, performances. Art in Action, Editions Thames and Hudson, p. 135<\/p>\n

Klein Gabrielle, Electronic Vibration. A Pop-Culture-Theory, Editions Rogner & Bernhard<\/p>\n

Le Breton David, L’Adieu au corps, Editions M\u00e9taili\u00e9, Paris, France, 1999<\/p>\n

Lucie-Smith Edward, Art Today, Editions Phaidon<\/p>\n

Lucie-Smith Edward, Les Arts au XXe si\u00e8cle, Editions K\u00f6nemann, p. 378-80<\/p>\n

Lucie-Smith Edward, Visual Arts in the XX century, Editions Laurence King, p. 378-80<\/p>\n

Rush Michael, New Media in late 20th-century art, Editions Thames & Hudson, pp. 59-61<\/p>\n

Valeriani Luisa, Dentro la Trasfigurazione. Il dispositivo dell’arte tra cibercultura e Vangelo, Editions Costa & Nolan, p. 95<\/p>\n

1998<\/b><\/p>\n

Augsburg Tanya, ORLAN’s Performative Transformations of Subjectivity in The Ends of Performance, New York University Press, pp. 285-314<\/p>\n

Baqu\u00e9 Dominique, La Photographie plasticienne. Un art paradoxal, \u00c9ditions du Regard, p. 26, 32<\/p>\n

Baudry Partick, Gauthier Alain, Jeudy Henri-Pierre, Lafargue Bernard, Mons Alain, Pearl Lydie, Seguret Fran\u00e7ois, Wilson Sarah, Arts de chair, \u00c9ditions La Lettre Vol\u00e9e, Collection Essais, p. 9, 99-105<\/p>\n

Baudry Patrick, Jeudy Henri-Pierre, Lafargue Bernard, Lane Jill, Mons Alain, Pearl Lydie, Phelan Peggy, The Ends of Performance, Editions New York University Press, pp. 5-6, 15-17, 285-327<\/p>\n

Caygill Howard, Facing ORLAN: Ethics and Anaesthesia in Act 4: Art, technology, technique, Editions Pluto<\/p>\n

Goldberg RoseLee, Performance: Live Art since 1960, Editions Abrams, p. 135, 1998<\/p>\n

Nathalie Heinich, Le triple jeu de l’art contemporain, Les Editions de Minuit, 1998, pp.108, 143, 262-263.<\/p>\n

Jeudy Henri-Pierre, Le Corps comme objet d’art, Editions Armand Colin, p. 95<\/p>\n

Joncquet Thierry, Moloch, s\u00e9rie noire 2489, Editions Gallimard NRF<\/p>\n

Jones Amelia, Body Art\/ Performing the Subject, Editions University of Minnesota Press, pp. 17-18, 226-235<\/p>\n

Kauffman Linda S. Bad Girls and Sick Boys, Fantasies in Contemporary Art and Culture, University of California Press, pp. 2, 4, 13, 42, 73-74, 60-80, 86-87 93-94, 115, 123-124, 141-42, 196, 210, 222, 262-63, 267, 296-97<\/p>\n

Pearl Lydie, New anthropological studies. Body, art and society. Chim\u00e8res et utopies, Editions L’Harmattan<\/p>\n

Prosser Jay, Second Skins, the Body Narratives of Transsexuality, Columbia University Press, pp. 61-64, 242<\/p>\n

Zwischen Performance und Objekt, 1949-1979, Editions Austrian Museum of Applied Arts, pp. 99, 241, 256, 271, 272, 296, 297<\/p>\n

1997<\/b><\/p>\n

Ardenne Paul, Art, L’\u00e2ge contemporain. Une histoire des arts plastiques \u00e0 la fin du XXe si\u00e8cle, \u00c9ditions Regard, p. 90, 115, 214<\/p>\n

Auslander Philip, From Acting to Performance. Essays in Modernism and Postmodernism, Editions Routledge, p. 128-140<\/p>\n

Dery Mark, Vitesse virtuelle, la Cyberculture aujourd’hui, Editions Abbeville press, p. 251-253<\/p>\n

Huin Bernard, Signatures de femmes, Collection Camille, Editions Mus\u00e9e D\u00e9partemental d’Art Ancien et Contemporain<\/p>\n

Mark C. Taylor, Hiding, Editions The University of Chicago Press, pp. 141-143<\/p>\n

Millet Catherine, L’Art contemporain, Editions Flammarion, Dominos collection, p. 91, 93, 103<\/p>\n

Paquet Dominique, Miroir, mon beau miroir, une histoire de la beaut\u00e9, Editions D\u00e9couvertes Gallimard<\/p>\n

1996<\/b><\/p>\n

Adams Parveen, The Emptiness of the Image, psychoanalysis and Sexual Differences, Editions Routledge, pp. 140-159<\/p>\n

Augsburg, Private Theatres onstage, Editions Umi, p.307, 343<\/p>\n

Capucci Pier Luigi, Arte e technologie, Comunicazione estetica e Tecnoscienze, Editionsdell’Ortica, Bologna, p. 91<\/p>\n

Caronia Antonio, Il Corpo Virtuale, dal Corpo Robotizzato al Corpo Disseminato nelle reti, Editions Franco Muzzio, p. 101<\/p>\n

Danto Arthur, McEvilley Thomas, Weintraub Linda, Art on the Edge and Over: Self-Sanctification: ORLAN, Art Insights, Editions INC, p. 77-83<\/p>\n

Dery Marc, Escape Velocity, Cyberculture at the End of the Century, Editions Grove Press, p. 239-241<\/p>\n

Gispert Carlos, Lebrero Stals Jos\u00e9, Martinez Rosa, Montaner Josep Maria, Neray Katalin, Historia Del Arte volumen XVI, Ultimas Tend\u00eancias \u00edndices, Editions Instituto Gallach, p. 2915, 2960<\/p>\n

Harry Polkinhorn, Fiction international’29, Editions Pain, p.81<\/p>\n

Isaak Jo Anna, Feminism and Contemporary Art: The Revolutionary Power of Women’s Laughter, Editions Routledge, p. 219<\/p>\n

Macri Teresa, Il Corpo postorganico – sconfinamenti delle performance, Editions Costa & Nolan, p. 53-76<\/p>\n

Onfray Michel, Le D\u00e9sir d’\u00eatre un volcan, Journal h\u00e9doniste, Editions Grasset & Fasquelle, p. 448-456, 490<\/p>\n

Pollock Griselda, Generations and Geographies in Visual Arts: Feminist Reading, Editions Routledge<\/p>\n

Tilroe Anna, De huid van de kameleon, Editions Querido, p. 16-23<\/p>\n

1995<\/p>\n

Adams Parveen, This is my body, in Suture, Phantasmen der Vollkommenheit. Conference proceedings, Editions Salzburger Kunstverein<\/p>\n

Gugg\u00e9mos Alexia, Le Sourire, Editions Mus\u00e9e du Sourire<\/p>\n

Mike Featherstone, Space bodies, punk, Editions Sage, p.66<\/p>\n

Mini\u00e8re Claude, L’Art en France 1960-1995, Nouvelles \u00c9ditions Fran\u00e7aises, p. 27<\/p>\n

Nagy P\u00e1l, Az irodalom \u00faj M\u00fafajai, Magyar M\u00fahely Bar\u00e1ti K\u00f6r F\u00fczetek 40-41, Editions Budapest, p. 212, 271, 348<\/p>\n

Perniola Mario, Enigmas: The Egyptian Moment in Society and Art, EditionsVerso, p. 83<\/p>\n

Soulillou Jacques, L’Impunit\u00e9 de l’art, Editions du Seuil<\/p>\n

1994<\/b><\/p>\n

Capucci Pier Luigi, Il Corpo Tecnologico, Editions Baskerville, p. 25<\/p>\n

Hirschorn Michelle, ORLAN, Artist in the post-human age of mechanical reincarnation – body as ready (to be re-) made in Generations and geographies in the visual arts: Feminist readings, Editions Routledge<\/p>\n

1993<\/b><\/p>\n

Jappe Elisabeth, Performance Ritual Prozess, Handbuch der Aktionskunst in Europa, EditionsVerlag, p. 194<\/p>\n

Popper Frank, L’Art \u00e0 l’\u00e2ge \u00e9lectronique, \u00c9ditions Hazan, p. 74-75<\/p>\n

1992<\/b><\/p>\n

Labelle-Rojoux Arnaud, L’Art en Sc\u00e8nes, Editions Les \u00c9diteurs \u00c9vidant, Bois-le-Roi, p. 28-39<\/p>\n

1991<\/b><\/p>\n

Buci-Glucksmann Christine, Charbonneaux Anne-Marie, Grenier Catherine, Lambotte Marie- Claude, Von Drathen Doris, Les vanit\u00e9s dans l’art contemporain, Editions Flammarion<\/p>\n

Richard Alain-Martin, Robertson Clive, Performance in Canada 1970-1990, Editions Intervention, pp. 295<\/p>\n

1989<\/b><\/p>\n

Courant G\u00e9rard, Cin\u00e9maton, Editions Henri Veyrie, p. 57<\/p>\n

1988<\/b><\/p>\n

Blaine Julien, Tarascon 1989. Sixi\u00e8mes rencontres internationales de po\u00e9sies contemporaines, Editions Agrippa, p. 118<\/p>\n

Labelle-Rojoux Arnaud, L’Acte pour l’art, Editions les \u00c9diteurs \u00c9vidant, p. 288<\/p>\n

1987<\/b><\/p>\n

Millet Catherine, L’Art contemporain en France, Editions Flammarion, p. 202, 203<\/p>\n

1985<\/b><\/p>\n

Bory Jean-Fran\u00e7ois, Donguy Jacques, Le Journal de l’art actuel 1960-1985, Editions Ides et Calendes<\/p>\n

Hennig Jean-Luc, Obsessions, Editions Albin Michel<\/p>\n

Michaud St\u00e9phane, Muse et madone, visage de la femme de la R\u00e9volution fran\u00e7aise aux apparitions de Lourdes, \u00c9ditions du Seuil, p.56 (Cover of ORLAN)<\/p>\n

1984<\/b><\/p>\n

Charles Daniel, Performance aesthetics, in Encyclopaedia Universalis, Editions Universalis<\/p>\n

Fabre Gladys, Woman on the barricades. ORLAN brandit le Laser-Time, in France Henning Jean-Luc, Editions Obsession<\/p>\n

Heidsieck Bernard, Janicot Fran\u00e7oise, Labelle-Rokoux Arnaud, Po\u00e9sie en action, Editions Loques\/N\u00e8pe, p.81<\/p>\n

Kullterman Udo, The body in performance, Editions Benteli<\/p>\n

1983<\/b><\/p>\n

Bruni Ciro, Pour la photographie, international symposium on photography, Universit\u00e9 Paris XIII, pp. 87-91<\/p>\n

Lemoine-Luccioni Eug\u00e9nie, La Robe, essai psychanalytique sur le v\u00eatement, \u00c9ditions du Seuil, collection Le Champ Freudien, p. 133<\/p>\n

ORLAN, 1979-1983, Cinq ans d’art-performance \u00e0 Lyon, \u00c9ditions Comportement, Environnement, Performance, p.111<\/p>\n

1982<\/b><\/p>\n

Bloch Dany, Video Graphia, Editions Flaviana Locarno, p.166<\/p>\n

1980<\/b><\/p>\n

Nicole Van Den Plas, K\u00fcnstler und andere Sammler, Editions Kunstforum, p.138, 140<\/p>\n","protected":false},"excerpt":{"rendered":"

2024 Yannick Ripa, Fran\u00e7oise Th\u00e9baud, Les F\u00e9minismes: Une histoire mondiale 19e – 20e si\u00e8cles, 2024. 320 pages, Editions Textuel, p. 196 – 197 2023 ORLAN, Gwen Strauss, Ambroise Audoin-Rouzeau, Brigitte Benkemoun, Patrice Allain, Dora Maar Secrets d’atelier, 2023. 127 pages, \u00c9ditions Dilecta, p.45-56 ORLAN, Lorena Ancona, Demi\u00e1n Flores, Le\u00efla Godet Voight, Catherine Petitgas, Hibridaciones, 2023. […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":18206,"menu_order":4,"comment_status":"open","ping_status":"open","template":"","meta":{"_eb_attr":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_s2mail":"","ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-18266","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.orlan.eu\/en\/wp-json\/wp\/v2\/pages\/18266","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.orlan.eu\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.orlan.eu\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.orlan.eu\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.orlan.eu\/en\/wp-json\/wp\/v2\/comments?post=18266"}],"version-history":[{"count":2,"href":"https:\/\/www.orlan.eu\/en\/wp-json\/wp\/v2\/pages\/18266\/revisions"}],"predecessor-version":[{"id":19691,"href":"https:\/\/www.orlan.eu\/en\/wp-json\/wp\/v2\/pages\/18266\/revisions\/19691"}],"up":[{"embeddable":true,"href":"https:\/\/www.orlan.eu\/en\/wp-json\/wp\/v2\/pages\/18206"}],"wp:attachment":[{"href":"https:\/\/www.orlan.eu\/en\/wp-json\/wp\/v2\/media?parent=18266"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}