{"id":19695,"date":"2010-03-25T13:59:45","date_gmt":"2010-03-25T13:59:45","guid":{"rendered":"https:\/\/www.orlan.eu\/catalogos-de-exposiciones\/"},"modified":"2026-09-09T13:59:34","modified_gmt":"2026-09-09T13:59:34","slug":"catalogos-de-exposiciones","status":"publish","type":"page","link":"https:\/\/www.orlan.eu\/es\/bio-biblio\/catalogos-de-exposiciones\/","title":{"rendered":"Cat\u00e1logos de exposiciones"},"content":{"rendered":"

 <\/p>\n

2026 <\/strong><\/p>\n

ORLAN, Jens Hauser, Dietmar Lupfer, Donatien Grau, Primavera De Filippi, <\/span>\u00abORLAN: Artistic Intelligences\u00bb<\/b>, Editorial Muffathalle, M\u00fanich<\/span><\/p>\n

2025<\/strong><\/p>\n

La Marrade<\/strong><\/em>, Arte, humor y feminismo, LAAC, Editorial El Visio, Dunkerque, 95 p\u00e1ginas, p. 7, p. 38, p. 56\/59 <\/span><\/p>\n

Vanguardia feminista: el arte de los a\u00f1os 70, colecci\u00f3n Verbund, Viena, Gabriele Schor, <\/span>Cuerpo expuesto, cuerpo<\/strong> en venta<\/strong>,<\/span><\/i> p. 350-361<\/span><\/p>\n

Cat\u00e1logo de la exposici\u00f3n de la colecci\u00f3n con motivo del 20.\u00ba aniversario del MAC VAL, <\/span>El g\u00e9nero ideal<\/i>, <\/strong>En principio, un<\/strong> intento de agotamiento<\/strong><\/span><\/i>, MAC VAL, 247 p\u00e1ginas, p. 176  <\/span><\/p>\n

Denis Curti, <\/span>Deep Beauty. La duda de la belleza <\/i><\/strong>, 24 ORE, 159 p\u00e1ginas, p. 31<\/span><\/p>\n

\u00abORLAN hybrids\u00bb, <\/b>Ediciones del Museo de Arte del Acero de Pohang, Pohang, 2025<\/span><\/p>\n

2024<\/b><\/p>\n

\u00abORLAN, te permito ser yo, me permito ser t\u00fa\u00bb<\/strong>, Ediciones CPS, Serie <\/span>Femmage<\/strong>, <\/span>folleto<\/span><\/i> de la exposici\u00f3n en el Centro Cultural de Bel\u00e9m, Lisboa, del 18 de mayo al 2 de junio de 2024<\/span><\/p>\n

El<\/em><\/strong> <\/i>Infinite Woman<\/i><\/strong>, Fundaci\u00f3n Carmignac, Porquerolles, 2024, editorial Dilecta, Par\u00eds, 229 p\u00e1ginas, p. 126-127<\/span><\/p>\n

 <\/p>\n

2023<\/b><\/p>\n

ORLAN, Charles Pepin, Donatien <\/b>Grau, Gladys Fabre, Parveen Adams, Maria Bonnafous-Boucher, Marc Partouche, Quentin Petit Dit Duhal, Bernard Ceysson, Yann Toma, Ines Rey, Alain Quemin \u00abA Mina Historia\u2026 Da Arte\u00bb<\/b>, <\/b>Ediciones Concello da Coru\u00f1a<\/p>\n

2023<\/b><\/p>\n

ORLAN, M\u00f3nica Bonell Tuset, Roc\u00edo Santa Cruz, Ricard Planas Camps, Donatien Grau, Gladys Fabre, Parveen Adams, Mar\u00eda Bonnafous-Boucher, Marc Partouche, Quentin Petit Dit Duhal, Bernard Ceysson, Yann Toma \u00abEL COS COM A MANIFEST\u00bb<\/b>, <\/b>Editorial Bonart Cultural<\/strong><\/p>\n

2023<\/strong><\/p>\n

\u00abHIBRIDACI\u00d3NES\u00bb<\/strong>, Editorial Catherine Petitgas<\/p>\n

2023<\/strong><\/p>\n

Leila Voight,“ORLAN EN M\u00c9RIDA”<\/strong>, Fundaci\u00f3n la C\u00f9pula Edici\u00f3n<\/p>\n

2023<\/strong><\/p>\n

Varios autores,“Mes Europeo de la Fotograf\u00eda Luxemburgo 2023<\/strong>“, \u00c9dition Caf\u00e9-Cr\u00e8me, p.96-97.<\/p>\n

2023<\/strong><\/p>\n

Dominique Ant\u00e9rion, Jean-Michel Bouhours, Thibault Cardon, Gwena\u00eblle Colas, Sophie Cras, Patrick de Haas, Donatienne Dujardin, Fran\u00e7ois Letailleur, Ghislain Mollet-Vieville, Marc-Alain Ouaknin, Margaux Palud, editado por Jean-Michel Bouhours, “L’argent dans l’art<\/strong>“, \u00c9dition in fine, p108.<\/p>\n

2023<\/b><\/p>\n

Olivier Pilcher, Marc Einsele, Val\u00e9rie Tougard, Julie Chazelle, Andrea Ram\u00ecrez Reyes,“GUERLAIN Une Ic\u00f4ne Imp\u00e9riale”,<\/strong> Editions Assouline<\/p>\n

2023<\/b><\/p>\n

Patricia Allmer, Elisabeth Bronfen, Christine Buci-Glucksmann, Else Marie Bukdahl, Sophie Duplaix, Donatien Grau, Jens Hauser, Roxana Marcoci, Catherine Millet, Camille Morineau, Catherine Morris, ORLAN, Gabriele Schor, \u00abORLAN SIX DECADES\u00bb<\/strong>, Ediciones Gabriele Schor y Catherine Morris<\/p>\n

2022<\/b><\/p>\n

Horea Avram, Florin Stefan, Andrei Budescu, Andrei Ispas, Dan Aurel Tamas, Andra Purdea, “Les films de Sainte-ORLAN”<\/strong>, Fundatia Culturala Intact Editions<\/p>\n

Julie Crenn, Annabelle T\u00e9n\u00e8ze, Manuela de Barros, \u00c9milie Bouvard, Elsa Dorlin, Florian Gait\u00e9, Maura Reilly, <\/span>“Manifeste ORLAN – CORPS et SCULPTURES,<\/b> Manuella \u00c9ditions, 2022<\/span><\/p>\n

ORLAN, Donatien Grau, Gladys Fabre, Parveen Adams, Maria Bonnafous-Boucher, Marc Partouche, Quentin Petit Dit Duhal “<\/span>LAS MUJERES QUE LLORAN SE ENFADAN<\/b>“, <\/span>Editions Jannink \/ Les presses du r\u00e9el, 2019<\/b><\/p>\n

J\u00e9r\u00f4me Neutres, Shelley Rice, Tatyana Franck, Jean-Luc Monterosso, “<\/span>ORLAN ARTISTA EN LA CAPITAL”, \u00c9ditions SKIRA, Par\u00eds, 2016.<\/b>.<\/span><\/p>\n

Moon Soon Park, Soukyoun Lee, Jinsang Yoo, Donatien Grau, Philippe Piguet, Imma Prieto,<\/span><\/p>\n

Domenica Quaranta, <\/span>“ORLAN TechnoBody Retrospective 1966-2016”, \u00c9ditions Scala, Corea del Sur, Francia, 2016.<\/b><\/p>\n

Donatien Grau, Jackie-Ruth Meyer, Philippe Piguet, Imma Prieto, Domenico Quaranta, <\/span>“ORLAN, Striptease des cellules jusqu’\u00e0 l’os”, Editions Scala, Par\u00eds, 2015.<\/b><\/p>\n

Inese Baranovska, Catherine Grenier, Dominique Pa\u00efni, Jean-Pierre Rehm; “ORLAN, el icono del arte contempor\u00e1neo franc\u00e9s”, Editions Neputns, Riga, Letonia, 2014.<\/span><\/p>\n

Jos\u00e9 Ignacio Benito Climent, “El Arte-Carnal en ORLAN, hacia una est\u00e9tica del sacrificio”, Ediciones Devenir, Madrid, Espa\u00f1a, 2013.<\/span><\/p>\n

Hubert Besacier, Alain Charre, Bart De Baere, Sophie Gregoir y Win Van Mulders, <\/span>“ORLAN mesuRages (1968-2012) actions: ORLAN-body”, M HKA, Amberes, B\u00e9lgica, 2012.<\/b><\/p>\n

Ricardo Arcos-Palma, Nicolas Bourriaud y Michael La Chance, “Art Charnel et Corps Obsol\u00e8te \/ Hybridations et Refigurations”, Editions Mus\u00e9e Antioquia, Medell\u00edn, Colombia, 2012.<\/span><\/p>\n

Anne Morelli, Johan Muyle y Pierre-Olivier Rollin, “Est-ce que vous \u00eates Belge? ORLAN”, Yellow Now\/ENSAV La Cambre, Bruselas, B\u00e9lgica, 2012.<\/span><\/p>\n

Blandine Chavanne, Christine Buci-Glucksmann y Camille Morineau, “Un Boeuf Sur la Langue”, \u00c9ditions Fage, Lyon, Francia, 2011.<\/span><\/p>\n

Rhonda K. Garelick y Jorge Daniel Veneciano, Homi K. Bhabha, Michel Serres, Isabel Tejeda, Paul Virilio, Lan Vu y Fabuloso Arlequ\u00edn, <\/span>“Fabulous ORLAN and the Harlequin patchwork self”, The University of Nebraska Press, Lincoln, NE, EE.UU., 2010<\/b>. <\/span><\/p>\n

Simon Donger, Simon Shepherd, Gianna Bouchard, Christine Buci-Glucksmann, Howard Caygill, Simon Donger, Sander L. Gilman, Markus Hallensleben, Jens Hauser, Dominic Johnson, St\u00e9phane Malysse, Hans-Ulrich Obrist, Catherine Petitgas, Simon Shepherd, Paul Virilio y Sarah Wilson, <\/span>“ORLAN, a Hybrid Body of Artworks”, Routledge Editions, Londres, Reino Unido, 2010<\/b>. <\/span><\/p>\n

Raphael Enthoven, Raoul Vaneigem y ORLAN, <\/span>“Unions Mixtes, Mariages Libres et Noces Barbares” (Uniones mixtas, matrimonios libres y bodas b\u00e1rbaras)<\/b>, <\/span>Editions Dilecta, Par\u00eds, Francia, 2010<\/b>. <\/span><\/p>\n

Paul Virilio y ORLAN, <\/span>\u00abTransgresi\u00f3n, transfiguraci\u00f3n [conversaci\u00f3n]\u00bb, Ediciones L\u2019Une et L\u2019Autre, Par\u00eds, Francia, 2009<\/b>.<\/span><\/p>\n

Joerg Bader, Lorand Hegyi, Marcela Iacub, Donald Kuspit, Peggy Phelan, Eugenio Viola, ORLAN, The Narrative\/Le R\u00e9cit, \u00c9ditions Charta, Mil\u00e1n, Italia, 2007. <\/span><\/p>\n

Bernard Blist\u00e8ne, Christine Buci-Glucksmann, Caroline Cros, R\u00e9gis Durand, Eleanor Heartney, Laurent Le Bon, Hans Ulrich Obrist, Vivian Rehberg, Julian Zugazagoitia y ORLAN, <\/span>“ORLAN, Carnal Art”, \u00c9ditions Flammarion, Par\u00eds, Francia, 2004. <\/b><\/p>\n

Marc Partouche, Monographie CD-Rom et Papier, Se placer au centre du monde, ORLAN, Editions J\u00e9riko, 2000.<\/span><\/p>\n

2021<\/i><\/b><\/p>\n

Sandra Barr\u00e9 <\/span>
\n ODORE, el arte, el olor y lo sagrado<\/span>
\n<\/i>Galerie Pauline Pavec, pp.103-104. <\/span><\/p>\n

\u00d6zlem Sariyildiz (ed.), <\/span>
\n La cara femenina de la Luna<\/span>
\n<\/i>Galerie Z22, Berl\u00edn, 23\/01\/21-27\/03\/21<\/span><\/p>\n

Philippe Dagen (ed.), <\/span>
\n Ex Africa, Pr\u00e9sences africaines dans l’art d’aujourd’hui<\/span>
\n<\/i>Par\u00eds, \u00e9ditions Gallimard y Mus\u00e9e du Quai Branly-Jacques Chirac<\/span><\/p>\n

2020<\/b><\/p>\n

ORLAN, “\u00a1Cerises \u00e0 l’eau de vie!” en <\/span>
\n \u00a1Me encantan las cerezas!<\/span>
\n<\/i>Ch\u00e2teau de Montsoreau, exposici\u00f3n Jacques Halbert, <\/span>
\n Cerises<\/span>
\n<\/i>exposici\u00f3n, pp. 39-40.<\/span><\/p>\n

2019<\/b><\/p>\n

Bernd Stiegler, <\/span>
\n Der montierte Mensch, El ser humano ensamblado<\/span>
\n<\/i>Museo Folkwang, Ediciones Kerber <\/span><\/p>\n

Marie-Jo, <\/span>
\n Creadores, la emancipaci\u00f3n a trav\u00e9s del arte<\/span>
\n<\/i>Editions Ouest France, p.22 \/35 – 38<\/span><\/p>\n


\n Notre Dame de Par\u00eds, 15 de abril de 2019, Visions d’artistes<\/span>
\n<\/i>Editions Janninck, p.64<\/span><\/p>\n

“Le r\u00eave d’\u00eatre artiste”, Palacio de Bellas Artes de Lille, p. 101<\/span><\/p>\n

2018<\/strong><\/p>\n

Laurence Bertrand Dorl\u00e9ac, J\u00e9r\u00f4me Neutres, artista y robots, Grand Palais, 2018, p. 186-188<\/p>\n

Johanna Schwanberg, Shoe Me Your Wound<\/em>, Dom Museum, Viena, 2018, p. 111<\/p>\n

2017<\/strong><\/span><\/p>\n

J\u00e9r\u00f4me Neutres, Jean-Luc Monterosso, Shelley Rice, Tatyana Franck, ORLAN EN CAPITALES<\/strong>, Skira, 2017 <\/p>\n

Fr\u00e9d\u00e9ric Acquaviva, EXOGENE<\/strong>, Ediciones AcquAvivA, 2017.<\/p>\n

Puedes comprar el cat\u00e1logo de la exposici\u00f3n de ORLAN en esta librer\u00eda (haz clic aqu\u00ed<\/a>) o enviando un correo a info@laplaquetournante.org<\/a>  <\/a><\/strong><\/span><\/p>\n

Kunga Kim, La Piel que Habito<\/em>, Museo Ol\u00edmpico de Arte de Se\u00fal, Changseop Lee, 2017, p. 30<\/p>\n

Philippe Arti\u00e8res, Thibaud Croisy, Fran\u00e7ois Cusset, Alexandre Devaux, Fabienne Dumont, Julien Hage, Antoine Idier, Nathalie Quintane, Kantuta Quir\u00f3s, Aliocha Imhoff, \u00c9lisabeth Lebovici, Olivier Marboeuf, Peggy Pierrot, Sarah Wilson, Contre-Cultures 1969-1989 L’Esprit Fran\u00e7ais, La Maison Rouge La D\u00e9couverte, p.143<\/p>\n

Fran\u00e7oise Adamsbaum, Roberto Battistini, Gainsb’Art, Cornette de Saint-Cyr, p.74-79<\/p>\n

2016<\/strong><\/span><\/p>\n

Paris Photo 1997-2016, Christoph Wiesner y Florence Bourgeois, \u00c9ditions Xavier Barral, p.256-257<\/p>\n

Gabriele Schor,
\n Vanguardia feminista<\/strong>
\n<\/em> de los a\u00f1os setenta, Sammlung Verbund, Prestel, 2016, pp.55, 325, 505<\/p>\n

Gabriele Schor, Jessica Morgan,
\n RENATE BERTLMANN Obras 1969 – 2016<\/em>
\n<\/strong>Sammlung Verbund, Prestel, 2016, pp.190<\/p>\n

Alain Thibault, AUTOMATA, Arte hecho por m\u00e1quinas para m\u00e1quinas<\/strong><\/em>, 3\u00aa Bienal Internacional de Arte Digital y 17\u00ba Festival Internacional de Arte Digital, Arsenal Art Contemporain, pp.32<\/p>\n

Delfina Jalowik, J\u00fcrgen Kaumk\u00f6tter, Monika Koziol, Miaria Anna Potocka,
\n La medicina en el arte, Cracovia: Mocak<\/strong>
\n<\/em>2016, pp. 216-218<\/p>\n

Mark Evans y Stefan Weppelmann; con Ana Debenedetti y Ruben Rebmann; y Mary McMahon y Gabriel Montua,
\n Boticelli Reimagined<\/em>
\n<\/strong>Londres: V&A publishing, 2016, pp. 150-151<\/p>\n

Dominique Goutard y Jean-Luc Monterosso,
\n En\/qu\u00eate d’identit\u00e9<\/strong>
\n<\/em>Seine-Maritime Site et Mus\u00e9es D\u00e9partementaux, 2016, pp. 22-23.<\/span><\/p>\n

Brigitte L\u00e9al, Obras maestras del Centro Pompidou de M\u00e1laga: la colecci\u00f3n<\/strong><\/em>TF editores, pp.140-141<\/span><\/p>\n

Pascal Beausse, Claire Jacquet y Magali Nachtergael,
\n La familia de los Invisibles<\/em>
\n<\/strong>Museo de Arte de Se\u00fal, fundaci\u00f3n Ilwoo, Cnap, Frac Aquitania, 2014, pp. 344-345.c<\/span><\/p>\n

2015<\/b><\/span><\/p>\n

Bibi Silva (ed.), Rencontres de Bamako, Biennale africaine de la photographie, 10\u00aa edici\u00f3n, Kehrer Heidelberg, Berl\u00edn, 2015, pp. 287, 440.<\/span><\/p>\n

Sunhee Choi, Bonjour la France, Fundaci\u00f3n Cultural Seongnam y Fundaci\u00f3n Cultural Goyang y Galer\u00eda UNC, Se\u00fal, 2015, pp. 70-73.<\/span><\/p>\n

Fran\u00e7ois Delaporte, Bernard Devauchelle y Emmanuel Fournier;  Transplanter, \u00c9ditions Hermann, p.161-176<\/span><\/p>\n

Gabriele Schor; Feministische Avantgarde, Edici\u00f3n Prestel, p.43, 47, 51, 277-283.<\/span><\/p>\n

2014<\/b><\/span><\/p>\n

Raphael Cuir; \u00a1SOMBREROS! Homenaje a Robert Filliou, SilvanaEditoriale, p.54-61 <\/span><\/p>\n

\u00a1Eva Meyer-Hermann, BLICKE! \u00a1K\u00d6RPER! SENSATIONEN, Wallstein, p. 93<\/span><\/p>\n

Marloes Krijnen; Le regardeur: Collection Neuflize vie, Edition Xavier Barral, p.101<\/span><\/p>\n

Etic Patou, El retrato en el arte contempor\u00e1neo; Colectiva; \u00c9dition Patou, p.232-233<\/span><\/p>\n

2013<\/b><\/span><\/p>\n

Jan Hoet, Middle Gate; Edici\u00f3n Borgerhoff & Lamberigts, p.204<\/span><\/p>\n

Susanne Buckesfeld, Perturbar la pieza; Edici\u00f3n Museo Marta Herford, p.80-81<\/span><\/p>\n

Colectivo, Masculin \/ Masculin; Mus\u00e9e d’Orsay, Flammarion, p. 170<\/span><\/p>\n

Festival international d’art contemporain alpilles provence, a-part 2010-2014, Editions festival a-part, p. 176<\/span><\/p>\n

Des images comme des oiseaux; Centre National des arts graphiques, ediciones Loco, p. 72<\/span><\/p>\n

La colecci\u00f3n como personaje; M_HKA, p 158-161<\/span><\/p>\n

Pia Myrvold, Las metamorfosis de lo virtual, 100 a\u00f1os de arte y libertad; Bienal de Venecia 2013, Officia delle Zattere, pp 68-85.<\/span><\/p>\n

Juliette Lafon, Marseille Provence 2013 la culture a trouv\u00e9 sa capitale; Edition Marseille provence2013, p. 59<\/span><\/p>\n

Camille Vi\u00e9ville, Ici, Ailleurs, une exposition d’art contemporain; Skira Flammarion, p. 158-161<\/span><\/p>\n

Rosa Barovier Mentasti, Cristina Tonini, FRAGILE, Murano, obras maestras del vidrio del Renacimiento al siglo XXI; Edition Gallimard Mus\u00e9e Maillol, cat 186-190<\/span><\/p>\n

De Passage Sur La Terre; Institut Francais de l’Espagne, p. 78<\/span><\/p>\n

2012<\/b><\/span><\/p>\n

Ami Barak, La collection du FRAC des pays de la Loire, 2012, Edici\u00f3n B42, p.84<\/span><\/p>\n

De Passage Sur La Terre; Institut Francais de l’Espagne, p. 78<\/span><\/p>\n

Jean Blaise, Le voyage \u00e0 Nantes -la ville renvers\u00e9e par l’art- Estuaire -le paysage l’art et le fleuve p. 45<\/span><\/p>\n

John Curtin, Stilness, Arte + Ciencia + Tecnolog\u00eda, Ediciones BEAP, p. 48 – 51<\/span><\/p>\n

Gisela Staupe, Thomas Macho, Was ist Sch\u00f6n? publicado por Wallstein<\/span><\/p>\n

Blanchard Pascal, Bo\u00ebtsch Gilles, Jacomijn Snoep Nanette, L’invention du sauvage, Mus\u00e9e du Quai Branly, Acte Sud, Arles \/ mus\u00e9e du Quai Branly, Par\u00eds, 2011, p. 349<\/span><\/p>\n

Sylvie Ramond, L\u00e9na Widerkehn, Maestros del siglo XX, la figura humana, Ediciones Gilles Fage, p.154,155<\/span><\/p>\n

C\u00e9cilia Bezzan, Pierre Henrion, Openairs, Editions Province de Li\u00e8ge, p.74, 85<\/span><\/p>\n

2011<\/b><\/span><\/p>\n

William Jeffett, Olivier Kaeppehn, Tour de France\/Florida, Editions the Patricia & Phillip Frost art museum, p.40, 80, 81<\/span><\/p>\n

Lorand Hegyi, Artistas que hablan, Editions stabbed stright, p.8, 90, 91<\/span><\/p>\n

Villa Arson, \u00a1vida deliberada! Una historia del espect\u00e1culo en la Costa Azul de 1951 a 2011; p. 47, p. 53, p. 91<\/span><\/p>\n

Thomas Sclesser, Cent \u00e9nigmes de la peintures, Editions Hazan, P. 318, 319<\/span><\/p>\n

Christian Dior Couture, Inspiration Dior, Editions de La Martini\u00e8re, Museo Pushkin de Bellas Artes, Ediciones Mosc\u00fa, Folleto “Naked Beauty”: p. 15<\/span><\/p>\n

Francesca Cantionotti, Autour de l’extr\u00eame, Editions Contrasto, P.170, 171<\/span><\/p>\n

Bousteau Fabrice, Duplaix Sophie, Par\u00eds-Delhi-Bombay, Centro Pompidou, Par\u00eds, pp. 10-1r, 57, 264-267<\/span><\/p>\n

Association 303, La mode, Editions Pays de la loire, p.38, 39, 40<\/span><\/p>\n

Ambourg Nicole, Fr\u00e9d\u00e9ric Chappey, Fanny Hollman, Anne Rivi\u00e8re, Sculpture’elles : Les sculpteurs femmes du XVIIIi\u00e8me si\u00e8cle \u00e0 nos jours, Mus\u00e9e des Ann\u00e9es Trente, Boulogne-Billancourt, pp. 144-147, 243, 245, 248<\/span><\/p>\n

Bologne Jean-Claude, Dosogne Christophe, Hennebert Diane, S\u00e9phora Thomas, Pudeurs et col\u00e8res de femmes, Villa Empain, Fondation Boghossian, Bruselas, B\u00e9lgica, pp. 34 – 37<\/span><\/p>\n

Direcci\u00f3n del libro Diane Venet, Bijoux d’artistes de Picasso \u00e0 Jeff Koons, Editions Flammarion, p. 136<\/span><\/p>\n

Alexandra Antoniadou, Katerina Koskina, Eirini Papakonstantinou, Pavlos Kountouriotis, Festival de la tercera bienal de Tesal\u00f3nica de arte contempor\u00e1neo, pp. 105 – 117<\/span><\/p>\n

Helena Demakova, Adriano Berengo, Nils Sakss, Laura Bresolin, Jean Blanchaert; Glasstress Riga, obras del estudio Berengo, Museo de Arte Riga Bourse, p. 86, 106, 118, 132v <\/span><\/p>\n

2010<\/b><\/span><\/p>\n

Gaillard Fran\u00e7oise, Luste Boulbina Seloua, Guran Milton, Monterosso Jean-Luc, Autour de l’Extr\u00eame, Maison Europ\u00e9enne de la Photographie, Editions Contrasto, Roma, Italia, p. 170 – 173<\/span><\/p>\n

Duffort Norbert, Coquillages et Crustac\u00e9s, Museo de Bellas Artes de Brest, Francia, p. 88 – 89<\/span><\/p>\n

Hegyi Lorand, Koskina Katerina, Viola Eugenio, Island Never Found, Editions Mus\u00e9e d’Art Moderne Saint-Etienne M\u00e9tropole, Silvana Editoriale, Mil\u00e1n, Italia, p. 22 – 23<\/span><\/p>\n

Voight Le\u00efla, cat\u00e1logo de AP’ART \/ Alpilles – Provence’Art – Festival Internacional de Arte Contempor\u00e1neo, editado por la asociaci\u00f3n de arte A3, Saint-R\u00e9my-de-Provence, Francia, p. 11, 16, 122 – 123 y 183 <\/span><\/p>\n

De Grandis Paolo, OPEN 13 Exposici\u00f3n Internacional de Esculturas e Instalaciones, Editado por Arte Communications, Venecia Lido e Isla de San Servolo, Italia, p. 36-39<\/span><\/p>\n

Dufr\u00eame Thierry, En Mai, fais ce qu’il te pla\u00eet, Editado por Actes Sud, Par\u00eds, Francia, p. 32-45<\/span><\/p>\n

Clelia Belgrado, Caterina Gualco, Chicas malas, Editions Unim\u00e9diamodern, Ginebra, Suiza, pp. 47<\/span><\/p>\n

Hein Heinsen, Dios y la m\u00e1quina de la Trinidad, Editorial Gyldendal, Copenaghen, Dinamarca.<\/span><\/p>\n

2009<\/b><\/span><\/p>\n

Eder Chiodetto, Jean-Luc Monterosso, A inven\u00e7\u00e3o de um mundo, Editions Ita\u00fa Cultural, S\u00e3o Paulo, Brasil, p. 18-21, 171, 180, 231-232<\/span><\/p>\n

Kara Lee Rowe, Verlag Dr M\u00fcller; The Textuality of the Body: ORLAN’s Performance Art as Subversive Act, Analizar el debate feminista, teorizar sobre la raza y descolonizar la representaci\u00f3n del cuerpo femenino. Leibzig, Alemania <\/span><\/p>\n

Aliaga Juan Vicente, Bajac Quentin, Braidotti Rosi, Debray C\u00e9cile, Ernoult Nathalie, Fassin Eric, Gonnard Catherine, Guillaume Val\u00e9rie, Jones Amelia, Lavigne Emma, Lebovici Elisabeth, Morineau Camille, Pollock Griselda, Ronell Avital, Smet Catherine (de), Zabunyan Elvan, Elles@ centrepompidou, Editions Centre Pompidou, Par\u00eds, Francia, pp. 96<\/span><\/p>\n

Allemand Lauranne, Denaro Dolores, Fankhauser Christian, Mauris Marl\u00e8ne, Nicod Caroline, Rusca Elisa, Sanchez Serrano Laura, Witzgall Suzanne, GENIPULATION – G\u00e9nie g\u00e9n\u00e9tique et manipulation dans l’art contemporain, Editions Verlag f\u00fcr moderne Kunst N\u00fcrnberg|Centre PasquArt, Bienne, Suiza, pp. 112-115<\/span><\/p>\n

Berengo Adriano, Barovier Mentasti Rosa, Giubilei Francesca, Mattioli Rossi Laura (comisarios), GLASSTRESS, Charta, Mil\u00e1n, Italia, p. 36-37, 100-101, 136, 143, 148<\/span><\/p>\n

Bonito Oliva Achille, Madre Coraggio: l’arte, Ediciones Electra, Ravello, Italia, p. 129<\/span><\/p>\n

Bulatov Dimitry (editor, comisario), Evolution haute couture – Art and science in the post-biological Age, Editions The National Center of Contemporary Art, Kaliningrado, Rusia, p. 126-127<\/span><\/p>\n

Dimitry Bulatov, Science As Suspense, Fundaci\u00f3n Dinast\u00eda, Mosc\u00fa, Rusia, 2009, p. 62-63, 106<\/span><\/p>\n

Cadognato Mario, Cicelyn Eduardo (comisarios), Barock, Editions Electa, Mil\u00e1n, Italia, p. 93, 303-311<\/span><\/p>\n

Carels Edwin, De Baere Bart, Dewatchter Liliane, Roelstraete Dieter, Watson Grant, All that is Solid Melts in the Air, Five reflections on Materialist Spirituality in Contemporary Art, Festival Stadsvisionen, B\u00e9lgica, 2009, p. 149<\/span><\/p>\n

Ingres y los Modernos, Mairie de Montauban, Francia, p. 169<\/span><\/p>\n

M\u00e9tamorphoses contemporaines, Editions du Mus\u00e9e Dini, Francia, p. 38, 39, 40<\/span><\/p>\n

Deho Valerio, Segunda piel, Antiga Edizioni, Treviso, Italia, pp. 30-31<\/span><\/p>\n

Est\u00e8ve Julie, Gu\u00e9dron Martial, Harent Sophie, Vannouvong Agn\u00e8s, Beaut\u00e9s monstres, curiosit\u00e9s, prodiges et ph\u00e9nom\u00e8nes Interview avec ORLAN, Editions Somogy, Par\u00eds, Francia, p. 50-61<\/span><\/p>\n

Froment Jean-Louis, Jouannais Jean-Yves, Ottinger Didier, La force de l’Art 02, Par\u00eds, Francia, pp. 118<\/span><\/p>\n

Hegyi Lorand, Experiencias esenciales, Editions Electa, Mil\u00e1n, Italia, p. 136-141<\/span><\/p>\n

Jurgens Sandra Vieira, BESart Colecci\u00f3n Banco Espirito Santo – El presente: una dimensi\u00f3n infinita, Museu Colec\u00e7ao Berardo, Lisboa, Portugal, pp. 272-275<\/span><\/p>\n

Lebel Jean-Jacques, Soul\u00e8vements, Editions La Maison Rouge, Par\u00eds, Francia, p. 16<\/span><\/p>\n

Miah Andy, Human futures, Art in the Age of uncertainty, Liverpool University Press, Reino Unido, p. 86<\/span><\/p>\n

Moura Leonel, Inside [Arte y ciencia], Editorial LxXL, Lisboa, Portugal, p. 176-185<\/span><\/p>\n

Ouaki Gilles, Queff\u00e9lec Yann, Bye Bye Polaroid y Leic’art, Wharf, Centre d’Art de Basse-Normandie, Francia<\/span><\/p>\n

Sayag Alain, Soukyoun Lee,  Masks, Editions Kim Youngsoo, Gangwon-do, Corea del Sur p. 81-82<\/span><\/p>\n

INFORME ANUAL abril 2008 – marzo 2009, Museo Nacional de Arte de Osaka, Ediciones del Museo Nacional de Arte, OSAKA, p 35<\/span><\/p>\n

2008<\/b><\/span><\/p>\n

Alizart Marc, Loisy Jean, Traces du Sacr\u00e9, Editions Centre Georges Pompidou, Par\u00eds, Francia, p. 382<\/span><\/p>\n

Amsellem Patrick, Femmes, Echo international, Par\u00eds, Francia, p. 30-33<\/span><\/p>\n

Baqu\u00e9 Dominique, Bond Henry, Bronfen Elisabeth, Jaeggi Martin, Stahel Urs, Ziegler Ulf Erdmann, Zweifel Stefan, Darkside I – Fotographische Begierde und fotografierte Sexualit\u00e4t – Photographic Desire and Sexuality Photographed, Photomuseum Winterthur, Steidel, Alemania, p. 229<\/span><\/p>\n

Bartz Edek, cat\u00e1logo de la Feria de Viena 2008, exposiciones Reed Messe Wien, Viena, Austria, p. 186<\/span><\/p>\n

Norbert Jocks, \u00c4sthetik der fotographie, Sch\u00f6nheit II, Editions Kunstforum, p.59 – 75<\/span><\/p>\n

Candet Nadia, Collections particuli\u00e8res, 150 commandes priv\u00e9es d’art contemporain en France, Editions Flammarion, Par\u00eds, Francia, p. 16<\/span><\/p>\n

Crawford Holly, Artistic Bedfellows – History and Discourse in Collaborative Art Practices, University Press of America, Lanham, EE.UU., p. 11<\/span><\/p>\n

De Gracia, De Medeiros Maria Beatriz, Dominguez Ricardo, Leote Rosangella, ORLAN, Sterlac Silvio, Performance, Presente, Futuro; cole\u00e7ao Arte e Tecnologia, ContraCapa, Oi Futuro, R\u00edo de Janeiro, Brasil, p. 42-43, 60<\/span><\/p>\n

Dupuy Jean, \u00a1A la bonne heure! Editions Semiose,Villa Tamaris Centre d’Art, Villa Arson Niza, Francia, p. 71<\/span><\/p>\n

J\u00fcrgen Raap, Bienal de Berl\u00edn, Cuando las cosas no cuestan sombra, Sch\u00f6nheit I, Editions Kunstforum, p.103<\/span><\/p>\n

Essevaz-Roulet Baptiste, Les Arts font \u00e9v\u00e8nement, Editions Art Saint Germain-des-Pr\u00e9s, Par\u00eds, Francia, p. 114-115<\/span><\/p>\n

Scheck Hayley y Miller Megan, Photo MIAMI 2008 – Programming Details, Miami, EE.UU., p. 4<\/span><\/p>\n

Fuchs Daniel, Geo, Famous Eyes, Editions Reuss, Alemania, p.254<\/span><\/p>\n

Hauser Jens, Skin-Interfaces, Liverpool University press, Reino Unido, p. 83-90<\/span><\/p>\n

Jun Seungbo, Bienal de Arte Contempor\u00e1neo de Busan, Busan, Corea del Sur, p. 108-109<\/span><\/p>\n

Maiolini Carlo, Avatar, Sociedad y cultura de los nuevos mundos virtuales, Museo Tridentino di Scienze Naturali, , Italia<\/span><\/p>\n

Spillebout Olivier, Transphotographiques 2008, , Francia<\/span><\/p>\n

Vervoordt Axel, Academia, Qui es-tu, La Chapelle de l’Ecole des Beaux-Arts de Paris, Editions MER, p.148<\/span><\/p>\n

2007<\/b><\/span><\/p>\n

Yukihiro Hirayoshiwith, Piel de Arte Contempor\u00e1neo, Museo Nacional de Arte de Osaka, ayuda editorial de Keiko Yamamoto, Atsishi Uematsu y Azusa Hashimoto, Ediciones del Museo Nacional de Arte, Osaka, p 37-44<\/span><\/p>\n

Arakistain Xabier, Kiss Kiss Bang Bang. 45 A\u00f1os de Arte y Feminismo, Ediciones Museo de Bellas Artes de Bilbao, Bilbao, Espa\u00f1a, pp. 82-83 <\/span><\/p>\n

Bajac Quentin, Ch\u00e9roux Cl\u00e9ment, Collection Photographies, Collection du Centre Pompidou, Mus\u00e9e national d’art moderne, Editions du Centre Pompidou, Par\u00eds, Francia, p. 335<\/span><\/p>\n

Bell David, M. Kennedy Barbara, The Cybercultures Reader, Ediciones Routledge, EE.UU., p. 472-481<\/span><\/p>\n

Moran Macu, Dones Indomables, por Centre de Cultura de Dones Francesca Bonnemaison (CCDFB), Madrid, p. 22<\/span><\/p>\n

Biesenbach Klaus (comisario), Into me\/Out of me, Editions Hatje Cantz, Museo d’arte Contemporanea de Roma, Italia, p. 375<\/span><\/p>\n

WysiwygArt Travel Miami, Mi gu\u00eda ilimitada 2007 para Art Basel Miami Beach, EE.UU.,  p. 22<\/span><\/p>\n

Mayordomo Cornelia, \u00a1WACK! Art and the Feminist Revolution, MIT Press, Cambridge, EE.UU, <\/span><\/p>\n

p. 182, 277, 356<\/span><\/p>\n

Fabre Alexia, Parcours #2 2007\/2086, colecci\u00f3n MAC\/VAL, Editions du MAC\/VAL, Par\u00eds, Francia, p. 108<\/span><\/p>\n

Ira L. Meyer, Marcello Garofalo (comisarios), GNAM gastronomia nell’arte moderna, Editions Frederico Most, Italia, p. 228-229<\/span><\/p>\n

K. Brodsky Judith, Olin Ferris, Favorite Elements: works by ORLAN, New Brunswick (New Jersey), Editions Rutgers University, New-Jersey, USA, (Foto de portada de ORLAN)<\/span><\/p>\n

Kozloff Max, The Theatre of the Face: Portrait Photography Since 1900, Ediciones Phaidon Press Inc. Londres, Reino Unido <\/span><\/p>\n

Leismann Scherer, Diagnose Kunst\/Diagnosis Art, Editions Wienand, Alemania, p. 28-29<\/span><\/p>\n

Nehamas Alexander, Only a Promise of Happiness, The Place of Beauty in a World of Art, Ediciones de la Universidad de Princeton, Princeton y Oxford, Reino Unido, p. 38, 40<\/span><\/p>\n

Slome Manon, Belleza Pericolosa, Dangerous beauty, Editions Palazzo delle art Napoli, N\u00e1poles, Italia, p. 16, 17, 18, 19, 20, 21 (cara 1), p. 19, 20, 21 (cara 2) <\/span><\/p>\n

Thomas Paul, la Beap 07, Bienal de Artes Electr\u00f3nicas Perth Stillness, Editions BEAP, Australia, p. 48-51<\/span><\/p>\n

Veneciano Jorge Daniel, Imago, The Drama of Self-Portraiture in Recent Photography, Paul Robeson Gallery, Editions GM Printing, Nueva York, EE.UU., p. 96 (Foto de portada de ORLAN) <\/span><\/p>\n

Vervoordt Axel, Artempo Where Time Becomes Art, Editions MER, B\u00e9lgica, p. 43, 76<\/span><\/p>\n

\u00a1Zidianakis Vassilis, RRRIP! Paper Fashion, empresa sin \u00e1nimo de lucro Atopos, Grecia <\/span><\/p>\n

2006<\/b><\/span><\/p>\n

Anker Suzanne, Talasek JD, Virtual Culture and Bioscience an online Symposium, Editions Center for Art, Design and Visual Culture, UMBC, Washington, DC, EE.UU., p. 89, 210<\/span><\/p>\n

Baeza-G\u00f3mez Rosina, ARCO’06, Feria Internacional de Arte Contempor\u00e1neo, Ediciones ARCO\/IFEMA Feria de Madrid, Madrid, Espa\u00f1a, p. 73<\/span><\/p>\n

Bonnet Marie-Jo, Les artistes dans les avant-gardes, Editions Odile Jacob, Par\u00eds, Francia, p. 112, 131, 176-180, 215<\/span><\/p>\n

Paul Ardenne, Pascal Beausse, Harry, Bellet, Vincent Berni\u00e8re, 100 artistes, qu’est ce que l’art cintemporain en France ?, Editions Beauxarts Magazine, p. 138, 139<\/span><\/p>\n

Mayeur Christian, Le manager \u00e0 l’\u00e9coute de l’artiste, Editions Organisation, Francia, p. 165, 170, 244<\/span><\/p>\n

Montfumat Isabelle (de), Face \u00e0 Faces\/ Face to Faces, Collection priv\u00e9e ADP, Editions Corpus initial\/AFAA, Francia, p. 64-69<\/span><\/p>\n

Rusinova Zora, Autopoesis, Editions Irena Kucharova, Bratislava, Eslovaquia, p. 158-159<\/span><\/p>\n

Salmon Dimitri, Ingres, La Grande Odalisque, Editions Mus\u00e9e du Louvre, Par\u00eds, Francia, p. 59, 61<\/span><\/p>\n

2005<\/b><\/span><\/p>\n

Alandete Christian, Un vrai bijou, Editions les 7 p\u00e9ch\u00e9s capitaux, Par\u00eds, Francia, p. 95<\/span><\/p>\n

Alfano Miglietti Francesca (comisaria), La exposici\u00f3n Self-Hybridations de “bnd”, Italia<\/span><\/p>\n

Ardenne Paul, Hegyi Lorand, Rosa Herv\u00e9 (di), Bang Bang, Editions Fage, Saint Etienne, Francia, p. 222<\/span><\/p>\n

Blasco Amor\u00f3s Lorena, Abismos de la mirada: La experiencia l\u00edmite en el autorretrato \u00faltimo, Ediciones CC, Cendeac, Espa\u00f1a, p. 14, 17, 210<\/span><\/p>\n

Buci-Glucksmann Christine, Charbonneaux Anne-Marie (sous la dir. de), Les vanit\u00e9s dans l’art contemporain, Editions Flammarion, Par\u00eds, Francia, p. 76-77<\/span><\/p>\n

Camber Diane, Jeffet William, Kaeppelin Olivier, Poivre d’Arvor Olivier, Shortcuts Between Reality and Fiction: Video, Installations and Paintings from the Fond National d’Art Contemporain, Editions Bass Museum of Art, EE.UU.<\/span><\/p>\n

David Julie (ed.), Parcours #1 2005\/2006, colecci\u00f3n MAC\/VAL, Editions du MAC\/VAL, Par\u00eds, Francia, p. 220-223<\/span><\/p>\n

Fraser Mariam, The Body: A Reader, Ediciones Routledge, EE.UU., p. 305-312<\/span><\/p>\n

Miessgang Thomas, Superstars, Editions HatjeCantz, Viena, Austria, p. 272-273<\/span><\/p>\n

Sanchez Marc, Sans Jerome, Luminous Room\/Pi\u00e8ce Lumineuse, en colaboraci\u00f3n con el arquitecto Philippe Chiambaretta, Editions Palais de Tokyo, Par\u00eds, Francia, 2005 (Foto de portada de ORLAN)<\/span><\/p>\n

Viola Eugenio, Zuliani Stefania (ed. ),Itinerari del Post-Human Figure dell’Arte 1950-2000, ), Editions Modo, Italia, p. 25, 67-70, 85-86<\/span><\/p>\n

2004<\/b><\/span><\/p>\n

Airung Kim, In Mouvement, la UNESCO saluda a las mujeres videoartistas del mundo, Par\u00eds, Francia, p. 18<\/span><\/p>\n

Allemand Evelyne-Doroth\u00e9e, De leur temps, collections priv\u00e9es fran\u00e7aises, Editions ADIAF, Mus\u00e9e de Tourcoing, Francia, p. 246-247<\/span><\/p>\n

Amsellem Patrick, Goury Philippe, Portraits de femmes de la Bible par 32 artistes contemporains, Mus\u00e9es de Paris, Editions Echo international, Par\u00eds, Francia.<\/span><\/p>\n

Bonafoux Pascal, Moi Je, par soi-m\u00eame – L’autoportrait au XXe si\u00e8cle, Editions Diane de Selliers, Mus\u00e9e du Luxembourg, Par\u00eds, Francia, p. 208, 233, 236<\/span><\/p>\n

Burguillo Marie-Christine, Chalumeau Jean-Luc, Mollard Claude, Campus Euro(pe) Art: Quand les artistes entrent \u00e0 l’universit\u00e9, Editions Sc\u00e9r\u00e9n, Francia, p. 64-65<\/span><\/p>\n

Chupin Olivier, Goy Bernard, Projet c\u00f4ne sud, fond regional d’Art Contemporain d’Ile de France et de Poitou Charentes, Editions skira, Francia, p. 108<\/span><\/p>\n

Delay Annie, Marie Madeleine Contemporaine, Espace-Temps et Cr\u00e9ation, Editions Mus\u00e9e de Toulon, Par\u00eds, Francia, 2004, pp. 38-39<\/span><\/p>\n

Ewing William A, About Face, Photography and the death of the Portait, Editions Hayward Gallery, Londres, Reino Unido, p. 31<\/span><\/p>\n

Fabre Gladys, La dona, metamorfosi de la modernitat, Editions Fundacio Joan Miro, Barcelona, Espa\u00f1a, p. 214-215<\/span><\/p>\n

Falgayrettes-Leveau Christianne, Signes du corps, Editions du Mus\u00e9e Dapper, Par\u00eds, Francia, p. 322, 326, 329, 331, 332, 334<\/span><\/p>\n

Fongsmut Ark, Gouvion Saint-Cyr Agn\u00e8s (de), El Mes de la Fotograf\u00eda de Bangkok, Editions Relag, Bangkok, Tailandia,<\/span><\/p>\n

Gouvion Saint-Cyr Agn\u00e8s (de), Pop Culture, Editions Gallery Seoul, Corea, p. 17<\/span><\/p>\n

Goy Bernard, Lamy Franck, Du corps \u00e0 l’image, Collections du Fonds R\u00e9gional d’Art Contemporain d’Ile-de-France, Conseil G\u00e9n\u00e9ral des Yvelines, Fondation d’Art Contemporain Daniel & Florence Guerlain, Editions FRAC Ile-de-France, Francia, p. 62-63<\/span><\/p>\n

Heathfield Adrian, Live, Art and performance, Tate Publishing, Londres, Reino Unido, p. 139-140<\/span><\/p>\n

Hern\u00e1ndez-Navarro Miguel \u00c1, S\u00e1nchez Pedro A. Cruz, Cartograf\u00edas del Cuerpo: La dimensi\u00f3n corporal en el arte contempor\u00e1neo, Ediciones CendeaC, Murcia, Espa\u00f1a, p. 25, 38, 283-284<\/span><\/p>\n

Kalkmann Hans Werner, Bocca Della Verit\u00e0, Editions Kunstverein Bad Salzdetfurth, Alemania, p. 150-151<\/span><\/p>\n

Mileaf Janine, Inside Out Loud, Vizualizing Women’s Health in Contemporary Art, Mildred Lane Kemper Art Museum, Washington University, Saint Louis, Editions Jane E. Neidhardt, Washington, EE.UU., p. 87<\/span><\/p>\n

Prix Arcimboldo 2004, Editions Maison Europ\u00e9enne de la Photographie, Par\u00eds, Francia,<\/span><\/p>\n

Pantellini Claudia, Stohler Peter, Extensiones corporales, Arte, Fotograf\u00eda, Cine, C\u00f3mic, Moda, Editions Arnoldsche, Zurich, Lausana, Suiza<\/span><\/p>\n

Ribettes Jean-Michel, D’une image qui ne serait pas du semblant, la photographie \u00e9crite 1950-2005, Paris audiovisuel, Editions Passage de Retz, Par\u00eds, Francia, p. 60-61, (Foto de ORLAN en la contraportada) <\/span><\/p>\n

Sigg Thierry, \u00c1lbum 1983-2003, Editions CREDAC, Ivry-sur-Seine, Francia<\/span><\/p>\n

Sultan Oliver, Les Afriques – 36 Artistes contemporains, Editions Autrement, Par\u00eds, Francia, p. 103, 107-108<\/span><\/p>\n

Sviblova Olga, Fifth Moscow International Month of Photography Photobiennale 2004, Editorial Casa de la Fotograf\u00eda de Mosc\u00fa, Rusia, p. 85, 182-183, 270<\/span><\/p>\n

Walter Herbert, Die Zhen Gebote, Editions Hatje Cantz, Deutschen Hygiene Museum, Alemania, p. 36-37<\/span><\/p>\n

2003<\/b><\/span><\/p>\n

Barak Ami, Baudin Katia, Blist\u00e8ne Bernard, Zahm Olivier, Tr\u00e9sors publics, 20 ans de cr\u00e9ation dans les Fonds r\u00e9gionaux d’Art contemporain, Editions Flammarion, Par\u00eds, Francia, p. 310<\/span><\/p>\n

Bethenod Martin, Kerchache Jacques, Portraits crois\u00e9s, Editions Gallimard, Mus\u00e9e du Quai Branly, Par\u00eds, Francia, p. 163<\/span><\/p>\n

Block Holly, Katz-Freiman Tami, Time Capsule, Art in General, Editions Holly, Nueva York, EE.UU., p. 10<\/span><\/p>\n

Bourdin Emeline, Ferr\u00e9 Nicolas, Th\u00e9venin Olivier, Corps invent\u00e9s, LP METI- Editions Universit\u00e9 de Franche-Comt\u00e9, Besan\u00e7on, Francia, p. 32-33<\/span><\/p>\n

Chesneau Isabelle, Csizek Gabriella, Dumont Daniel, Ho\u00ebl Pascal, Monterosso Jean-Luc, Pierret Stanislas, La Fabrication du r\u00e9el, 1980-2000, colecci\u00f3n de la Maison Europ\u00e9enne de la Photographie, Par\u00eds, Ediciones Instituto H\u00fangaro de Fotograf\u00eda, Budapest, Hungr\u00eda.<\/span><\/p>\n

Cortenova Giorgio, La Creazione ansiosa da Picasso a Bacon, Editions Marsilio, Palazzo Forti, Verona, Italia, p. 110-111<\/span><\/p>\n

Kerry Andrews, n.paradoxa, fuera de orden, Edtions Aj Fwinton, p.44 – 48<\/span><\/p>\n

Deschamps G\u00e9rard, Retrospectiva 1956-2003, Mus\u00e9e de l’hospice Saint-Roch, Issoudun, Editions Mus\u00e9e des Beaux-Arts, Dole, Francia, p. 53<\/span><\/p>\n

Durand R\u00e9gis, Fulch\u00e9ri Fabienne, Milin Jean-Louis, Pessel Andr\u00e9, Fables de l’identit\u00e9, obras fotogr\u00e1ficas y de v\u00eddeo de la colecci\u00f3n NSM Vie\/ABN AMRO, Editions Centre National de la Photographie, Par\u00eds, Francia.<\/span><\/p>\n

Gilles Matthieu, Haenning Marie, Veer Shirley, Art contemporain, 20 ans d’acquisitions avec l’aide du FRAM, Les raisons du corps :ORLAN et Gina Pane, Editions \u00c9pinal, Francia<\/span><\/p>\n

Rosa Olivares, John Coplans, Luis Francisco Paerez, Exit, Autorratos, Autorretratos, Ediciones Olivares, p.58, 59<\/span><\/p>\n

Han-Seung Ryu, Seung-Wan Kang, Nuevas adquisiciones, Ediciones Museo Nacional de Arte Contempor\u00e1neo, Se\u00fal, Corea, p. 87<\/span><\/p>\n

Jean-Yves Jouannais, L’idiotie, art, vie, politique – M\u00e9thode, Editions b.a.m. Libros, p.22 <\/span><\/p>\n

H\u00e9bel Fran\u00e7ois, Rencontres de la photographie d’Arles, Editions Actes Sud, Arles, Francia, p. 31<\/span><\/p>\n

Chastagner Claude, Goldberg RoseLee, Lalibert\u00e9 Martin, Lavigne Emma, Mallet Franck, Mou\u00e9llic Gilles, Electric Body, Le corps en sc\u00e8ne, Editions Beaux- Arts Magazine \/ Cit\u00e9 de la Musique, Par\u00eds, Francia.<\/span><\/p>\n

Fernado Castro, Nuria Fernandez, Fernando Martin Galin, Fragiles, Editions Firma, p.48, 49<\/span><\/p>\n

K\u00e9senne Joannes, Eva Venus Madonna, 2002, Editions Alle deelnemende kunstenaars en bruikleengevers, Lovaina, B\u00e9lgica, p. 42<\/span><\/p>\n

Lamoureux Johanne, Doublures, V\u00eatements de l’art contemporain, Editions Mus\u00e9e National des Beaux-Arts du Qu\u00e9bec, Canad\u00e1, p. 46-48<\/span><\/p>\n

Perez N. Nissan, Revelaci\u00f3n, representaciones de Cristo en la fotograf\u00eda, Editions Merrell limited, Londres, Reino Unido, Editions The Israel Museum, Jerusal\u00e9n, Israel, p. 140<\/span><\/p>\n

Settembrini Luigi, Segunda Bienal de Valencia, La Ciudad Ideal, Ediciones Charta, Valencia, Espa\u00f1a, p. 204-205<\/span><\/p>\n

Vollerin Alain, Histoire des biennales d’Art Contemporain de Lyon, Editions Memoire des Arts, Francia, p. 36<\/span><\/p>\n

2002<\/b><\/span><\/p>\n

Buci-Glucksmann Christine, Le Temps des plis, Editions Mus\u00e9e des Beaux- Arts de Tourcoing, Francia, p. 17<\/span><\/p>\n

Buci-Glucksmann Christine, Folie Sabine, Glasmeier Michael, Reissberger Mara, Tableaux vivants, Editions Lebende Bilder und Attit\u00fcden in Fotografie, Film und Video, Kunsthalle Wien, Austria, p. 140-141<\/span><\/p>\n

Campitell Marina, Michelli Lorenzo, Vallorani Nicoletta, Shock & Show, Trieste, Italia<\/span><\/p>\n

Capperon Pierre, Jaeger V\u00e9ronique, FIAC 2002, Editions Galerie Rabouan Moussion, Par\u00eds, Francia, p. 320<\/span><\/p>\n

Chung Junmo, Babel 2002, Editions National Museum of Contemporary Art, Se\u00fal, Corea del Sur, p. 101<\/span><\/p>\n

Degott Ekat\u00e9rina, Cuarto Mes Internacional de la Fotograf\u00eda, Photobiennale 2002, Cuerpos y Movimientos, Ediciones Instituto de Fotograf\u00eda de Mosc\u00fa, Mosc\u00fa, Rusia, p. 101<\/span><\/p>\n

Lebel Jean-Jacques, Polyphonix, \u00c9ditions L\u00e9o Scheer, Centre Georges Pompidou, Par\u00eds, Francia, p. 204-205<\/span><\/p>\n

Mie\u00dfgang Thomas, Dem Absurden, Sinn Geben, Magazin im Magazin-Revisited vol. II. 2, Magazin 4, Editions Vorarlberger Kunstverein, Bregenz, Austria<\/span><\/p>\n

Mondadori Bruno, Fotografia, Primer Festival Internacional de Roma, Editions SIAE, Roma, Italia<\/span><\/p>\n

Perez Nissan N., Corpus Christi: Les repr\u00e9sentations du Christ en photographie, 1855-2002, Editions MacVal, Par\u00eds, Francia, p. 145<\/span><\/p>\n

Slome Manon, Dangerous Beauty, The Jewish Community Center in Manhattan, Editions Skira, Nueva York, EE.UU., p. 27<\/span><\/p>\n

Sviblova Olga, Cuarto Mes Internacional de la Fotograf\u00eda de Mosc\u00fa, Photobiennale 2002, Editorial Casa de la Fotograf\u00eda de Mosc\u00fa, Rusia<\/span><\/p>\n

Tadde\u00ef Jean-Fran\u00e7ois, La collection du FRAC des Pays de la Loire 1993-2002, Editions FRAC des Pays de la Loire, Francia, p. 202<\/span><\/p>\n

2001<\/b><\/span><\/p>\n

Balling Gert, Deepwell Katie, Gether Christian, Hoholt Stine, Zuckriegl Margit, Mennesket, Et halvt arhunderde set gennem kroppen, Ediciones Arken Museo de Arte Moderno, Dinamarca, p. 174<\/span><\/p>\n

Brys-Schatan Gita, Clerbois Michel, Durant Ben, Sojcher Jacques, Le Clonage d’Adam, La lettre vol\u00e9e, Editions ISELP, Bruselas, B\u00e9lgica, p. 31<\/span><\/p>\n

Levitte Harten Doreet, Heaven: an Exhibition That Will Break Your Heart, Kunsthalle D\u00fcsseldorf, Editions Hatje Cantz, Alemania, y Tate Gallery, Liverpool, Reino Unido, p. 200-205<\/span><\/p>\n

Marella Maria Rosa, Marella Primo, La metamorfosi del corpo nel nuovo scenario dell’arte contemporanea, Editions Marella Arte Contemporanea, Mil\u00e1n, Italia<\/span><\/p>\n

Margat Jean, Jocondissima, Editions des Mus\u00e9es de Cholet, Cholet, Francia, p. 10<\/span><\/p>\n

Mc Donald Helen, Erotic Ambiguities: The Female Nude in Art, Ediciones Routledge, Londres, Reino Unido, y Nueva York EE.UU.<\/span><\/p>\n

Riva Alessandro, Totemica, Feticci e rituali del contemporaneo, Ediciones Casa del Mantegna, Mantua, Italia<\/span><\/p>\n

Smith-Lucie Edward, Entre la tierra y el cielo, Museum voor Moderne Kunst, Editions Drukkerij, Ostende, B\u00e9lgica, p. 238<\/span><\/p>\n

Vezzosi Alessandro, Raffaello e l’idea della bellezza, Raffaello vive, Editions Relitalia studi, San Benedetto del Tronto y en Roma, Italia, p. 44<\/span><\/p>\n

Wimmer Elga, Arzulananlar\/Les Volupt\u00e9s, Editions Borusan Sanat Galerisi, Estambul, Turqu\u00eda, p. 26-27<\/span><\/p>\n

2000<\/b><\/span><\/p>\n

Abadie Daniel, Eynard Pierre, Tongue in’Cheek, seis artistas franceses contempor\u00e1neos, Fundaci\u00f3n Editions Deste, Atenas, Grecia, p. 42-47<\/span><\/p>\n

Aziosmanoff Nils, ISEA 2000, D\u00e9cimo Simposio Internacional sobre Artes Electr\u00f3nicas, Editions Musica Falsa\/ Art 3000, Par\u00eds, Francia, p. 173<\/span><\/p>\n

Bianchi Paolo, Fetz Wolfgang, Matt G\u00e9rald, Sagmeister Rudolf, LKW Kunst in der Stadt 4, Editions Kunsthaus Bregenz (KUB), Alemania, pp. 152-157<\/span><\/p>\n

Bourriaud Nicolas, Le Breton David, M\u00fcller Florence, Navarra Enrico, Ranc Jacques, Restany Pierre, Sun-hoan Hong, Yun Jin-sup, Seoul International Performance Art Festival (SIPAF), Corea del Sur, p. 32-33 (Foto de portada de ORLAN) <\/span><\/p>\n

Bourriaud Nicolas, Gr\u00fcnberg Serge, Kahn Axel, Le Breton David, Marchal Hugues, Navarra Enrico, Ranc Jacques, Restany Pierre, Le Corps mutant, Editions Galerie Enrico Navarra, Par\u00eds, Francia, p. 15, 18, 23, 29, 148-155<\/span><\/p>\n

Christian Gether, Mennesket, Ediciones Arken, p. 174<\/span><\/p>\n

De Candia Mario, Anableps, Editions Studio Stefania Miscetti, Roma, Italia, p. 80<\/span><\/p>\n

Delarge Alexandre y Coutas \u00c9velyne, R\u00e9sonances ou Le Mus\u00e9e au risque de l’art, Editions \u00c9comus\u00e9e de Fresnes, Francia, p. 34<\/span><\/p>\n

Dumas Marie-H\u00e9l\u00e8ne, L’Invention des femmes, Editions Municipal Department of Culture, Auvers-sur-Oise, Francia, p. 27<\/span><\/p>\n

Eiblmayr Silvia, Snauwaert Dirk, Wilmes Ulrich, Winzen Matthias, Die Verletzte Diva, Hysterie, K\u00f6rper, Technik in der Kunst des 20 Jahrhunderts, Editions Oktagon, Innsbr\u00fcck, Austria, pp. 242<\/span><\/p>\n

Heuze St\u00e9phanie (dir. ), ORLAN, Manifeste de l’art charnel, Changer le corps, Editions La Musardine, Par\u00eds, p. 72-74<\/span><\/p>\n

Jaeger V\u00e9ronique, Fiac 2000, Editions FIAC, Galerie Yvonamor Palix, Par\u00eds, Francia, p. 578-581<\/span><\/p>\n

Martin Jean-Hubert, Partage d’Exotismes, Quinta Bienal de Arte Contempor\u00e1neo de Lyon, Editions RMN, Lyon, Francia, p. 50<\/span><\/p>\n

M\u00fcller Florence, Excentriques: un manifeste de l’apparence, Ediciones Le Printemps Hausmann, Par\u00eds, Francia.<\/span><\/p>\n

Ribettes Jean-Michel, Les 100 Sourires de Mona Lisa, Editions Nihon Keizai Shimbun, Jap\u00f3n, p. 150<\/span><\/p>\n

Sadovska Dorota, Editions Dimension S, Vojtech L\u00f6ffler Muzeum of Arts, Kosice, Eslovaquia, (Foto de portada de ORLAN)<\/span><\/p>\n

1999<\/b><\/span><\/p>\n

Alfano Miglietti Francesca, Rosso vivo, mutazione, trasfigurzione e sangue nell’arte contemporanea, Editions Electa, Mil\u00e1n, Italia, p. 132-135<\/span><\/p>\n

Armin Sandig, Griffelkunst, Ediciones Herbsr, p.13 – 15<\/span><\/p>\n

Bousso Daniela Vitoria, Acima do bem e do mal, Pa\u00e7o das Artes, Editions Casa, Sao Paulo, Brasil, P. 34, 35<\/span><\/p>\n

Combalia Victoria, Lebel Jean-Jacques, Jardin d’Eros, Institut de Cultura de Barcelona, Editions Electa, Barcelona, Espa\u00f1a, p. 260<\/span><\/p>\n

Fontes Carlos, Prata Rui, Festival de Fotograf\u00eda Encontros da Imagem, Ediciones Braga, Portugal, p. 42-44<\/span><\/p>\n

Hegyi Lorand, The competence of Utopia-Reflection on ORLAN’s work, Galer\u00eda Editions Chelouche, Tel Aviv, Israel<\/span><\/p>\n

Juegos y simulacros, Biblioteca del MNCARS, Madrid, Espa\u00f1a<\/span><\/p>\n

Hentz Mike, El premio del Griffelkunst, Editions Kunst, Hamburgo, Alemania, p. 13-15<\/span><\/p>\n

Landau Suzanne, Skin-Deep, Surface and Appearance in Contemporary Art, Editions The Israel Museum, Jerusal\u00e9n, Israel, p.58, 59<\/span><\/p>\n

Ribettes Jean-Michel, F\u00e9tiches et f\u00e9tichisme en Le D\u00e9faut de l’objet religieux, \u00e9conomique & sexuel, \u00c9ditions Blanche, Passage de Retz, Par\u00eds, Francia, p. 54<\/span><\/p>\n

Sobieszek Robert A., Ghost in the Shell: Photography and the Human Soul, 1850-2000, Editions Lacma\/Mit, Los \u00c1ngeles, EE.UU., p. 273-285<\/span><\/p>\n

Viso Olga M., Beauty Now, Die Sch\u00f6nheit in der Kunst am Ende des 20, Jahrhunderts, Hirshhorn Museumhaus Haus der Kunst, Editions Munchen Hatje Cantz Verlag, Ostfildern-ruit, Alemania, p. 94<\/span><\/p>\n

1998<\/b><\/span><\/p>\n

Bonito Oliva Achille, Disidentico, Maschile Femminile e Oltre, Editions Panepinto Arte, Roma, Italia, p. 168-69<\/span><\/p>\n

Floriano de Sanit, Il futuro della citta nel mondo telematico, Ediciones Ugo Bordoni, p.133<\/span><\/p>\n

FIAC 98, Editions FIAC, Galerie Yvonamor Palix, Par\u00eds, Francia, p. 183<\/span><\/p>\n

Dorota Sadovska, Ablum de paris, Editions GMB, p.54 (Fotos de portada de ORLAN)<\/span><\/p>\n

Carnalo Strano, Arte unimplosivo, Ediciones palerma, p.19, 81<\/span><\/p>\n

Gadella Rick, Gaillard Fran\u00e7oise, Gouvion Saint-Cyr Agn\u00e8s (de), Lamarche-Vadel Bernard, Lemagny Jean-Claude, Leroy Jean-Fran\u00e7ois, Monterosso, Mondzain Marie-Jos\u00e9e, Mora Gilles Nori Claude, Roche Denis, Th\u00e9rond Roger, Tisseron Serge, Mois de la Photo \u00e0 Paris, \u00c9ditions Paris Audiovisuel\/Maison Europ\u00e9enne de la Photographie, Francia, pp. 52<\/span><\/p>\n

Hentz Mike, Vierter Graphikpreis der Mitglieder, Kunst und Computer, Editions Griffelkunst, Hamburgo, Alemania, p. 61-71, 103-109<\/span><\/p>\n

Patrick Raynaud, La nouvelle interlope, Editions Erban, p.43 – 47<\/span><\/p>\n

De la monstruosit\u00e9, expression des passions, Espace D. Ren\u00e9 Harrison, \u00c9ditions Jaune-Fusain, Montreal, Canad\u00e1, p. 21<\/span><\/p>\n

McNiven Andrew, Napoli St\u00e9phane, Propp\u00e9 J\u00f3n, Rieusset-Lemari\u00e9 Isabelle, Fl\u00f6gd og f\u00f6gur skinn, Editions Art. is books, Reikiavik, Islandia, p. 234-238<\/span><\/p>\n

Roudier Marc, L’Art d\u00e9g\u00e9n\u00e9r\u00e9, \u00c9ditions Al Dante\/Caac, Aix-en- Provence, Francia, p. 98, 265<\/span><\/p>\n

Schimmel Paul, Stiles Kristine, Out of Actions: Between Performance and the Object 1949-1976, Editions MOCA\/Cantz, Nueva York\/Ostfildern, EE.UU., pp. 99, 241, 256, 271-72, 296-97<\/span><\/p>\n

Serra Zanetti Sega Paola, Tolomeo Maria Grazia, La Coscienza Luccicante. Dalla Videoarte all’arte Interattiva, Palazzo delle Esposizioni, Editions Gangemi, Roma, Italia, p. 139<\/span><\/p>\n

Strano Carmelo, Europa-Estados Unidos y la \u00e9poca del arte unimplosivo, Ediciones Cefal\u00f9, Palermo, Sicilia, Italia, p. 18, 81<\/span><\/p>\n

Van Beirendonck Walter, \u00a1Basura salvaje y letal! Believe, Kiss the Future, Editions Boijmans Van Beuningen Museum, Rotterdam, Pa\u00edses Bajos, p.48, 49 <\/span><\/p>\n

1997<\/b><\/span><\/p>\n

Asthon Harris Lyle, Blessing Jennifer, Halberstam Judith, Spector Nancy, Tyler Carole-Anne, Wilson Sarah, Rose is a Rose is a Rose: Gender Performance in Photography, Editions Solomon R. Guggenheim Museum, Nueva York, EE.UU., pp. 150<\/span><\/p>\n

Bagulho Francisca, Checa Natxo, Festival Atlantico, Arte Performance Tecnologia, Lisboa, Portugal, p. 9<\/span><\/p>\n

Briend Christian, Durey Philippe, Mar\u00e9chal Fran\u00e7oise, Hommage \u00e0 Ren\u00e9 D\u00e9roudille, un combat pour l’art moderne, Mus\u00e9e des Beaux-Arts de Lyon, Editions RMN, Lyon, Francia, p. 16, 43, 166-167<\/span><\/p>\n

Cottingham Laura, Realmente Feminismo y Arte, Editions Centre National d’Art Contemporain de Grenoble, Francia<\/span><\/p>\n

Felice Paul (di), Lunghi Enrico, Stiwer Pierre, The 90’s: A Family Of Man ?, Images de l’homme dans l’art contemporain, Editions Caf\u00e9-Cr\u00e8me, Galerie Nei Liicht- dudelange, Casino Luxembourg, Luxemburgo, p. 74-76<\/span><\/p>\n

Fontcuberta Joan, Zabalbeascoa Anatxu, M\u00e0scara i Mirall, Editions MACBA, Barcelona, Espa\u00f1a, p. 44-45<\/span><\/p>\n

Hagedorn-Olsen Claus, Hessellund Birgit, Lerche Anette, Nyholm Tove, Kvinden, Editions Horsens Kunstmuseum, Horsens, Dinamarca, p. 87<\/span><\/p>\n

Hessellund Birgit, Lykke-Moller, Rasmussen Steen, Ravn Inge-Lise, Sum Jubil\u00e6umsudstilling II, Editions Arhus, Dinamarca, pp. 24-27<\/span><\/p>\n

Luces C\u00e0mara, Accion (. . . ) Corten: Videoaccion: el cuerpo y sus fronteras, Biblioteca Editions MNCARS, Valencia, Espa\u00f1a<\/span><\/p>\n

Mart\u00ednez Rosa, La Quinta Bienal Internacional de Estambul, Sobre la vida, la belleza, las traducciones y otras dificultades, Ediciones Quinta Bienal de Estambul, Estambul, Turqu\u00eda, p. 166-167<\/span><\/p>\n

Van Duyn Edna, Hybrids, Editions Appel Foundation, Amsterdam, Pa\u00edses Bajos<\/span><\/p>\n

Vnuk Gordana, Festival Eurokaz, Zagreb, Croacia<\/span><\/p>\n

1996<\/b><\/span><\/p>\n

A. Rudolf Lorenzo, Art Basel 27, Editions Espace d’art Yvonamor Palix, Miami, EE.UU., p. 292-293<\/span><\/p>\n

Abou Isaac Nathalie, Bonnet Fr\u00e9deric, Chapuis Yvane, Defilippi H\u00e9l\u00e8ne, Donguy Jacques, Vergne Philippe, L’Art au corps, Editions RMN, Mus\u00e9e d’Art Contemporain Marseille, Francia, 1996, pp. 33, 191-231, 463<\/span><\/p>\n

Betterton Rosemary, Intimate Distance, Women, Artists and The Body, Ediciones Routledge, Londres, pp. 138, 147<\/span><\/p>\n

Burkard Lene, Justesen Kirsten, Ohrt Karsten, Ruhs August Body As Membrane, EditionsKunsthallen Brandts Kl\u00e6defabrik, Odense, Dinamarca, p. 60-65<\/span><\/p>\n

La FIAC 96, Galerie Yvonamor Palix, Editions France Culture, Par\u00eds, Francia, p. 187<\/span><\/p>\n

Del Val Pablo, Expoarte 96, Ediciones Guadalajara, Guadalajara, M\u00e9xico, p. 104<\/span><\/p>\n

Delin Hansen Elisabeth, Nemo\/Drommen om det ny menneske: El sue\u00f1o del hombre nuevo, Editions Copenhagen Contemporary Art Center, Copenhague, Dinamarca, p. 22-23, 64-66<\/span><\/p>\n

Ecker Bogomir, Sefkow Bettina, \u00dcbergangsbogen und \u00dcberh\u00f6hungsrampe, naturwissenschaftliche und k\u00fcnstlerische Verfahren, Symposion I und II, Hochschule f\u00fcr bildende K\u00fcnste, Editions Material-Verlag, Hamburgo, Alemania, p. 160-164<\/span><\/p>\n

Fontcuberta Joan, Zabalbeascoa Anatxu, M\u00e0scara i Mirall, Ediciones Lunwerg, MACBA, Barcelona, Espa\u00f1a, p. 21, 44-45, 66<\/span><\/p>\n

M. Wilmes Hildegard, ORLAN, Art Charnel, Editions Internationale Photoszene K\u00f6ln, Colonia, Alemania, p. 56<\/span><\/p>\n

Macri Teresa, Corpo Estremo in Riminicinema Catalogo generale 1996, Italia, p. 104-105<\/span><\/p>\n

Parent Francis, Le Corps dans tous ses \u00e9tats, Espace Belleville, Editions CFDT, Par\u00eds, Francia, p. 37, 54<\/span><\/p>\n

Zabalbeascoa Anatxu, R\u00e9els, fiction, virtuel, Rencontres de la photographie d’Arles 1996, \u00c9ditions Actes-Sud, Arles, Francia, p. 40<\/span><\/p>\n

1995<\/b><\/span><\/p>\n

Fabre Gladys, Prat Thierry, Raspail Thierry, Rey Georges, Tercera Bienal de Arte Contempor\u00e1neo de Lyon – Instalaci\u00f3n, cine, v\u00eddeo, inform\u00e1tica, Editions RMN, Par\u00eds, Francia, p. 42-44<\/span><\/p>\n

Francalanci Ernesto L. La sedicesima biennale internazionale del bronzetto Piccola Scultura Padova’95, Scultura e Oltre, Editions Il Poligrafo, Padova, Italia, p. 225<\/span><\/p>\n

Klaniczay J\u00falia, Video Expedition in the Performance World, Editions Artpool, Budapest, Hungr\u00eda, p. 15<\/span><\/p>\n

Magotte Hector, Le Grand Jardin du paradoxe et du mensonge universels, 18 ans de la galerie du Cirque Divers, Mus\u00e9e d’Art Moderne et d’Art Contemporain de la Ville de Li\u00e8ge, Tome 2, \u00c9ditions du Cirque Divers, Lieja, B\u00e9lgica, p. 131<\/span><\/p>\n

Schmidt Hans-Werner, Jahresgaben 1995, Schleswig- Holsteinischer, Editions Kunstverein, Kiel, Alemania<\/span><\/p>\n

Straus Marc J., ORLAN, Inside Out, Psychological Self-Portraiture, Editions The Aldrich Museum of Contemporary Art, Ridgefield, EE.UU.<\/span><\/p>\n

Wilson Sarah, F\u00e9minin=Masculin, le sexe de l’art, Centre Georges Pompidou, Editions Gallimard-Electa, Par\u00eds, Francia, p. 302<\/span><\/p>\n

1994<\/b><\/span><\/p>\n

Barlli Renato, Prodhon Fran\u00e7oise-Claire, Restany Pierre, Arte in Francia 1970\/1993, Galleria d’Arte Moderna, Bolonia, Editions Gabriele Mazzotta, Mil\u00e1n, Italia, p. 44, 146-149<\/span><\/p>\n

Bianda Rinaldo, XV Festival Internacional de v\u00eddeo y artes electr\u00f3nicas, foro de nuevas im\u00e1genes y cultura emergente, Videoarte, Editions AVArt Associazione per la VideoArte, Locarno, Italia, p. 53-54<\/span><\/p>\n

Dander Heike, Performance in BE magazin, Editions Kunstlerhaus Bethanien, Berl\u00edn, Alemania, p. 90-92<\/span><\/p>\n

De Loisy Jean, Labelle Rojoux Arnaud, Performance attitude, Hors limites : L’art et la vie, 1952\/1994, \u00c9ditions du Centre Georges Pompidou, Par\u00eds, Francia, p. 231<\/span><\/p>\n

Eiblmayr Silvia, Suture-Phantansmen der vollkommenheit, Editions Salzburger Kunstverein, Salzburgo, Austria<\/span><\/p>\n

Ergino Nathalie, Lindner Ines, Stiegler Bernard, ORLAN: oder die bilder des begehrens, en la exposici\u00f3n de Stelarc, ORLAN, Louis Bec, Der k\u00f6rper und der computer, Neuen Gesellschaft f\u00fcr Bildende Kunst, Editions NGBK, Berl\u00edn, Alemania, p\u00e1g. 23-32, 36-39, 52<\/span><\/p>\n

Ermacora Beate, Positionen Zum Ich, Kamerabilder, Editions Kunsthalle zu Kiel, Kiel, Alemania, p. 13, 35-37<\/span><\/p>\n

Hubaut Joel, Labelle-Rojoux Arnaud, Extr\u00eame Limite, \u00c9ditions Galerie Janos, Par\u00eds, Francia<\/span><\/p>\n

Ribettes Jean-Michel, L’Art du portrait au XIXe et XXe si\u00e8cles en France, Editions Atelier trois-quarts face, Francia, p. 132-133<\/span><\/p>\n

Sigg Thierry, Pleins feux sur Ivry, Editions Ivry-sur-sceine, Ivry, Francia, p. 12<\/span><\/p>\n

1993<\/b><\/span><\/p>\n

Ancion Elisabeth, Deux soirs \u00e0 l’autel, Collection papier journal, Editions du Cirque Divers, Lieja, B\u00e9lgica, p. 12-13<\/span><\/p>\n

Blaine Julien, Dix ans de po\u00e9sie directe 1984-1993: Attendez- moi, je reviens, Mus\u00e9e de Marseille, Editions RMN, Francia, p. 91<\/span><\/p>\n

El cuerpo en ruinas, Manifestatie voor de instabiele Media, ORLAN: Mi carne. Ediciones El texto y las lenguas, Pa\u00edses Bajos <\/span><\/p>\n

Sex Quake Show: Arte despu\u00e9s del Apocalipsis, Editions First Art-Genes, Portable Museum, EE.UU.<\/span><\/p>\n

Wilms Hildegard M. , Borderlines, Editions Fotomuseum, Frankfurt, Alemania, p. 84-85<\/span><\/p>\n

1992<\/b><\/span><\/p>\n

Beres Jerzy, Borowski Wlodzimierz, Dlubak Zbigniew, Robakowski J\u00f3zef, Spotkania Sztuki aktywnej, Ediciones Konin, Polonia.<\/span><\/p>\n

Bernard Christian, Besacier Hubert, Besson Christian, Charre Alain, Cor\u00e0 Bruno, Gassiot- Talabot G\u00e9rald, Jeune Marie-Claude, Mavridorakais Val\u00e9rie, Raspail Thierry, Sarkis, Collection Rh\u00f4ne-Alpes, Editions du FRAC Rh\u00f4ne-Alpes, Francia, p. 377<\/span><\/p>\n

Bond Anthony, The 9th Sydney Biennale – The Boundary Rider, Editions National Library of Australia, Australia, p. 184-185<\/span><\/p>\n

1991<\/b><\/span><\/p>\n

Ribettes Jean-Michel, Les Couleurs de l’argent, Editions Mus\u00e9e de la Poste, Francia, p. 37<\/span><\/p>\n

Marcelin Pleynet, Mathilde Fener, Les bonheurs de l’art, II, Editions Ensba, p. 55<\/span><\/p>\n

Sigg Thierry, Pleins feux sur Ivry, Editions Ivry-sur-seine , Francia, p. 33-60<\/span><\/p>\n

1990<\/b><\/span><\/p>\n

Apert Olivier, Sarrazin St\u00e9phane, La vid\u00e9o casse le baroque, Editions Centre Wallonie-Bruxelles, Grand Canal Paris, Francia, p. 39<\/span><\/p>\n

Archer Michael, Benett Oliver, Brighton Andrew, Gilroy Paul, Kaye Nick, Oku Bright Nancee, Edge 90, Art and Life in the Nineties, The Edge Biennale Trust and Mediamatic magazine vol. 4, Editions Newcastle, Reino Unido. 4, Editions Newcastle, Reino Unido, p. 236<\/span><\/p>\n

Buci-Glucksmann Christine, Gattinoni Christian, \u00c9crans-ic\u00f4nes, Espace Art Brenne, \u00c9dition Art Brenne, Le Blanc, Francia, p. 88 (Foto de portada de ORLAN) <\/span><\/p>\n

Ceysson Bernard, Savary Jo\u00ebl, Les Vingt ans de pub et de cin\u00e9ma de sainte ORLAN, Editions Centre d’Art Contemporain de Basse-Normandie, H\u00e9rouville Saint-Clair, Francia<\/span><\/p>\n

Lebel Jean-Jacques, D\u00e9sir et d\u00e9sordre, Editions Galleria Notturna d’Arte Contemporanea, Mil\u00e1n, Italia, p. 12<\/span><\/p>\n

ORLAN, Situation(s), Editions CREDAC, Centre d’Art Contemporain d’Ivry, Ivry-sur-Seine, Francia, p. 17<\/span><\/p>\n

1989<\/b><\/span><\/p>\n

Beer Monica, Wellreshoff Maria, Bilder Streit, Ediciones Colonia, Alemania, p. 109<\/span><\/p>\n

VI Rencontre internationale de poesie contemporaine, Tarascan 89, Editions Agrippa, p. 118<\/span><\/p>\n

Gu\u00e9rin Syn, Femmes cathodiques, Festival Internacional de V\u00eddeo, Editions Centre audiovisuel Simone de Beauvoir, Par\u00eds, Francia, p. 39<\/span><\/p>\n

Nardin Anne, Vierge noire aux deux Chevalets, Fonds National d’art contemporain (adquisiciones 1989), Editions Minist\u00e8re de la Culture et de la Communication Par\u00eds, Francia, 1989<\/span><\/p>\n

Segunda reuni\u00f3n en v\u00eddeo de Roubaix – Video Ch’ti choc de Roubaix, Roubaix, Francia<\/span><\/p>\n

1988<\/b><\/span><\/p>\n

Brys-Schatan Gita, Pages d’artistes hors mesure, cinquante fois plus moins z\u00e9ro, Editions ISELP, Bruselas, B\u00e9lgica, p.158<\/span><\/p>\n

1986<\/b><\/span><\/p>\n

Daniels Dieter, Moser B\u00e4rbel, Unn\u00fctzer Petra, The 2nd Videonale,Editions Bonn, Bonn, Alemania, p. 142<\/span><\/p>\n

1985<\/b><\/span><\/p>\n

Fagone Vittorio, Vid\u00e9o d’artistes, Editions Salle patino, Ginebra, Suiza, p.36<\/span><\/p>\n

Fagone Vittorio, Faux Monique, Laporte Dominique-Gilbert, ORLAN, Restany Pierre, Histoires saintes de l’art: ORLAN, L\u00e9a Lublin, Lacertid\u00e9, Editions Cergy- Pontoise, Francia, (Foto de portada de ORLAN)<\/span><\/p>\n

Lyotard Jean-Fran\u00e7ois, Les Immateriaux. \u00c1lbum e inventario, Editions Centre Georges Pompidou, Par\u00eds, Francia <\/span><\/p>\n

1984<\/b><\/span><\/p>\n

Besacier Hubert, Charre Alain, D\u00e9roudille Ren\u00e9, Morgan Stuart, ORLAN, Pelzer Birgit, Pwlowski Tadeus, ORLAN, exposici\u00f3n 1979-1983, Cinq ans d’Art Performance \u00e0 Lyon, Editions Comportement, Lyon, Francia, p. 11-14, 111<\/span><\/p>\n

Bongiovanni Pierre, Duhard Jean-Marie, Fargier Jean-Paul, Zanoli Patrick, 2\u00aa manifestaci\u00f3n internacional de v\u00eddeo, Editions Monb\u00e9liard, Francia, p. 275<\/span><\/p>\n

Donguy Jacques, Mise en sc\u00e8ne pour une assomption, estudio documental n\u00b0100, Le Mois de la photo \u00e0 Paris, Editions Direction des Affaires culturelles de la ville de Paris & Paris Audiovisuel, Par\u00eds, Francia, p. 242<\/span><\/p>\n

Prado Patrick, Estudio documental n\u00b0111 – La lumi\u00e8re: mise en sc\u00e8ne pour un grand fiat, Estudio documental n\u00b02 – La lumi\u00e8re baignant les anges baroques, Grand Canal Video, Editions Composite diffusion, Par\u00eds, Francia<\/span><\/p>\n

Ubi, Editions maquette natvia, Saint-Vorles, Ch\u00e2tillon-sur-Seine, Francia, p. 27-30<\/span><\/p>\n

1983<\/b><\/span><\/p>\n

Berne-Joffroy Andr\u00e9, Briot Marie-Odile, Lecombre Sylvain, Popper Frank, Electra, l’\u00e9lectricit\u00e9 et l’\u00e9lectronique dans l’art du xxe si\u00e8cle, Mus\u00e9e d’Art Moderne de la Ville de Paris, Francia, pp. 380-383<\/span><\/p>\n

Froment Jean-Louis, M. Fischer Alfred, Jappe Georg, Honnef Klaus, Thieler Fred, Pfennig Gerhard, Poinsot Jean-Marc, Wilke Reinhard, Qu’importe, si c’est bien, Editions Office Franco-Allemande, Marsella, Francia, p. 223.<\/span><\/p>\n

1982<\/b><\/span><\/p>\n

Adams Hugh, Besacier Hubert, Breyne Jean (de), Crispolti Enrico, D\u00e9roudille Ren\u00e9, Fagone Vittorio, Jappe Elisabeth, ORLAN, Watson Gary, 4\u00ba Simposio Internacional de las Artes del Espect\u00e1culo, Lyon, Francia, 1982, p\u00e1g. 12.<\/span><\/p>\n

Egidio Alvaro, Alternativa, II Festival internacional de arte viva, Ediciones oficina de cultura, p.131<\/span><\/p>\n

Alvaro Egidio, Donguy Jacques, Primer festival internacional del espect\u00e1culo de Par\u00eds, Par\u00eds, Francia, p. 23<\/span><\/p>\n

Bloch Dany, Boss\u00e9 Laurence, Travaux sur papier, objets photos, Editions Villeparisis, Villeparisis, Francia, p. 6<\/span><\/p>\n

Velasco Barroetabena Roberto, Feria de Arte Contempor\u00e1neo, arteder 82, Editions seccion III photographia, Bilbao, Espa\u00f1a, p. 596<\/span><\/p>\n

1981<\/b><\/span><\/p>\n

Identidad: ilusi\u00f3n-alusi\u00f3n n\u00ba 1, Und\u00e9cima Bienal de Par\u00eds, Galer\u00eda Nacional de Arte, Lisboa, Portugal<\/span><\/p>\n

Barilli Renato, Besacier Hubert, Corominas Maria-Jos\u00e9, Daolio Roberto, De Sousa Ernesto, Fagone Vittorio, Kent Sarah, Kontova Helena, Matta Malitte, Pawlowski Tadeusz, Poli Francesco, Schwarzbauer Georg F, Stener Mike, Symposium international d’art-performance de Lyon, Editions ELAC, Lyon, Francia.<\/span><\/p>\n

Besacier Hubert, D\u00e9roudille Ren\u00e9, Jeune Marie-Claude, ORLAN, \u0152uvres plastiques des artistes de la Performance, Editions ELAC, Lyon, Francia<\/span><\/p>\n

Roche Denis, Autoportraits photographiques, Centre Georges Pompidou, Edition Herscher, Par\u00eds, Francia, p. 63<\/span><\/p>\n

1980<\/b><\/span><\/p>\n

Ainardi Dol\u00e8ne, Flagrant d\u00e9lit de traces, Editions TNP, Lyon, Francia<\/span><\/p>\n

Alinovi Francesca, Barilli Renato, Bex Flor, Daolio Roberto, 5e settimana Internazionale della Performance, la Soffitta, Editions teatro della provincia di Bologna, Italia<\/span><\/p>\n

Bex Flor, XI Bienal de Par\u00eds, Par\u00eds, Francia.<\/span><\/p>\n

Bonnaval Jacques, Made in France, Ediciones ELAC, Lyon, Francia.<\/span><\/p>\n

Von Mulders Vim, Aspects du mythe dans l’\u0153uvre d’ORLAN, Mesurage, Amberes, B\u00e9lgica.<\/span><\/p>\n

1979<\/b><\/span><\/p>\n

Alvaro Egidio, Performances, rituales, intervenciones en espacios urbanos, arte del comportamiento en Portugal, Simposio Internacional de Arte-Performance de Lyon, Editions ELAC, Lyon, Francia.<\/span><\/p>\n

Charre Alain, Notes \u00e0 partir du mesurage du Mus\u00e9e St Pierre de Lyon, Primer Simposio Internacional de Artes Esc\u00e9nicas de Lyon, Editions du Cirque Divers, Lyon, Francia,<\/span><\/p>\n

Friloux F. Les Performances-bouffe, Editions Th\u00e9\u00e2tre d’en face, Par\u00eds, Francia, p. 3<\/span><\/p>\n

1978<\/b><\/span><\/p>\n

Besacier Hubert, ORLAN eligi\u00f3 su cuerpo como material, Las jornadas interdisciplinarias sobre arte corporal y performance, Editions Centre Georges Pompidou, Par\u00eds, Francia<\/span><\/p>\n

Maubant J. L. , ORLAN, Exposici\u00f3n de profesores de la Escuela Nacional de Bellas Artes de Macon, Francia<\/span><\/p>\n

Maubant J. L, Les artistes sur les pav\u00e9s, en Bilan du Symposium, Editions Mus\u00e9e d’Angoul\u00eame, Angulema, Francia.<\/span><\/p>\n

1977<\/b><\/span><\/p>\n

Besacier Hubert, Face \u00e0 une soci\u00e9t\u00e9 de m\u00e8res et de marchands, Le baiser de l’artiste, FIAC, Par\u00eds, Francia<\/span><\/p>\n

Besacier Hubert, Langages au f\u00e9minin, Editions ELAC, Lyon, Francia<\/span><\/p>\n

Charre Alain, G\u00e9rome \u00c9lyane, Tendances Contemporaines Rh\u00f4ne-Alpes \u00e9tat 1, Editions ELAC, Lyon, Francia<\/span><\/p>\n

De Cast\u00e9ras Christiane, Feminie 77, tercera exposici\u00f3n del Grupo de Di\u00e1logo, Ediciones Unesco, Par\u00eds, Francia, p. 265.<\/span><\/p>\n

1975<\/b><\/span><\/p>\n

Artias Lydia, Triennale – esculturas, pinturas, Editions Maison de la Culture et des Loisirs de Saint-\u00c9tienne, Saint-Etienne, Francia<\/span><\/p>\n

1974<\/b><\/span><\/p>\n

Artias Lydia, 63\/42, Ediciones Wuppertal, Alemania<\/span><\/p>\n

Artias Lydia, 63\/42, Editions Maison de la Culture et des Loisirs de Saint-\u00c9tienne, Saint-\u00c9tienne, Francia.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

  2026 ORLAN, Jens Hauser, Dietmar Lupfer, Donatien Grau, Primavera De Filippi, \u00abORLAN: Artistic Intelligences\u00bb, Editorial Muffathalle, M\u00fanich 2025 La Marrade, Arte, humor y feminismo, LAAC, Editorial El Visio, Dunkerque, 95 p\u00e1ginas, p. 7, p. 38, p. 56\/59  Vanguardia feminista: el arte de los a\u00f1os 70, colecci\u00f3n Verbund, Viena, Gabriele Schor, Cuerpo expuesto, cuerpo en […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":19789,"menu_order":3,"comment_status":"open","ping_status":"open","template":"","meta":{"_eb_attr":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_s2mail":"","ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-19695","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.orlan.eu\/es\/wp-json\/wp\/v2\/pages\/19695","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.orlan.eu\/es\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.orlan.eu\/es\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.orlan.eu\/es\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.orlan.eu\/es\/wp-json\/wp\/v2\/comments?post=19695"}],"version-history":[{"count":2,"href":"https:\/\/www.orlan.eu\/es\/wp-json\/wp\/v2\/pages\/19695\/revisions"}],"predecessor-version":[{"id":23724,"href":"https:\/\/www.orlan.eu\/es\/wp-json\/wp\/v2\/pages\/19695\/revisions\/23724"}],"up":[{"embeddable":true,"href":"https:\/\/www.orlan.eu\/es\/wp-json\/wp\/v2\/pages\/19789"}],"wp:attachment":[{"href":"https:\/\/www.orlan.eu\/es\/wp-json\/wp\/v2\/media?parent=19695"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}